Besides being completely awesome, this film is pretty ambiguous when it comes to whether or not Quaid actually experienced everything after his Rekall visit, or if he dreamt it.
But I recently realized that there are two pretty major giveaways that he was in fact dreaming the entire time.
They both happen as soon as Quaid gets to Mars.
The first is when his disguise malfunctions.
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While it's a cool effect, it's physically impossible for Quaid to be wearing this mask, as the locking mechanism (or whatever the glowing protrusion is) comes out much too far and can be seen deeply embedded inside the mask. Quaid's head literally could not fit in there.
The second instance is when Richter shoots the glass dome, just after Quaid's mask explodes. I can't find a screencap of it, but the likelyhood that an advanced, futuristic civilization would neglect to install bullet proof glass domes when there are many guns (and other dangerously heavy objects) present, is so remote as to be completely laughable. Not only is that completely impractical, it's extremely dangerous and no doubt would be incredibly costly to Mars as a vacation spot. Who would vacation or move to a place where the only barrier between them and certain death is glass that breaks when fired at?
Not even Cohagen himself would be safe on Mars.
While you could argue that these instances are part of the batshit insane aesthetic Verhoeven infused into the film, they are not consistent with events that came before, when Quaid was awake. Such as the X-ray scanning machine in Quaid's colony on earth. That shows signs of a civilization that is overly cautious, not one that is negligent enough to overlook bullet proof glass on an oxygen-less planet. Along with the impossible mask, that batshit aesthetic does more to reinforce the fact that it really is all a dream, rather it being some heightened reality...the heightened reality is more likely a dream state.
Edited by Ambler - 7/13/12 at 9:55am




