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Cool Frames Dude - The CHUD Screenshot Of The Day Club

post #1 of 2751
Thread Starter 
1. Do not talk about Screenshot Of The Day Club

2. Enter at your own risk. If you think screenshots are inherently spoilery it's on you to decide how you use this thread.

3. One frame per Chewer per day. Let's let this thing breathe and have each entry be special instead of flooding the thing. Quality over quantity.

4. Include name of movie at the top of the post so the thread isn't cluttered with peeps having to ask which movie it's from. Because (3a) it works as a kind of spoiler warning, and (3b) if it's not expressly a contest/game then mystery isn't cute. Neither is pretending everyone should already know which movie it comes from without you saying and you're shocked that isn't so.

5. A frame doesn't have to be "pretty" to be compelling. Sunsets are nice, but people are better. Generally I mean. I'm not saying don't post sunsets, just saying do remember movies are about characters. And sometimes the setting is a character? Sometimes.

6. Sorry if #5 doesn't make complete sense. You get my drift though.


To find out if your screenshot (or one close to it) has already been posted in the thread, use the Search This Thread function:





eta: To have your image display larger using the auto-uploader, when you've selected "large" and hit "submit" you should see an http created something like: "http://www.chud.com/community/content/type/61/id/123456/width/500/height/1000". Just manually change the width from 500 to 1000 (the max allowable I think).

Or, using The Art Decade Method, "You can also manually grab a corner of an image & stretch it out to a desirable size."

Alternatively, using a little thing I like to call The Mangy Method, "Right-click on the photo, select Image Properties, and make the pic larger that way."

Nooj also said something about being able to drag images directly from other hosting sites into the upload box, but I can't remember the details.



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Edited by Bucho - 2/1/14 at 10:09pm
post #2 of 2751
Thread Starter 
JAWS - 1975, dir. Stephen Spielberg, cine. Bill Butler

post #3 of 2751

Of Unknown Origin (1983)

 

post #4 of 2751

CURSE OF THE GOLDEN FLOWER - 2006, dir. Zhang Yimou, cine. Zhao Xiaoding

 

post #5 of 2751

Barry Lyndon, (1975) - dir. Stanley Kubrick

 

 

EDIT: I think that in this case, setting, and most importantly the way it dwarfs the characters, is crucial. 

post #6 of 2751
Citizen Kane (1941) dir. Orson Wells - cine. Gregg Toland



The first image to come to mind after checking Bucho's rules. Because of RKO 281, I was familiar with its history long before I ever saw it.
Edited by Turingmachine75 - 9/29/13 at 4:22pm
post #7 of 2751

JEREMIAH JOHNSON (1972)

 

post #8 of 2751

OMKARA (OTHELLO) dir. Vishal Bharadwaj, cine. Tassaduq Hussain, India

Othello kills Desdemona

 

post #9 of 2751

Tango and Cash (1989) Dir. Andrey KonchalovskiyAlbert Magnoli

 

 

post #10 of 2751

Casablanca

 

 

If there's a better shot...  I don't know of it.


Edited by Chief Hallorhan - 12/9/13 at 7:12pm
post #11 of 2751

Love that shot, Chief.  My other favorite from Casablanca is Ingrid Bergman's first close-up.  When I first saw it on Blu-Ray, my breath caught in my throat.

post #12 of 2751

It's a Wonderful Life

 

This is what victory looks like.


Edited by Chief Hallorhan - 12/9/13 at 7:12pm
post #13 of 2751

Broke rule #3

sorry

post #14 of 2751

GANGS OF NEW YORK

post #15 of 2751
^ Your signature proves to be a very apt description of your screenshot.
post #16 of 2751

If... (1968)

 


Edited by Art Decade - 9/28/13 at 11:23am
post #17 of 2751

THE DARK KNIGHT RISES (2012) 

Director: Christopher Nolan

Director of Photography: Wally Pfister

 

post #18 of 2751

^Says everything there is to say, really. About the tail end of a franchise. 

post #19 of 2751

That screenshot was more entertaining than the entirety of MoS.

post #20 of 2751

BRAZIL - 1985, dir. Terry Gilliam, cine. Roger Pratt

 

post #21 of 2751
Quote:
Originally Posted by Richard Dickson View Post
 

BRAZIL - 1985, dir. Terry Gilliam, cine. Roger Pratt

 

 

Well played sir.

 

This is the cinematic companion of Luke Skywalker encountering Vader's image in the cave on Dagobah.  

post #22 of 2751
Sexy Beast (2000) Dir. Jonathan Glazer


post #23 of 2751
Empire of the Sun (1987) dir. Steven Speilberg - cine. Allen Daviau


Edited by Turingmachine75 - 9/29/13 at 4:24pm
post #24 of 2751

post #25 of 2751

The Good, The Bad and The Ugly (1966)  dir. Sergio Leonie

 

 

post #26 of 2751

You have no idea how hard it is picking a single frame from this film...

 

Hero (2002) dir. Zhang Yimou

 

post #27 of 2751

Perfect Blue - 1998

 

post #28 of 2751

Inglourious Basterds

 

post #29 of 2751

VANISHING POINT (1971)

 

post #30 of 2751
OHMSS (1969) Remains my favourite shot Bond film, never mind this newfangled Skyfall nonsense.

post #31 of 2751

The Return of Godzilla (1984)

 

post #32 of 2751

To Live and Die in L.A. (1985)  - Dir. William Friedkin

 

post #33 of 2751

The Third Man (1949) - Dir. Carol Reed

 

 

 

This film is just one gorgeous shot after another.

post #34 of 2751

Escape From The Planet Of The Apes (1971)

 

post #35 of 2751

SPEED RACER (2008)

Director: The Wachowski Brothers (at the time)

Director of Photography: David Tattersall

 

 


Edited by mcnooj82 - 10/5/13 at 10:34pm
post #36 of 2751

The Texas Chainsaw Massacre (1974) d: Tobe Hooper ph: Daniel Pearl

 

post #37 of 2751

Just ran out of rep for the first time ever, thanks to this thread.

 

Sunrise, 1927 - dir. F.W. Murnau

 

post #38 of 2751

Clerks II (2006) Dir. Kevin Smith

 


I'm not a huge Kevin Smith fan anymore, but I still think this movie gets far too much crap.  I really dug this as the ending shot to the movie.

post #39 of 2751

UPSTREAM COLOR - [everything] by Shane Carruth

 

post #40 of 2751

Master and Commander: The Far Side of the World (2003) dir. Peter Weir. DP Russel Boyd.

 

 

My apologies for the quality, but I don't have a bluray drive on my desktop or laptop. My bluray version of this scene is fabulous, as the camera sweeps from a helicopter shot close up of Jack Aubrey and Tom Pullings astride the top of the mast to this pull out. With the sun and the clouds, I could spend the rest of the year putting shots into this thread from this film. And this is only 45 minutes in.

 

(Watching this film on the ZT60 would be an afternoon to remember)

post #41 of 2751

The Blob (1988)

 

post #42 of 2751
Thread Starter 
CITY OF GOD / CIDADE DE DEUS (2002) - dir. Fernando Mierelles & Katia Lund, cine. Cesar Charlone

post #43 of 2751

Hard Boiled (1992) dir. John Woo

post #44 of 2751

Heat (1995) dir. Michael Mann

 

post #45 of 2751

RETURN OF THE JEDI (1983) - dir. Richard Marquand, cine. Alan Hume (not that either of them likely had anything to do with this shot...)

 

post #46 of 2751
David Fincher probably had more to do with it!
post #47 of 2751

Throw Momma from the Train (1987) - Dir. Danny DeVito, Cine. Barry Sonnenfeld

 

post #48 of 2751

SUNSHINE (2007) dir. Danny Boyle, DP Alwin Kulcher

 

post #49 of 2751

THE EMPIRE STRIKES BACK (1980)

 

 

The carbon freezing chamber was the best set in the entire saga.  It was visually interesting from all angles and was beautifully lit.

post #50 of 2751

The Duellists (dir. Ridley Scott, 1977)
 

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