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WARVATAR

post #1 of 7
10/27/11 at 3:20pm
Thread Starter 
by Renn Brown: link

War is hell and pixels.
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post #2 of 7
10/27/11 at 3:23pm

War the hell is this?

 

This just screams, "We'll fix it up in post!" as a driving force for an entire production.

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post #3 of 7
10/27/11 at 4:46pm

That sounds worse than dead kittens.

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post #4 of 7
10/27/11 at 5:13pm

Wouldn't it just be easier (and look better) to just film this?  Like with actual cameras and stuff?

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post #5 of 7
10/28/11 at 5:26am
Quote:
Originally Posted by neoolong View Post

Wouldn't it just be easier (and look better) to just film this?  Like with actual cameras and stuff?



You'd think, wouldn't you? You really would think... (Shrug)

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post #6 of 7
10/28/11 at 6:13am

This is just crass.

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post #7 of 7
11/1/11 at 9:23am

I'm a well known evangelist for the promise of MoCap tech, and I feel that CLU was the most remarkable character I saw on screen in 2010. A true revolution

 

With that said, this project doesn't make sense on any level. You CLU someone in order to do something with the character or setting you wouldn't be able to do practically. Here it seems like nothing more than a pointless gimmick, used in service of a story that could be told better and more cheaply if it were just shot like a normal film. Hollywood should focus on storytelling and movie making fundamentals, not pointlessly indulgent special effects

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