The other month I wrote about William Friedkin's RULES OF ENGAGEMENT over on the GUY.com LAST MOVIE WATCHED? thread, and thought I'd share those thoughts here with the movie hounds at CHUD. I wrote this after having seen the film for the first time in many years:
I remember that the last time I saw this film, back in the year 2000, I was on SAMUEL L JACKSON's side. I don't remember why, I guess I was just dumb and young and so I felt happy when he was acquitted of murder at the end of the movie (SPOILERS). After all, that's clearly what the film tells us we should be feeling (what with the heroic theme music piping in as the verdict is read)
When I rewatched it, I couldn't help but feel that a great injustice had been done when Jackson gets off scott free
I went and did some research to see how the film was initially received back in the day, and what I found was curious. It was called "outright racist" by the BOSTON GLOBE, and the ARAB DEFAMATION LEAGUE called it the most racist film Hollywood ever made
Watching it now, in 2011, I am not sure I'd call it racist. Fascist might well be a better word
IMHO, ROE seems to offer up an accurate and even handed depiction of protests in the Arab world. After all, just the other month we saw four UN workers burned to death because some red neck in Florida torched a Koran. We've all had quite an education in violent, radical Islam since the movie came out and so I can't say that it seems that outlandish - the scenario depicted in the movie - which centers around a protest in Yemen outside the American embassy
What boggles my mind though is the fact that we're expected to cheer and root for characters who are doing their best to defend the monstrous actions of Samuel L Jackson's Col. Childers character. It's all right there in the opening 15 minutes of the film. Rather than first target rooftop snipers, or fire warning shots to disperse civilians, he orders his troops to open fire the crowd. "Waste the mother fuckers!" he shouts, seconds after being informed that there was no clear line of fire for armed targets in the crowd, given that women and children were amongst the protesters
The movie seems to want the debate to hinge on the presence of weapons in the crowd, and whether or not the crowd was in fact unarmed. Tommy Lee Jones endeavors to prove some in the mob were shooting, and the powers that be seek to cover that fact up. However, that question is totally beside the point. As Guy Pearce makes clear: rather than attempt to first fire warning shots or kill the snipers (which could have caused civilians to flee), Jackson immediately orders his troops to "waste" the protesters, knowing full well that there were women and children in the crowd
According to the movie, Pearce's reasoning is faulty, Jackson did the right thing, and the forces of the military justice system that seek to convict him for his actions are corrupt and wrong headed
Yikes.. Kind of amazing how a decade's time can put the entire plot of a film in a radically different perspective




