A movie like Brainscan is unique. The characters in this film only exist in the time that the movie was made. Brainscan can almost be called a period film today due to its embracing the troubled...
Its a fun to play with friends, find fun quest and just have a blast! I have been playing for several years and i keep going back. always new things to do or find! Just wish there wasnt so many...
TLDNR REVIEW: “Amazing Spider-Man” is almost good, just like powdered mashed potatoes are almost real.
Look, guys. I realize that anyone that is reading this review has already made up their...
That IS a killer bassline. Chris Squire's Rickenbacker is my favorite bass sound. Period. With my last band last summer, I'd spent copious amounts of time trying to get my bassist to start using a flat pick...haha.
That IS a killer bassline. Chris Squire's Rickenbacker is my favorite bass sound. Period. With my last band last summer, I'd spent copious amounts of time trying to get my bassist to start using a flat pick...haha.
If you want to learn it, this guy is pretty dead on. He makes a couple mistakes but he's pretty much got it.
This will absolutely NOT be everyone's cup of tea, but here they are anyways: Opeth, one of the best prog metal bands out there. They are the only band with cookie monster vocals that I can enjoy.
In 1971, 60s Psych scenesters The Move (featuring ELO man Jeff Lynne and Wizzard man Roy Wood) ventured into Prog territory with terrifically epic results.
Krautrock could easily justify a thread of its own.
The enthusiasm in this thread does warm my heart a bit, I remember back in the day when it got brought up on these forums it tended to get sneered at more often than not. There aren't many genres that got more unfairly stigmatised than classic prog.
In 1971, 60s Psych scenesters The Move (featuring ELO man Jeff Lynne and Wizzard man Roy Wood) ventured into Prog territory with terrifically epic results.
Man, some of you guys are making me feel like an entry level prog nerd here.
Pink Floyd opened the flood gates for me, so they will always have a special place in my heart. Recently, I've been geeking out over those "Immersion" box sets that come with some previously unreleased remastered live stuff from the early-to-mid 70s, including a full performance of DSotM, as well as some live Animals material (back when Dogs / Sheep were Raving and Drooling / You've Got To Be Crazy, respectively).
Its great to hear the whole gang playing together, at their creative peak. Its one of the reasons I've always preferred that Pompeii live DVD over something like PULSE. And while I love PULSE a lot, everything sounds a bit too polished, and they can't quite wash away that thick 80s veneer.
Something about Gilmour's guitar... I dunno, its got this raw bluesy energy that you just can't find in the post-split stuff. And hey, Waters vocals! The guy could carry a tune back in the day.
Progressive/Symphonic rock veterans Therion. The band is essentially the main guitarist and a bunch of musicians that he puts together for each album and tour. He gets some simply amazing opera singers to contribute and tour with him.
Funny, before today I had not thought of Tool as prog rock (my love of their music notwithstanding). Yet after coincidentally hearing that assertion twice today, I cannot deny that mapping of their lineage.
Lots of prog rockers make concept albums but the Frenchies known as Magma are the only "concept band" I can think of.
Quote:
Magma is a Frenchprogressive rock band founded in Paris in 1969 by classically trained drummer Christian Vander, who claimed as his inspiration a "vision of humanity's spiritual and ecological future" that profoundly disturbed him. In the course of their first album, the band tells the story of a group of people fleeing a doomed Earth to settle on the planet Kobaïa. Later, conflict arises when the Kobaïans — descendants of the original colonists — encounter other Earth refugees. Vander invented a constructed language, Kobaïan, in which most lyrics are sung.
This is some hardcore shit. A 46-minute version of Mekanïk Destruktïw Kommandöh!
They're usually one of the first bands mentioned when discussing Prog (as one can see just by this thread alone), so, I guess I will take it upon myself to bring some King Crimson to the thread.
I wouldn't say I'm the biggest Floyd fan in the world, but I will say that the intro to this version of this song may be the best sound I've ever heard.
I find them a bit hit and miss but that first Mars Volta record is aces from start to finish. I'm feeling more and more that Amputechture is a very underrated record from them as well.
Amputechture took dozens of listens to grow on me, but Im very, very close to definitively saying its a good album, if still a rambly in parts. Octahedron, on the other hand, is flawless.
I wouldn't hesitate to call it good, the only question is how good. Octahedron I haven't processed like their others but I have to say it didn't make a big impression on me either way. Cutting back on the excess was a good idea but it felt uncharacteristically mild.
And for those in the Atlanta area (or those with an iHeartRadio or TuneIn phone app), WRAS 88.5 has a great show every tuesday at 10:00 PM (eastern US time) called Tower of Song. They cover psych, freak folk, kraut, space rock, prog and pretty much anything resembling any of those genres. Really worth checking out.