Asshole, table for one, please?
I'm sorry, but this just didn't work for me at all beyond a purely nostalgic twinge at seeing the Muppets.
Too much human not enough felt. Although weirdly I feel there weren't enough cameos. What I mean by this is past Muppet films have felt like Muppet films with cameos, this felt like a movie with puppets who just happened to be Muppets. Sorta a felt spin on Who Framed Roger Rabbit? down to the villains plotline which was dropped like a bowling ball along with the plot overall. I understand Renn ascribing a meta/Muppet ideal in making that feel right but I don't think it was intentional and it hurts the film overall.
Too much mugging for the camera from Segel and Adams; I will have to go back and watch Caper(my favorite) to see if Grodin and Rigg break the fourth wall so ham-fistedly.
Walter's talent needed a much better set-up for his finale.
Tex's "maniacal laugh" gag needed much better set-up and conclusion to make the film stick the landing.
The more I think about it I wonder if Galifianakis wouldn't have served better as the "host". Jack Black's schtick is so ungodly annoying to me for some reason. Maybe I have hated him subconsciously ever since he was floated as a comedic Green Lantern.
What the hell was up with all the subtitling and karaoke sing along shit? Especially for the Swedish Chef, what blasphemy.
My gawd I hate bringing him up but Devin has a great article about the possibly mangled ending.
The CGI sections involving the Muppets pulled me out of the film; CGI doesn't mesh well with the already felt characters. I want to see the Muppets with the limitations of being Muppets, I don't want to see Walter being electrocuted by CGI electricity.
Kermit did feel off but it wasn't his voice. His body seemed way too round from top to bottom instead of more slightly-almond shaped as I recall the puppet appearing.
For some reason the best moment in the film for me was the Beauregard reveal.