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Chewers' 100 Funniest Films of the 70's - Page 2

post #51 of 121

44.

rocky_horror_picture_show.jpg

1975                                                  dir. Jim Sharman

 

Tim Curry is a god in fishnets, peaking early with the role that would define him. This is the best musical comedy of the 70s (and of all time, for my money) & remains a cultural rite of passage for millions.

 

Iconic.

 

post #52 of 121

45.

220px-Catch-22_poster.jpg

1970                      dir. Mike Nichols

 

The other cynical, disjointed wartime black comedy of 1970. Overshadowed by Robert Altman's behemoth, Nichols & Buck Henry's adaptation of Joseph Heller's classic novel is very much The Stones to M*A*S*H's Beatles.

 

A damn fine film.

 

post #53 of 121

46) 5153AP8YADL._SL500_AA300_.jpg

 

Stanley Gusciora: Your Honor, I can't do no 20 years.
Judge: Well do as much as you can, son.
[bangs gavel]

 

Criminally, this William Friedkin movie isn't on DVD and was only on Netflix Instant for about five minutes and I caught it on Cable by chance and DVRed that bad boy. It has a great cast that includes  Peter Falk, Gena Rowlands, Paul Sorvino, Warren Oates and Peter Boyle.

 

Edit: I was wrong, it just came out on DVD!


Edited by Cameron Hughes - 8/26/11 at 7:59pm
post #54 of 121

The fact that Freebie and the Bean is #1 on this list warms my heart.

 

47. The Long Goodbye (Altman, 1973)

 

It's okay by me.

 

More than Nashville, MASH, Short Cuts...this is Altman's crown jewel. A countercultural noir comedy that laid the ground for Shane Black and The Big Lebowski. Elliott Gould, one of the unsung great leading men of the 70's, tosses away the hardened idea of Marlowe and reinvents him as a beach bum who doesn't understand the way of the times.

 

...and since it wasn't taken...

 

48. The Last Detail (Ashby, 1973)

 

GIVE THIS MAN A BEER.

 

Post-Vietnam cynicism at its highest. Nicholson at his Nicholsoniest. Ashby at the top of his game. Towne equipped with the typewriter of destiny...an all-out dream of a 70's film.

post #55 of 121
Thread Starter 

49. California Split (1974) d. Robert Altman

 

Gambling adiction has never been so hilarious! One of the gems of Altman's 70's run, this is my favorite of his team ups with Gould. And Segal is absolutely brilliant. Love the use of Altman's trademark overlapping diologue; chaos heightens the comedy (and drama).

post #56 of 121
Thread Starter 

50. Dolemite (1975)

 

"I'm gonna let 'em know that Dolemite is back on the scene! I'm gonna let 'em know that Dolemite is my name, and fuckin' up motherfuckers is my game!"

 

One of the great rite of passage films of my generation. All hail the genius that is Rudy Ray Moore.

 


 

post #57 of 121

Two brilliant choices-- California Split might actually be my favorite Altman picture.

post #58 of 121
Thread Starter 

51. Real Life  (1979) d. Albert Brooks

 

post #59 of 121

CLASSIC trailer. If that doesn't sell you on Albert Brooks, then you should probably give up on life.

post #60 of 121
Thread Starter 

52. Hi, Mom! (1970) d. Brian DePalma

 

This counter culture tinged blark comedy is so delightfully sharp (Oh, man the whole "Be Black, Baby". You'll laugh while gasping!) and hilarious that it's mystifying how much director DePalma stumbled when later attempting BONFIRE OF THE VANITIES. NSFW trailer:

 


Edited by Fat Elvis - 8/30/11 at 11:44am
post #61 of 121
Thread Starter 

53. The Landlord (1970) d. Hal Ashby

 

Hilarious and perceptive look at racial tension and class division post Civil Rights Movement. All things considered, a funny bittersweet film.

post #62 of 121

Statistically speaking, Hal Ashby is the Ted Williams of 70s comedy. Such an incredible run.

 

I just saw Shampoo for the first time because of this thread & it was fantastic. Jack Warden rules.

post #63 of 121
Thread Starter 
Quote:
Originally Posted by Art Decade View Post

 

 

I just saw Shampoo for the first time because of this thread & it was fantastic. Jack Warden rules.



Ah cool that you dig it. I've had the worst luck recommending that movie to people (going even back to my video store days). The whole election night section is just non-stop hilarity to me. And, yeah Jack Warden rules.

 

post #64 of 121

54. Semi-Tough (1977) d: Michael Ritchie, AGAIN

 

semi_tough.jpg

 

"Experience THIS, asshole!"

post #65 of 121
55. Willy Wonka and the Chocolate Factory (1971) d. Mel Stuart

Produced by Quaker Oats, They wanted to make an new candy product line so Mel Stuart convinced them to buy the rights to Roald Dahl's classic book and develop a line based on it's magical Chocolatier . The candy line innitaly failed (because the wonka bar chocolate tasted awful), but the film made to promote it went on to be a family musical comedy classic.
post #66 of 121
Thread Starter 

56. The Frisco Kid (1979) d. Robert Aldrich

 

The comic Western I actually prefer over BLAZING SADDLES. <blasphemy!> Wilder has his funniest non-Brooks role, and Harrison Ford was still the coolest guy in the room.

 

Chief Gray Cloud: [in reference to Avram's god] What does he do?
Avram: He... He can do anything!
Chief Gray Cloud: Then why can't he make rain?
Avram: Because he doesn't make rain. He gives us strength when we're suffering. He gives us compassion when all that we feel is hatred. He gives us courage when we're searching around blindly like little mice in the darkness... but He does not make rain!
[Thunder and lightning begin, followed by a downpour]
Avram: Of course... sometimes, just like that, he'll change His mind.

post #67 of 121
Thread Starter 

57. Uptown Saturday Night (1974) d. Sidney Poitier

 

Great buddy comedy with fun team up of the Cos and Poitier. Refreshingly positive and lighthearted blaxploitation. A favorite of my family/childhood, I still revisit it every other year or so.

post #68 of 121
Thread Starter 

58. Every Which Way But Loose (1978)

 

Dismissed by critics for most of the 70's, Eastwood was finally gaining respect, when what does he do? He out Burts Burt, and makes a movie with an orangutan . And it's awesome.

post #69 of 121
Thread Starter 

59. Winter Kills (1979) d. William Richert

 

The paranoid thriller as pitch black comedy. One of the truly underated gems of the late 70's.

post #70 of 121

60. Where's Poppa? (1970) d: Carl Reiner

 

The flip side of Harold and Maude, in which George Segal, desperate for a life of his own, is shackled to the responsibility of caring for his aged, senile mother Ruth Gordon, who simply refuses to die. Meanwhile his successful brother Ron Leibman looks on smugly, but you just wait.

 

poppacard.jpg


Edited by Hammerhead - 9/2/11 at 4:13pm
post #71 of 121

61.

picture.jpg

1976                                                  dir. Blake Edwards

 

The most consistent of the 70s Pink Panther films. Strikes Again is a Roger Moore Bond spoof in all but name, revolving around a plot in which the mad Inspector Dreyfus threatens to destroy the world with a giant laser lest they kill Clouseau for him. Unlike the first few Panther's, which were comparatively grounded slapstick farces, Edwards' 1976 entry is full on Saturday morning cartoon fun. This is the series' high point, IMO.

post #72 of 121
Thread Starter 

62. A New Leaf (1971) d. Elaine May

 

May's brilliant first film is still her best <wait, I really, really love MIKEY AND NICKY> It's a screwball throwback with a dark sensibility, and terrific central performances from Walter Matthau and May herself. Still no DVD, I'm holding out hope for the semi-legendary "director's cut".

post #73 of 121
Thread Starter 

63. Taking Off (1971) d. Milos Foreman

 

American debut of Foreman, this sleeper deals with parents, whose children have run away, beginning their own journey of recapturing lost youth. (IMDB trivia gives its inspiration as The Beatles' "She's Leaving Home") A delightful gem. Essential Buck Henry!

post #74 of 121

64. Cold Turkey (1971) d: Norman Lear

 

Fearless satire finds a tobacco company attempting to improve its public image by announcing a multi-million-dollar award to any town that can quit smoking for a month. It's assumed that this is an impossible feat, and therefore no financial risk. But there's one exceptionally depressed midwest town desperate enough to try...

 

cold-turkey-movie-poster-1971-1020228329.jpg

 

Featuring an all-star cast of veterans and TV stars, many at the top of their game: Dick Van Dyke, Bob Newhart, Jean Stapleton, Vincent Gardenia, Tom Poston, Barnard Hughes, Paul Benedict, Edward Everett Horton, plus Bob & Ray as various newscasters. Anticipates Robert Altman's sprawling-community films in many ways. Randy Newman's first film score. Filmed in 1969 but unreleased for two years (conspiracy!).


Edited by Hammerhead - 9/3/11 at 6:15pm
post #75 of 121

65. All You Need is Cash (1978)

 

Since this was a film made for television, I'm debating if I should include it on the list. I'll leave it up to the rest of you to decide.

 

Despite it never being in movie theaters, All You Need Is Cash is still one of the most hilarious things Eric Idle ever made outside of Monty Python. If you love the Beatles, you need to see it. If you think the Beatles are overrated, you need to see it. The film packs a ton of verbal and visual gags into 76 minutes. The cast is up for anything. And the music....well, just watch for yourself.

 

 

This makes a great double feature with This Is Spinal Tap.

 


Edited by JPL - 9/4/11 at 4:52pm
post #76 of 121

66. REDNECK MILLER ('77)

grindhouse.jpg

 

Do NOT be fooled by the poster art.

This is a story about a good ole boy country DJ in a small town who finds out his motorcycle's been stolen by drug lords. When they refuse to give it back, he wages an all-out war against them, and by war I mean a succession of increasingly silly pranks. Tons and tons of fun.

post #77 of 121
Thread Starter 

67. Hooper (1978) d. Hal Needham

 

While no SMOKEY AND THE BANDIT, HOOPER is still a fun blend of Action and Comedy. Burt is great and the cast is game. Bonus points for inventing the "Blooper Reel" credits!

post #78 of 121
Thread Starter 

"All You Need Is Cash" is the "Delirious" pick of the thread. I like it.

post #79 of 121

68.

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1972          dir. Richard A Colla

 

M*A*S*H with cops & Burt Reynolds' first foray into action comedy. This is your parents' Police Academy.

post #80 of 121
Thread Starter 

69. The End (1978) d. Burt Reynolds

 

The movie suffers from the DeLouise factor, but I love that the biggest star in the world, at the height of his fame, made a black comedy about suicide.

post #81 of 121
Thread Starter 

70. Silent Movie  (1976) d. Mel Brooks

 

The whole conceit of the movie is that the film's central gimmick is funny enough to carry the day, and you know what? It is. Would I put it up with BLAZING SADDLES and YOUNG FRANKENSTEIN? Dunno, but it's pretty funny. Last time Brooks was clicking on all cylinders. Numerous star cameos add to the fun.

 

 

post #82 of 121

This thread has become a regular smorgasbord of films I need to see.

post #83 of 121

71. Little Murders (1971) - The name of author Jules Feiffer should clue you in as to how dark and paranoid this film is.  Amazing film.

post #84 of 121

72.

193582.1020.A.jpg

1973                    dir. George Roy Hill

 

Your boss is quite a card player, Mr. Kelly; how does he do it?

 

He cheats.

post #85 of 121

Art Decade for the win. What a fucking golden movie it is.

post #86 of 121

73. Between the Lines (1977) d: Joan Micklin Silver

 

The staff of a counter-culture newspaper wrestles with changing times, growing up and selling out. Strong cast includes John Heard, Lindsay Crouse, Jeff Goldblum, Jill Eikenberry, Stephen Collins, Michael J. Pollard and Bruno Kirby. Look quick for Marilu Henner as a stripper. Not 100% a comedy, but the scene in which Goldblum defuses a tense encounter with a crazy 'conceptual artist' is one of the funniest things I've ever seen.

 

I can't find that scene online, but here's Goldblum bullshitting his way through a music-appreciation lecture:

 

 

 


Edited by Hammerhead - 9/6/11 at 11:15am
post #87 of 121

74. High Anxiety (1977) d. Mel Brooks

 

My older sister took me to see this when I was just eight years old and I had no clue who Alfred Hitchcock was. But I still thought this movie was funny, so I guess it works on at least two levels.

post #88 of 121
Thread Starter 

75. The Out-of-Towners  (1970) d. Arthur Hiller

 

One of my favorite Neil Simons. A great New York movie. Jack Lemmon and Sandy Dennis are fantastic.

post #89 of 121
Quote:
Originally Posted by Fat Elvis View Post

75. The Out-of-Towners  (1970) d. Arthur Hiller

 

One of my favorite Neil Simons. A great New York movie. Jack Lemmon and Sandy Dennis are fantastic.



Seconded.  One of the best "urban frustration" movies ever made even if this film's version of New York is as dated as the Crimean War.  

post #90 of 121
Thread Starter 

76. Steelyard Blues (1973)

 

Jane Fonda and Donald Sutherland star in this quirky crime comedy. The counterculture/ anti-establishment humor is delivered with easy going stoned charm, succeeding on the charisma of the cast. Peter Boyle steals the show.

post #91 of 121
Thread Starter 

77. Gas-s-s-s (or It Became Necessary to Destroy the World in Order to Save It) (1971) d. Roger Corman

 

This silly post-apocalyptic comedy was Corman's last for AIP. The counterculture vibe is mixed with a pure Mad magazine sense of humor, going so far as opening with a John Wayne stand in being responsible for the end of the world. My favorite scene is a shoot out in which the participants shout out the name of a famous movie cowboy as they fire at each other - charmingly absurdist.

post #92 of 121

How the hell hasn't this appeared yet??

 

 

78. The Phantom of the Paradise (1974)

 

 

Brilliant genre hybrid horror-comedy-musical by De Palma.   The Beef scenes alone push this into pure comedy, but the whole thing generates lots of weird, goofy laughs and the songs are inspired.  It skewers the excesses of  rock music better than any movie that isn't Spinal Tap.  

post #93 of 121
Quote:
Originally Posted by JPL View Post

65. All You Need is Cash (1978)

 

Since this was a film made for television, I'm debating if I should include it on the list. I'll leave it up to the rest of you to decide.

 

Despite it never being in movie theaters, All You Need Is Cash is still one of the most hilarious things Eric Idle ever made outside of Monty Python. If you love the Beatles, you need to see it. If you think the Beatles are overrated, you need to see it. The film packs a ton of verbal and visual gags into 76 minutes. The cast is up for anything. And the music....well, just watch for yourself.

 

 

 

It's probably worth mentioning that the "sequel," Can't Buy Me Lunch, is largely a mess of scraps and leftovers, with a few new bits, and arguably the least funny thing any Python ever created. It's also evidently the source of a bitter legal feud between Idle and Neil Innes, which saddens me.

 

For more Beatles-related goodness:

 

79. I Wanna Hold Your Hand, 1978. Nancy Allen, Wendy Jo Sperber, Eddie Deezen (aka "Ringo Klaus"), under the direction of Robert Zemeckis, caught up in the insanity of The Beatles' visit to New York and first Ed Sullivan gig. Sweet and silly, and pretty effective at summoning up the exhilaration of the times.

 

And just for the hell of it:

 

80. 1941, 1979. Remember, the thread title is not "best comedies" of the 70's, but "funniest films," and while 1941 is truly an unholy mess, it is filled with hysterically funny moments (just not enough to justify the running time or ungainly set pieces). "OK, Dad, but you're ruining Christmas!" It also has one of Williams' most underrated scores, and a main theme that can compete with Raiders or Superman for sheer over-the-top bravura.
 

 

post #94 of 121
Thread Starter 

Oh, man, I WANNA HOLD YOUR HAND is such a fun blast! My "Film of the Month" write up:

 

I watched I Wanna Hold Your Hand tonight. First time in a long while. There's a manic energy that if not quite anarchistic like Used Cars, still pulses with a reckless spirit ("boisterous lunacy" as Kael called it) that is fun and infectious. Zemeckis uses the camera deftly, at times splashy, yet mixed with a naturalistic style that allows impression of being there during the hysteria.

Random notes: All jokes aside about their peculiar presence, Wendie Jo Sperber and Eddie Deezen are actually funny. (This is without a doubt the definitive film capturing the Deezen experience) Their innocent obsession over the Beatles and nerdy adolescent reluctant (not quite) romance is the heart of the film.

Bobby DiCicco, faux Travolta as he might be, is great as the rocker who's driven by two things-scoring chicks and fighting British invasion of the pansy Beatles. ("I wanna hold your glands") Nancy Allen has a nice little arc as a girl sexually liberated by the sensual phallic power of Paul's bass and raw power of rock n roll music. (Escaping domestic misery to "Twist and Shout", film hints that the music gives her her first orgasm. The men don't know, but the little girls understand)

The movie culminates in the Ed Sullivan Show performance itself. A precursor to Gump in the effective way real images of the Beatles are inter-cut seamlessly into the story. (SPOILER: You say you want a revolution? The big pay off involves a literal deux ex machina from the Hand of God saving the show and the generational touchstone moment) Theresa Saldana's character gets one of the best moments in the coda. As the credits roll, you'll be smiling.

A last quick note: fantastic use of the Beatles music. Rivals American Graffiti in effective early use of rock n roll soundtrack.

post #95 of 121
Quote:
Originally Posted by Jeb View Post



 

It's probably worth mentioning that the "sequel," Can't Buy Me Lunch, is largely a mess of scraps and leftovers, with a few new bits, and arguably the least funny thing any Python ever created. It's also evidently the source of a bitter legal feud between Idle and Neil Innes, which saddens me.

 

For more Beatles-related goodness:

 

79. I Wanna Hold Your Hand, 1978. Nancy Allen, Wendy Jo Sperber, Eddie Deezen (aka "Ringo Klaus"), under the direction of Robert Zemeckis, caught up in the insanity of The Beatles' visit to New York and first Ed Sullivan gig. Sweet and silly, and pretty effective at summoning up the exhilaration of the times.

 

And just for the hell of it:

 

80. 1941, 1979. Remember, the thread title is not "best comedies" of the 70's, but "funniest films," and while 1941 is truly an unholy mess, it is filled with hysterically funny moments (just not enough to justify the running time or ungainly set pieces). "OK, Dad, but you're ruining Christmas!" It also has one of Williams' most underrated scores, and a main theme that can compete with Raiders or Superman for sheer over-the-top bravura.
 

 



Concur with both, esp. 1941 which is an all-time favorite of mine, despite its terrible reputation.  That score is amazing.  

post #96 of 121
Thread Starter 

81. Fun With Dick And Jane (1977) d. Ted Kotcheff

 

George Segal and Jane Fonda star in a saterical comedy about a middle-class couple who lose their jobs, fall thru the cracks and then become high class thieves to try to get back what they lost. Social commentary is sharp and the performances are funny. (With the ecomomy the way it is today, very relevant!)

post #97 of 121
Thread Starter 

82. Going In Style (1979) d. Martin Brest

 

A true underrated 70's gem, this is still Brest's best film. Bitersweet and hilarious.

 

Netflix summary:

 

"Out of sheer boredom, septuagenarian roommates Joe (George Burns), Al (Art Carney) and Willie (Lee Strasberg) plan a daring bank heist. But after they pull off the caper, problems begin to crop up -- beginning with the death of one of the three old codgers. Hard choices and some even tougher introspection follow as the remaining two head to Las Vegas for a wild fling in this classic comedy directed by Martin Brest."

 

Available on Instant!

post #98 of 121

83.

220px-Oh_god.jpg

1977                        dir. Carl Reiner

 

An old Vaudevillian gets the role that would define & endear him to millions. All but forgotten today, this was pretty massive when it came out in 1977 & still makes the perfect double feature with The Muppet Movie.

post #99 of 121
Quote:
Originally Posted by Fat Elvis View Post

82. Going In Style (1979) d. Martin Brest

 

A true underrated 70's gem, this is still Brest's best film. Bitersweet and hilarious.

 

Netflix summary:

 

"Out of sheer boredom, septuagenarian roommates Joe (George Burns), Al (Art Carney) and Willie (Lee Strasberg) plan a daring bank heist. But after they pull off the caper, problems begin to crop up -- beginning with the death of one of the three old codgers. Hard choices and some even tougher introspection follow as the remaining two head to Las Vegas for a wild fling in this classic comedy directed by Martin Brest."

 

Available on Instant!


Love love love this one, though it's a good deal less laugh-out-loud funny than Midnight Run.

 


Edited by Jeb - 9/8/11 at 2:45pm
post #100 of 121

As long as we're doing Burns:

 

84. The Sunshine Boys, 1975. Not Simon's best-constructed play, and I think the film improves on the structure, as well as doing an adequte job of fleshing out the story. And while we all know Burns got the Oscar for sentimental reasons, he really was a brilliant straight man; I saw Sam Levine play the part on stage, and I'd have killed to see Burns' comic timing in the role in front of a live audience. As for Matthau, he's huge and imposingly half-deranged where Jack Albertson (who originated the role) was just cranky. The jokes are among Simon's darkest, downright mean-spirited at times (Matthau reading a songwriter's obituary: " 'Lady, lady be my baby.' 'Lady' he rhymes with 'baby'? No wonder he's dead."). But the showbiz atmosphere is beautifully rendered, and the climactic sketch scene is far funnier than anything relying on old vaudeville jokes has any right to be.

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