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CHEWER'S 250 GREATEST MUSICAL NUMBERS IN CINEMATIC HISTORY

post #1 of 359
Thread Starter 

With all the increased expectations from the recently released Les Mis trailer and the possibility of some truly classic musical numbers coming from it, it seems like a good time to compile a list of the best ones of all time.  Now this is not a list for opening credit or end credit songs, or pieces of score.  This is for music actually performed as part of the film, be it in a musical or non-musical film.  So the main title from Star Wars is right out, but the cantina band would be fair game, as would Marty's performance of "Johnny Be Good" in Back to the Future.  And of course, you've got the rich history of movie musicals to draw from.

 

I'll kick things off with...

 

1.  "La Resistance" - South Park: Bigger, Longer and Uncut (1999)

 

Who would have thought a South Park movie would be one of the best musicals of that last twenty years?  Yet there's Bigger, Longer and Uncut, expertly sending up a handful of musical genres with songs that not only work as parodies of style from Rogers and Hammerstein to Ashman and Menken, not only as songs to move the story forward, but a good songs period.  By far the crowning achievement here is "La Reistance," which wears its debt to Les Mis on its crudely animated sleeve.  The film's "One Day More," it's a stirring tune in its own right, then weaves in the film's other songs to take the whole thing to another level.  It's too bad "Blame Canada" had to carry the Oscar torch for this film, because Marc Shaiman and Trey Parker really deserved the award for this one.

 


Edited by Richard Dickson - 6/16/12 at 2:02pm
post #2 of 359

2. Singin' In The Rain "Broadway Melody" (1953)

 

cyd_charisse_singing_in_the_rain.jpgsingin-in-the-rain-001-450.jpg011-Singin-in-the-Rain-1952-Broadway-Melody.jpg

 

Really, there's no competition. This 12 minute tour de force of hoofer invention created by Gene Kelly with Stanley Donen is the Sistine Chapel of cinema musical numbers. It is perfect in every conceivable fashion. It stirs the soul & moves your feet, it makes you laugh & swell with joy, & it has the power to make grown men cry with awe at the beauty of it's ballet. Gene Kelly was a genius.

 

"Broadway Melody" is the top.

 

At age 17, I was lucky enough to see Singin' In The Rain for my very first time on the big screen. I went in pretty blind & and was floored by how funny it was. But I was completely unprepared when this number unfolded before me. It was utterly transcendent in a way that I hadn't felt since seeing the Star Wars OT in the theater. The ballet in particular really hit me. Back in 1994, I was a goth-y nihilistic grunge kid & I actually cried during it. It was simply one of the most beautiful things I'd ever seen.


Edited by Art Decade - 6/3/12 at 5:43pm
post #3 of 359

3. History of the World Part 1

 I posted this because it was the first thing that came to mind, and its really funny.


Edited by Chaz - 6/3/12 at 7:02pm
post #4 of 359

4.  U.S.O. dance sequence - "1941"  (1979)

 

I think this qualifies as the band actually appears in this sequence playing a John Williams mash-up of Benny Goodman while two G.I.'s fight over the same girl.  It's a masterpiece of fight and dance choreography brilliantly timed to the song.  This is one of several sequences in Spielberg's canon that proves that he desperately needs to do a full-blown musical before he shuffles off.  

 

post #5 of 359
Thread Starter 

And please, let's not have this turn into simply titles and clips.  Put some thought into why you're picking something, and share those thoughts with us.

post #6 of 359

5.  THE MUSIC MAN - 'Trouble'

 

The film is full of great and memorable musical numbers, but I think that this one is the most important.  It sets up the plot and reveals who, exactly, the Henry Hill character is and how he's gonna try and fleece the town.  It's essential to the plot AND is memorable/singable of its own accord.  Great fun.

 

post #7 of 359

6. Singin' In The Rain, "Singin' In The Rain"

 

I could just list numbers from this film...and I probably will. "Broadway Melody" is the climax, but the list is incomplete without this:

 

 

The pull-in on a smiling Gene Kelly as he sings "there's a smile on my face" is one of the most indelible images in screen history, in the greatest musical of all time.

post #8 of 359

7.  SINGIN' IN THE RAIN - 'Make 'em Laugh'

 

For me, this is the heart and soul of the film.  Donald O'Connor gives his all in this scene, exhausting himself physically to deliver the goods.  It's a true tour-de-force of singing and dancing that is truly amazing to watch. 

 

post #9 of 359

8.  YOUNG FRANKENSTEIN - 'Puttin' on the Ritz'

 

It's so completely unexpected.  The lights go out, and then there's Gene Wilder and Peter Boyle in tuxes, posed like 'men about town'.  What the fuck????  And then they start singing and dancing.  It's funny, but then Peter Boyle 'sings' the chorus and takes it to the next level.  It's an gem of a moment in one of the best comedies of all time, and it's one of the most memorable scenes.

 

post #10 of 359

9. Once, "Falling Slowly"

 

Once is a great musical, in part, because it shows the almost spiritual nature of artistic collaboration. That's what makes this sequence so unforgettable, taking a wonderful song and elevating its creation into something mystical:

 

post #11 of 359

ONCE is one of the single best films of the past ten years.  LOVE that film to death.  Excellent choice.

post #12 of 359

10. Spinal Tap Stonehenge The song perfectly spoofs heavy metal songs about fantasy and the occult. It has good dynamics and it rocks!

post #13 of 359
11. Grease- You're the One That I Want/ We Go Together
 
 
Because I am unafraid of being ridiculed.  Because it somehow perfectly evokes those high school feelings despite the fact that everyone looks 40.  Because you get two numbers for the price of one.  Because Olivia Newton John's pants.  Because of that guy in the green shirt who does the Groucho Marx cigar thing. Because when I was a kid I wondered why the car was flying.
post #14 of 359

I'm gonna run out of rep in about thirty seconds, so apologies to all of you who are posting great stuff.  I promise I will play every one of these videos at least once.

post #15 of 359
Thread Starter 

You guys are knocking it out of the park so far.  And yes, I've pointed to the jitterbug contest in 1941 as justification for Spielberg doing a musical for years.

post #16 of 359
Quote:
Originally Posted by Chaz View Post

10. Spinal Tap Stonehenge The song perfectly spoofs heavy metal songs about fantasy and the occult. It has good dynamics and it rocks!

 

 

When the miniature Stonehenge drops and then the little people start dancing around it might be the funniest thing I've ever seen.  Such a perfectly played gag.

post #17 of 359

12. Gremlins 2: The New Batch - New York, New York

 

If Gremlins 2 is a movie where Joe Dante is allowed to go completely crazy, then having thousands of Gremlins perform a Busby Berkeley-esque musical number is him jumping off the deep end never to return again. It's pure cartoonish mayhem at its finest and the closest we're ever get to seeing Chuck Jones in live action. It's the craziest and funniest sequence of all Gremlins 2, a movie that ends with Robert Pacardo about to be raped by a sexy puppet monster.

 

post #18 of 359

13. The Fisher King "Grand Central Waltz" (1991)

 

fisherking.JPG

 

While not an orthodox musical number, it certainly mines the tradition for effect in this wondrous interlude. Gorgeous, moving, & just plain ballsy, this scene is the centerpiece of this underrated near-classic.

 

Here it be: (Click to show)

post #19 of 359
Thread Starter 

14.  "Quintet" - West Side Story (1960)

 

A sprawling, propulsive number that barrels the film into its final act.  It's quintessential Bernstein, the cast sings the hell out of it, and the direction fluidly flows with the music so the transitions don't seem the least bit jarring.  Tom Hooper, this is your template for "One Day More" right here.

 

post #20 of 359
Thread Starter 

Gremlins 2 and Fisher King are perfect examples of the non-traditional choices I was talking about.

post #21 of 359
Quote:
Originally Posted by Richard Dickson View Post

14.  "Quintet" - West Side Story (1960)

 

A sprawling, propulsive number that barrels the film into its final act.  It's quintessential Bernstein, the cast sings the hell out of it, and the direction fluidly flows with the music so the transitions don't seem the least bit jarring.  Tom Hooper, this is your template for "One Day More" right here.

 

 

Haha...for a second there, I thought "Wait! There's no musical number in Quintet! Shenanigans!"

 

Quintet_pdp.jpg

post #22 of 359

15. Minnie the Moocher, from the Blues Brothers, Dir. John Landis, 1980

It's hard to pick just one from this picture (I almost went with Rawhide, just 'cause, you know, Rawhide), but truly nothing matches this number from the big finish to one of the best modern musicals. The immortal and ever-cool Cab Calloway kills it, and of course, what a band.

Couldn't find the clip online, but here's Cab anyway.

post #23 of 359
Thread Starter 

16.  "Springtime for Hitler" - The Producers (1968)

 

"Puttin' on the Ritz" may have the best joke.  An as yet unnamed song may have the best comic performance.  But "Springtime for Hitler" is the queen mother of all Brooks musical numbers.  The sheer audacity of the whole thing, a mere 23 years after the end of the war and dreamed up by two Jewish guys, must have felt like a thunderbolt back in 1968.

 

post #24 of 359

17. Pretty In Pink "Try A Little Tenderness" (1986)

 

3580602544_ec96ed1892.jpg

 

In recent years, there's been a retcon of sorts that suggests that Ducky is & always has been a gay character. Bullshit (not that there's anything wrong with that). Here, Ducky does what every lovesick kid wishes they had the balls to do: he goes all out - with style, charm, & heart fully exposed - to impress the girl.

 

In the end, Molly picked the wrong horse. Seriously, what kind of fucking name is "Blaine", anyway??

 

Here it be: (Click to show)

post #25 of 359

18. Moving Right Along, The Muppet Movie, 1979

This includes the priceless fork in the road gag, what more can you ask for? A bear in his natural habitat... a Studebaker. Plus Big Bird. My choice would have been Can U Picture this, by Dr. Teeth and the Electric Mayhem, but this has Fozzie.

post #26 of 359

It was an Entertainment Weekly story where Molly Ringwald said she thought Ducky was gay. I think she just didn't want to admit her character was a gold digger. Ducky would have never dumped her because of what some tool thought. Don't forget it was Ducky that dropped James Spader's character like a bad habit. As you can tell I'm not a fan of that movie.

post #27 of 359

You just Britta'd this thread. You're the worst.

post #28 of 359

I hate myself for not putting a Blues Brothers number first.  But I can put one second. 

 

19. The Blues Brothers- The Old Landmark

 

It's hard to choose between Ray Charles and James Brown.  In truth I like Ray's number better... the dancing in the streets of Chicago puts it over the top.  But I am picking this one because of the little interlude midway through, which is my favorite moment in the movie.  It works as a joke about religious epiphany, but it actually inspires me every time I see it.  And then John Belushi starts flipping down the church aisle and it's perfection.

 

post #29 of 359
Hmm do I go with the classic or the comedy?

I do the comedy for now.

20. "Every Sperm is Sarcred" - Monty Python's Meaning of Life

Not only is it a great sendup of the Catholic Church's stance on birth control, it is also a satire on the musical number itself. The idea that people would randomly break into song during everyday life and have the town join in is perhaps the most surreal cinematic trope that audiences rarely ever question and the Meaning of Life is all about questioning the things we take for granted. So the Pythons decided to tackle this cinematic cliché and created one of the most elaborate and absurd musical numbers in the history of cinema and did it so well that most people don't get the joke past the jab at the Catholic Church.

It, the Mr. Creosote sketch, and the Crimson Permanent Assurance are the reasons why you should see this film.
post #30 of 359
Quote:
Originally Posted by Art Decade View Post

You just Britta'd this thread. You're the worst.


I'm such a Community fan, I'm gonna take that as a compliment.

post #31 of 359

21. The Hunger "Bela Lugosi's Dead" (1983)

the_hunger_bauhaus.png

 

Bauhaus. Bowie. Catherine Deneuve. The first couple minutes of Tony Scott's debut film have always floored me with it's flawlessly stylized electric 80s cool.

 

Here it be: (Click to show)

post #32 of 359

22. I Will Survive, Priscilla Queen of the Desert

Out in the middle of the Outback the lads(?) put on a show for a bunch of appreciative Aboriginals. Funny, sweet and, oh, what costumes. This movie rocked me when it first came out, and continues to do so now. Terrence Stamp in drag? How did that man not win an Oscar for this?

post #33 of 359

23. Blue Velvet - In Dreams

 

What can be said, really? Hopper slowly freaking out, Stockwell lip-syncing and everyone else just standing there. It might be the most haunting and dreamlike of all Lynch's work. Roy Orbison will never be the same.

 

post #34 of 359

24.   "Tonight is What It Means To Be Young"  - Streets of Fire (1984)

 

Going out on a limb here, because this film is divisive to say the least.  It's a somewhat entertaining film redeemed by a fantastic soundtrack, and this barn-burning song at the climax is a perfect example.  Ellen Aim has just given up the love of her life, surly asshole Tom Cody, for a life of rock star immortality and sings this song as Cody rides off into the distance for more adventures.  A perfect example of 80's bombast used effectively.   

 

post #35 of 359

25. The Rocky Horror Picture Show The Floor show. In my opinion this is the musical highlight of the soundtrack. It has a great vide of rock n roll meets a twisted version of old Hollywood.

post #36 of 359

26. "Life During Wartime" - Stop Making Sense

 

I could have picked several numbers from this movie, the ultimate concert film. David Byrne runs in place, sings, dances, and is just so alive during this number. I challenge anyone not to feel the urge to get up, dance, and run around during this number. This is what it is to be alive.

 


 

post #37 of 359
Quote:
Originally Posted by Chaz View Post

25. The Rocky Horror Picture Show The Floor show. In my opinion this is the musical highlight of the soundtrack. It has a great vide of rock n roll meets a twisted version of old Hollywood.

 

Dude, I was JUST writing this up!

 

You ARE the worst:)

post #38 of 359

27. ADVENTURES IN BABYSITTING - 'Babysitter Blues'

 

It's a great movie, but this scene...I wasn't expecting it.  The way it builds with Albert Collins leading Elizabeth Shue along is pure magic.  

 

Da DUH da da dum...

 

post #39 of 359

28. Jackass 2 - "The Best of Times"

 

You're damn right it should be on here. The best movie of the three also has the best ending. Knoxville reluctantly grabbing the hat and cane after just removing his hand from a bear trap is the perfect way to start the whole thing. Wish I could find better video.

 

post #40 of 359

29. Tommy "Pinball Wizard" (1975)

 

Tommy (38).jpg

 

The centrepiece of Ken Russell's nutty classic is the perfect measure of his trademark bizarro & The Who's stage craft. Elton John kills it and the whole thing is a glorious snapshot of a bygone era too weird to seemingly have existed.

 

Here it be: (Click to show)

post #41 of 359

29. Little Shop of Horrors Big Green Mother from Outer Space. I wish I could write a Lester Bangs like review of why this tune should be on the list, but all I have is: its fucking awesome!

post #42 of 359

31.  CROSSROADS - The Guitar Duel

 

The climax of the film, a battle between Steve Vai and Ralph Macchio (who does a fairly decent job of making it look like he's actually playing guitar).  The stakes are high and the musicianship is worthy of the souls that are at risk.

 

Shred away...

 

post #43 of 359

32.  O BROTHER, WHERE ART THOU? - 'A Man of Constant Sorrow'.

 

Now, the song is great.  On it's own, it stands tall as a legitimately great song.  What makes this performance so great is the way that the three leads PLAY it.  It's all in the mannerisms and facial expressions.  It's just damned FUN.

 

post #44 of 359

double post

post #45 of 359

33. Let's Misbehave, Pennies From Heaven

A revelation, Christopher Walken softshoes up a storm for a dewey-eyed Bernadette Peters. A great tune made greater.

post #46 of 359

34. Rocky Horror Picture Show "Sweet Transvestite" (1975)

 

RHPSTrailerFrame_011L.jpg

 

While "The Floor Show" gets the edge overall, Tim Curry's godlike showstopper is, in many ways, the centerpiece of the film. Here, we're privy to witnessing a great actor in the perfect role at the height of his power rule the world over the course of a 3 minute tune.

 

Here it be: (Click to show)

post #47 of 359
35. "Shock Treatment" - Shock Treatment (1981)

I don't understand the hate for this musical, which is a sendup of reality TV, written by Richard O'Brien as sequel to Rocky Horror Picture Show. Though I can't say I've ever been a RHPS fanatic. I can understand the regrettable absence of the original cast, Tim Curry hurting the most, but Shock Treatment has Jessica Harper and Barry Humphries. Not to mention exquisite set design and music that I find gives me more of a earworm than RHPS. Just watch this title musical number and teel me if you are not tempted to see the entire film.
post #48 of 359

36.  BLACK RAIN - 'What'd I Say?'

 

Charlie and Mas sing Karaoke.  It's a great character moment for the two, building up the growing friendship and bond between the two characters.  It may seem like a throwaway scene, but it's essential for driving the motivation of the climax of the film: Mas wouldn't help Nick without the bond with Charlie.  Is the singing great?  No, but it's perfect for the scene.

 

post #49 of 359

37. The Nightmare Before Christmas - "This is Halloween"

 

Elfman and Burton perfectly set the stage and tone for everything to come in what is my favorite of his films (after Ed Wood).

 

post #50 of 359
Thread Starter 

Ratty, I'm right out there on that limb with you with "Tonight Is What It Means to Be Young."

 

And I owe a bunch of folks some rep in this thread.  Really bringing it.

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