Kurt Russell, having been born in Springfield MA, is something of a home town hero 'round these parts. I've always been a big fan. Not only can the man act, but he's a straight up movie star. STARGATE alone should be proof, as if he'd not already established that cred 10 times over by the time that film was released. There is no need to cite his iconic work as Plisskin or MacReady to you guys, you know it all by heart. You know of his power to command the screen with an effortless ease that suggests he was born to conquer the silver screen. Instead, I'll just offer up a few thoughts on some of his lesser works, before closing with a few special comments on BREAKDOWN
SKY HIGH has no right to be a good movie, but it works with an assist from Russell who gives the film heart, humor and no small degree of class
DARK BLUE is one of the better Ellroy adaptions, IMHO. Russell does some of the best work of his career in this one, his final press conference calling to mind the conclusion to AND JUSTICE FOR ALL with it's sense of righteous outrage and spectacular bridge burning
He is the voice of ADULT COPPER in THE FOX AND THE HOUND!
He apparently ghost directed TOMB STONE, if his own word on the matter is to be believed
Finally, BREAKDOWN
This is perhaps in many ways my favorite Russell film. It's a movie I like to refer to as a "Massachusetts Pride" flick, and it has come to mean alot to me on a personal level. Russell and Quinlan play the quintessential every-couple, driving west to see the sights. With the Massachusetts plates on their cherry red SUV, to JD Walsh's villainous serial killer they stick out as an easy mark, and they're soon targeted with evil intent

Walsh and his toothless backwater buddies are practiced killers, and assume their latest victims will go down without a fight... yet with each new feat of derring do, Russell proves that Walsh and his cronies underestimate the Bay State at their peril. Rising to the occasion in every respect, Russell goes through hell to save his wife and stick up for Massachusetts residents everywhere. When Russell finally gets the drop on the kidnappers as they sit down for dinner, his righteous outrage rivals that of Harrison Ford in the FUGITIVE. It still gives me the goosebumps
The final battle is wonderfully staged, and the choreography of the climatic confrontation in the cab of the crashed 18 wheeler is the stuff of legend. The glint in Russell's eyes as he caught the chain was outdone only by the sudden look of helpless fear on Walsh's face, as the creep realized the tables had been turned and it was now game over. With Walsh's broken body on the ravine below, Quinlan dispatches her tormenter without pity, crushing him beneath his own massive truck. Too tired for a pithy remark, the couple wait for help and no doubt plot their return to the safety of New England as the credits roll
It's a first rate ending to a first rate actioner, and it's my top reason of the day why Kurt Russell is a super star