Something occurred to me with all this discussion of the Raimi Spiderman movies lately: Peter Parker has no social life. In Spiderman 2 his birthday party is at his aunt's house and is attended by two friends, Harry and Mary Jane. This informs us about Peter's isolation as a struggling college student and crime fighting life, but I also realized upon further reflection that what we see is what we get: it's highly unlikely that Peter has ever sat down for coffee with Betty Brant or the Russian Girl that lives next door.
Compare that to, say, Mission: Impossible III when the movie opens with a party. Ethan Hunt is throwing this party with his fiancee, and the party is attended by dozens of people. These people are never given names or identities, but serve as placeholders for "Ethan's friends". This was a choice on the part of the writers and director, to convey to the audience that Ethan has a full external life off-camera.
It's a funny choice, however, as whether or not they're the friends of Ethan or his fiancee, it's easy to imagine Ethan having a full life off-screen interacting with these people. The same could be said for Stifler in the American Pie movies: in the first two his parties are huge and full of random extras, but by the third movie the bachelor party he throws for Jim is only attended by immediate friends, main characters we know the names of...and two strippers.
My point is in the case of Raimi's Spiderman it felt like a purposeful choice to portray Peter as as a lonely individual with few friends, and he works as an audience identification character as we're with him almost 24/7. With Mission: Impossible III and the American Pie movies, however, the abundance of or lack of friends at parties is met with little commentary, saying more about the director's feelings on staging a scene than careful consideration of a character's external life.
So, taking a note from the exposition thread, what are the best and worst examples of implying what a character's social life, interests, and hobbies are like independent of the main narrative?





