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CHEWER'S 250 GREATEST MUSICAL NUMBERS IN CINEMATIC HISTORY - Page 2

post #51 of 359
Quote:
Originally Posted by Art Decade View Post

34. Rocky Horror Picture Show "Sweet Transvestite" (1975)

 

RHPSTrailerFrame_011L.jpg

 

While "The Floor Show" gets the edge overall, Tim Curry's godlike showstopper is, in many ways, the centerpiece of the film. Here, we're privy to witnessing a great actor in the perfect role at the height of his power rule the world over the course of a 3 minute tune.

 

Here it be: (Click to show)


I'm out of reps, but I agree with everything you wrote.

post #52 of 359

38. Woody Allen's Everyone Says I Love You "I'm Through With Love" (1996)

 

600full-everyone-says-i-love-you-screenshot.jpg

 

While the film - Allen's one-off full-on musical - doesn't really work, it does end with a stunner of a number. Seemingly ripped from a textbook called "How To Create Movie Magic", Allen orchestrates a majestic scene where Goldie Hawn sings a tune & dances weightless in the air. It's a helluva moment from a "meh" movie.

 

Here it be: (Click to show)

post #53 of 359

39.  AIRPLANE! - 'Stayin' Alive'

 

Disco the way it's meant to be.  Here's another one of those 'gee, I wasn't expecting THAT to be in here' moments, but it totally works as a spoof of SATURDAY NIGHT FEVER.

 

post #54 of 359

40. Romance and Cigarettes Christopher Walken sings Delilah. Shakespeare couldn't find the words to describe this clip. The best I can do is to write its Walken at his most Walken.

post #55 of 359
Lets bring in some Opera

41. "Nessun Dorma" - Serenade (1956)

Sometimes all you need for a great musical number is a immortal piece of music and a great voice. Cue Mario Lanza singing Nessun Dorma from Puccini's "Turandot" with such emotion that it is hard not to tear up. I feel like I should do a longer writeup, but I all I want to do is close my eyes and hit play.

post #56 of 359

42.  SPACEBALLS - 'Hello My Baby'

 

ALIEN + LOONEY TUNES = one of the biggest laughs in the entire film.  This brought down the house when I saw this in the movie theaters.  It's one of those perfect moments.

 

post #57 of 359

43. Pulp Fiction "You Never Can Tell" (1994)

 

0.jpgpulp_fiction_046.54_de.jpg

 

With an iconic flash, a dead career is resurrected and jaws drop at ridiculous wealth of untouchable "cool" encapsulated in a 2 minute shimmy n' shake to an old Chuck Berry song.

 

Here it be: (Click to show)

post #58 of 359

44.  THE FIFTH ELEMENT - Whatever it is that the blue squid chick sings

 

I HATE this film with a passion.  HATE it.  HATE HATE HATE it.  But the song that the blue squid chick sings is really beautiful and has tremendous range to it.  Only a really talented singer could pull off this song, and I have to recognize the talent that went into this vocal performance.

 

post #59 of 359

45. The Red Shoes, 1948

This sequence, an impressionistic masterpiece directed by Michael Powell, has influenced everyone from Scorsese to Stanley Donen to Kubrick. Powell was a visual and stylistic innovator, and Moira 
Shearer is gorgeous. One of my all-time favourite movies.

post #60 of 359
Quote:
Originally Posted by Richard Dickson View Post

Ratty, I'm right out there on that limb with you with "Tonight Is What It Means to Be Young."

 

 

For the life of me, I can't believe that "Glee" hasn't been all over this song.  

post #61 of 359
Quote:
Originally Posted by akutagawa View Post

45. The Red Shoes, 1948

This sequence, an impressionistic masterpiece directed by Michael Powell, has influenced everyone from Scorsese to Stanley Donen to Kubrick. Powell was a visual and stylistic innovator, and Moira

 

This should have been in the Top 5. We ALL dropped the ball on that one.

post #62 of 359

46. Beetlejuice, Day-O

Just when I thought this movie couldn't get any better, along came this scene and upped the ante. Burton's single finest moment as a film-maker, as far as I'm concerned, a moment of manic inventiveness in the middle of a film that is thick with them. This song has never been the same.

post #63 of 359

47. The Fisher King "Lydia, The Tattooed Lady" (1991)

 

the-fisher-king.jpg

 

Robin Williams quietly sings a song to his dorky date. An endearingly tender, & lovely, sweet moment in a movie that only gets better with age.

 

Here it be: (Click to show)

post #64 of 359

48. Wilkommen from Cabaret (1972)

The incomparable (and never better) Joel Grey sets the tone for the sad, sick and silly movie to follow with this beautiful sequence. Hopefully this will be the first of a flood of Bob Fosse entries on this list. 

 

 

Even the orchestra is beautiful!

post #65 of 359

Apogies for posting that in the wrong thread.


Edited by Chaz - 6/4/12 at 7:40pm
post #66 of 359

Wrong thread, friend.

 

49. The Life Of Brian "Always Look on the Bright Side of Life" (1979)

 

bright_side_of_life.jpg

 

How this - fucking THIS - missed the Top 3 is a mystery for the ages.

 

Classic. Genius. Hilarious. Iconic.

 

Here it be: (Click to show)

post #67 of 359

50. The Three Amigos "My Little Buttercup" 1986

 

Why? 'Cause it's funny!

 

post #68 of 359

51. If I Only Had a Brain, The Wizard of Oz, 1939

One of a few movies that changed my life, I still know the words to this, and most of the other songs. Funny and smart, sweet and silly. Ray Bolger absolutely kills it.

 

post #69 of 359

As you can maybe tell, I'm having a blast with this thread. Cheers, Mr. Dickson, nice one.

 

52. Belleville Rendezvous, The Triplet of Belleville, 2003.

This was stuck in my head for weeks. A great tune and sequence from one of my favourite animated features ever, harkening back to the finest Looney Tunes or Disney had to offer.

 

 Can't get the clip to attach, but it's on Youtube if you're curious.

post #70 of 359

As you can maybe tell, I'm having a blast with this thread. Cheers, Mr. Dickson, nice one.

 

52. Belleville Rendezvous, The Triplet of Belleville, 2003.

This was stuck in my head for weeks. A great tune and sequence from one of my favourite animated features ever, harkening back to the finest Looney Tunes or Disney had to offer.

 

 Can't get the clip to attach, but it's on Youtube if you're curious.

post #71 of 359

damn my eyes, double post

post #72 of 359

53. Almost Famous "Tiny Dancer"

 

A good song can bring us all together.

 

"I need to go home." 

"You are home."

 

post #73 of 359

54. Dueling Banjos, Delliverance, 1972.

Creeping dread infuses this weird little scene from one of the weirdest movies of the seventies, courtesy of one of the weirdest directors in mainstream cinema and a book by my favourite American poet.

Great stuff, often imitated, never matched.

The line 'Give him a couple of bucks' is, in my opinion, the beginning of their demise.

post #74 of 359

55.  "Bye, Bye Life"  -- ALL THAT JAZZ (1979)

 

 

 

The show-stopping end to a show-stopping life.  Joe Gideon has a death wish throughout the entire movie, and this final fantasy number is his fitting end.  How else should a lavish Broadway producer go out but with a splashy rock number for all of your friends and family?   Having Ben Vereen as your duet partner with Death Jessica Lange waiting for you is just icing on the cake.  Roy Scheider kills it here.  Such a fantastic, life-affirming death song.  

post #75 of 359

56. The Big Lebowski- "Just Dropped In"

 

In what has to be the coolest song Kenny Rogers ever did (step aside "Gambler"), Lebowski's fragile sense of being has been assaulted, his rug miterated on, his body drugged by a pornographer, and his caucasian ruined by a lack of half and half. All the pieces of the story come into play with Brunhilde, bowling, and the Dude as the plumber.

 

http://vimeo.com/10823603

Big Lebowski.jpgBig Lebowski 1.jpg

 

 

In a movie filled with great music (the soundtrack gets constant play by me), this scene takes it one step farther. Jeff Bridges's eyes as he turns, the sensual movements of his body...

post #76 of 359

#57 Life is Beautiful

 

The opera scene.  All he has eyes for is the object of his affection.  Beautiful.

 

My wife loved this film and scene so much that she walked down the aisle to Barcarolle when we got married.

 

post #77 of 359

#58 Shawshank Redeption


Andy Dusfresne gives the inmates of Shawshank a brief moment of escape.

 

It's great that Dufresne's rebellion (apart from the escape) is to play Mozart to the rest of the inmates, even though he's going to get a fierce beating from Clancy Brown.  

 

Great scene from a great movie,

 

post #78 of 359
Quote:
Originally Posted by Judas Booth View Post

44.  THE FIFTH ELEMENT - Whatever it is that the blue squid chick sings

I HATE this film with a passion.  HATE it.  HATE HATE HATE it.  But the song that the blue squid chick sings is really beautiful and has tremendous range to it.  Only a really talented singer could pull off this song, and I have to recognize the talent that went into this vocal performance.



Great choice.

#59 "Anything Goes" - Indiana Jones and the Temple of Doom.


I think Kate Capshaw is largely unlikable, but in the opening musical number she excels. The Cole Porter song actually sounds better in mandarin, and it's such a cool, flashy and unexpected way to open the sequel to Raiders of the Lost Ark. John Williams opening orchestration used in the transition from the Paramount logo to the the silver toned stylized mountaintop depicted on the Club Obi Wan gong helps transport the viewer and set them up for the unknown.
post #79 of 359
Quote:
Originally Posted by Andy Bain View Post

#58 Shawshank Redeption


Andy Dusfresne gives the inmates of Shawshank a brief moment of escape.

 

It's great that Dufresne's rebellion (apart from the escape) is to play Mozart to the rest of the inmates, even though he's going to get a fierce beating from Clancy Brown.  

 

Great scene from a great movie,

 

 


Right after reading your Life is Beautiful post, I thought of this.

 

For those of you who want to see "Anything Goes" Indy style, click below!

 

Indy Jones and Anything Goes (Click to show)


Edited by MrTyres - 6/4/12 at 1:23am
post #80 of 359

60. Chicago "Cell Block Tango"

 

Great story telling, great choreography, great at showing us that Roxy Heart is not unique. Exposition was never so lovely. Say what you will about Oscars, it is still a damn fine musical number.

 

 

But truly, I only posted that so I could post this:

 

 

Amazing!

post #81 of 359
Thread Starter 

Speaking of Disney...

 

61.  "Hellfire" - The Hunchback of Notre Dame (1996)

 

The standout song in a movie filled with them, "Hellfire" goes to dark, adult places completely unexpected from a Disney film.  The juxtaposition is even more jarring seeing as it comes right after the more gentle "Heaven's Light."  Pair an incredible song with some outstanding animation and you have possibly the greatest musical number in Disney history.

 

post #82 of 359

62. Perfect Day- Lou Reed (Train Spotting)

 

Here is a young man who should be getting married and living his perfect day with a loved one. Yet no he is feeling his heart slow down and stop beating because he took a hot dose of heroin. Just to see that camera in the POV shot looking up from a coffin is chilling

post #83 of 359

Shame, both Singing In The Rain and Falling Slowly are taken. I honestly can't watch either of these scenes without crying like a little girl. For different reasons of course but still, both these scenes get to my emotions in such a way even thinking about them makes my heart race. I remember the first time I watched them exactly and I don't think I will forget until I die.

 

I can't think of any musical sequence in a film that touches them, personally. So I have nothing for this list.

post #84 of 359

63. "Wise Up" - Magnolia

 

Like any good musical, it takes characters being at their absolute best or worst to break out in song. In this case, its 9 characters, scattered throughout the city, all in completely separate little hells by now. And then the song starts. And the song cuts like a fucking knife through every single one of these stories. It should be high camp. Instead, along with Earl's monologue and Cruise breaking down at his bedside later, it's the most affecting part of the film, and spectacular use of a song that, up until Community stole it back, was a surefire way to reduce me to tears.

 

post #85 of 359

Sure, I'll twist the knife a bit more.

 

64. "The Next To Last Song" - Dancer In The Dark

 

All apologies to Dickson, I kinda have no words for this. Brilliant, but gut wrenching in its execution, and Jesus Christ that's the worst choice of words ever, and I am sorry.

 

post #86 of 359

And now we need a pick me up.

 

65. "Don't Stop Me Now" - Shaun of the Dead

 

It'd be an amazing, bizarre idea to begin with, scoring a zombie attack to Queen, but the balls to sync EVERY ASPECT OF THE SCENE to it is the work of mad geniuses.

 

post #87 of 359

66. Anchorman - Afternoon Delight

 

One of the few times I'll enjoy a capella. 

 

afternoon_delight_by_the_starland_vocal_band.jpg?w=385&h=240&crop=1

 

http://www.funnyordie.com/videos/f5ab70baec/anchorman-afternoon-delight-from-ron-burgundy

post #88 of 359
Quote:
Originally Posted by Justin Clark View Post

Sure, I'll twist the knife a bit more.

 

64. "The Next To Last Song" - Dancer In The Dark

 

All apologies to Dickson, I kinda have no words for this. Brilliant, but gut wrenching in its execution, and Jesus Christ that's the worst choice of words ever, and I am sorry.

 

 

Man, all I can say, Justin is  A)  great choice and B) FUCK YOU!!!!!      Such a brutal film.

post #89 of 359

67. The Band Wagon- The Girl Hunt

 

 

 From Michael Jackson to Stephen Chow, you can see how this left an impression on culture.  The iconic red dress/long gloves look familiar?  Cyd Charrise' s legs should have been made a national monument, btw.

post #90 of 359

If we're now opening up the Disney floodgates, I'll go deep cut:

 

68.  "Mine, Mine, Mine"  -  Pocahontas (1995)

 

http://www.youtube.com/watch?v=F6SrZ-6cGVA

 

The one bright spot in this mostly bland film is this lively villain song about greed and deforestation.  Surprisingly pointed and ironic considering this came out around the time Disney's ill-fated attempt to buy up Civil War battle sites for theme parks.  This whole sequence is a lot of fun (love the bulldog) and almost makes you root for the villain (esp. since Pocahontas herself is dull as dirt).  Points off for the Mel Gibson interruption midway through, but the rest of the song is aces.

post #91 of 359
Thread Starter 

"Mine, Mine, Mine" also has the greatest rhyme ever written:  "With all you've got in ya, boys/ Dig up Virginia, boys!"  Just makes me giddy that they even tried that.

post #92 of 359
Thread Starter 

69.  "I'm Tired" - Blazing Saddles (1974)

 

Here's that as-yet-unnamed Mel Brooks tune I mentioned when I posted "Springtime for Hitler."  The greatness of this number comes partly from the clever word play of the lyrics -- "They're always coming and going and going and coming, and always too soon" -- but it absolutely lives and breathes on the strength of Madeline Kahn's brilliant, Oscar-nominated performance.  It's a comedic highpoint in a film full of them, and arguably the best work Kahn's ever done.

 

post #93 of 359

70. Meet Me in St. Louis- The Trolley Song (1944)

 

I guess I'll happily be the guy reppin' for Minnelli.

 

I love all the music in Meet Me in St. Louis (even though Under the Bamboo Tree has that racist line that always bugs me.)  My favorite number is probably Skip To My Lou, and Have Yourself a Merry Little Christmas is a beautiful song that trascended the film and became a holiday classic.  But the number with the most energy, that's the most classic Judy Garland, is The Trolley Song.
 
post #94 of 359

71. "Gethsemane" - Jesus Christ Superstar

 

Aside from Last Temptation of Christ, these five minutes are the single greatest representation of Jesus on film, as a conflicted soon-to-be-martyr having a direct conversation with God. On top of that, the song itself is powerful as all hell, flying through an incredible range of emotions, and culminating in swelling, bittersweet surrender. One of the pieces of music that, as a kid, made me just plain love music, period.

 

 

 

Bonus: Talk about Ian Gillian all you want, Ted Neeley only got BETTER at this with age.

 

post #95 of 359

72. Hedwig and the Angry Inch- Midnight Radio

 

The last part of the movie doesn't work for everybody, but I love this song, and its message.  That the only one who can make you whole is yourself.  And tying that feeling of wholeness to the music that could temporarily fill in those gaps until you were able to fill them in yourself.  Paying tribute to your icons, and then putting yourself among them.  Beautiful.

 

post #96 of 359

73. "Layla" - Goodfellas

 

The aftermath of the Lufthansa heist. Never has mass murder been so exciting and strangely beautiful.

 


Edited by EvilTwin - 6/4/12 at 10:48am
post #97 of 359
Thread Starter 

As much as I love that "Layla" scene, I have to call foul on it belonging in this thread.  It's not really a performance or musical number, just a great song used to perfection as backing music.

post #98 of 359

74.  "Everybody Wants Some!"  -- Better Off Dead (1985)

 

Best use of Van Halen in a movie?  Yes!

 

BETTER OFF DEAD is often lumped in with the 80's John Hughes-type teen films, but it's more of a Zucker Brothers/Looney Tunes, anything-for-a-gag comedy.  No scene exemplifies this better than this animated fantasy sequence that occurs when Cusack's character takes a shitty, demeaning job at a burger joint.  That they actually spent the long Claymation hours and licensing bucks for this throwaway joke is something I'll always respect.   

post #99 of 359
Quote:
Originally Posted by Richard Dickson View Post

As much as I love that "Layla" scene, I have to call foul on it belonging in this thread.  It's not really a performance or musical number, just a great song used to perfection as backing music.


You might be right, but I was drawing on The Shawshank Redemption and Trainspotting submissions as precedence.

post #100 of 359

75. "La Marsellaise" - Casablanca

 

It's already a beautiful film example of music as a weapon, and there's a vast wealth of character development in the space of maybe a minute there, but I think about how this had to play on release, right in the middle of World War II, and I don't stop smiling for an hour.

 

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