Yeah, it really is a shame that Langella's hairstyle (and generally prissy makeup) stick in the mind (even at the time, it looked like utter cheese), because it otherwise is a pretty successful re-invention (and Olivier is at his hammiest). I could wish that they had gone for more of the disorienting Edward Gorey spirit of the stage production, but the well-executed period setting works fine.
Coppola gets at the weirdness of the book and the character, as does Oldman. A tighter script would have helped (not that the novel is any model of concision); in particular, "less is more" should have guided the Oldman/Ryder pairing, but it's the Dracula film I'm most likely to pop in the player and rewatch.
Well, except for Dracula 2000, anytime I want to tease the Mrs about her Gerard Butler enthusiasm...