Looked for an old thread, and surprisingly couldn't find one.
Inspired by the "Well Met" thread, I decided to pop this one in after years since my last viewing. It definitely holds up. It's funny, Superman: The Motion Picture and Batman are definitely the Ur-superhero films, but Blade wrote the language of the 21st century action film by which all modern superhero films spring.
Without Blade, The Matrix doesn't exist, and without The Matrix there is no X-Men and so on and so forth.
This film does not get enough credit. Not only is the first fifteen minutes an incredible, visceral experience, but the rest of the film is Asian cinema filtered through blaxploitation. That's right, this movie is FUNKY. It's urban hyper-reality bordering on cyberpunk, and for that reason (even without iPods and cellphones) it still feels cutting edge today.
Not just funky, this movie is WEIRD. The vampires are animalistic and decadent, laying the groundwork for True Blood. Vampirism and the act of drinking blood had been used countless times before as a metaphor for love making, but here it's fucking. Not just that, but there's an undercurrent of incest as Blade yearns for his mother the entire movie, projecting her onto Karen, and then when he actually meets his mother she's all over him. This, of course, culminates in Blade penetrating her.
There's fun subversion, as well, of race roles and a quiet subtext about masculinity and blackness on display. Deacon Frost is a character with an ill-defined backstory, but it's obvious that he has little man's complex. First he wants to be a Pure Blood, then Blade, then he wants to be La Magra. He wants to be BIG. He's a little white guy, and on several occassions admits to wanting to be a strong black man, all the while accusing Blade of being an "Uncle Tom". It's fascinating, a scenario in which the metaphor encompasses vampires as oppressed minorities seeking revolution and Blade as a sellout of his own people.
There's also a provocative attempt of science vs. religion, with Whistler and Karen representing hard logic and scientific fact and Frost's side relying on myths and legends. Unfortunately this tends to get muddled, as Blade himself seeks help from a new age mystic (the guy that supplies him with serum) and Frost uses technology to decipher the old scrolls. Maybe the point is that the lines are blurred.
It's also a damn funny movie.




