The cocktease ends.
I wanted to take some time and REALLY listen to this thing over and over again. I just didn't want to post my initial reaction to this disc. I'm glad, too. I would have given a much different review if I had written something right away. For the most part, I love the lyrics. LOVE. I just wish they were easier to read in the linear notes. The playfulness of tracks like Blood Gulch and Infinate Lives piqued my curiousity out of my love of video games and originally were my two favorites.
I used to know music a lot. I used to listen to it and did nothing more. About 7 years ago or so, I got competely out of it. So I don't think I'm a good authority on music at all. I can only tell you about what I like. I usually pick a moment in a song that "hits" me.
Beyond the Bone - Honestly, this is my least favorite track on the album. The chorus is slightly catchy, but in the end it leaves me flat everytime. It just seems too "Jun Jun Jun Jun Jun" if you know what I mean.
Blood Gulch - Fun. I play it for my friends when they come over before we play Halo. They dig, too. It's surface fun, but I don't care. I like it.
We Are - Okay, this is something different. I love the chorus on this one.
No One Special - Too fucking short. Speaking of cockteases... this one's only 2:46 seconds long, and it's quite possibly 2:46 of my favorite music. I really dig this one. It's moody and mature. Why didn't you go with this one more and make it a 5 minute masterpiece? Seriously, the changes are in place, and it screams talent. I love when you say "Closer to the kitchen drain..." It just sounds cool. But the "Over and over" part takes it up another level. Beautiful stuff, Nick.
Greek Mythology - This one goes in the Blood Gulch category. I like, and it's fun. It reminds me of something I listened to while playing final fantasy 7...then it gets all funky. I dance with tight sweatpants on when I listen to this.
Assassination Enthusiast - Rolling guitar to start it off and then it starts. "If you leave, get wasted by the best" I love the way that's sung. Plus, this is a song about assassinating. Again, I love the lyrics, but there's something else special about this. It's a solid track, and one that shouldn't be overlooked.
Perfect Misery - Nice. Mature. Slow. Deep. Different for the Nightsticks feel, but a welcome change. I like the simplicity on a disc of complexity. No one can say that all your songs sound the same, and that, my friend, is a compliment.
Zartan Boogie - More rolling.... I tap my hands on the steering wheel with the drumbeat. The bass line does something for me. Until this track, I didn't 'hear' much bass. This track it comes out to play. The song loses me when the guitar chimes in, but it brings it right back during the rest of the instrumental. Not perfect, but highly listenable.
Liquid Lunch - From 5:30 on, this is one of my favorite tracks. LOVE IT!! But how could I talk about this track as a whole? I can't. This puts the multipersonality disorder of Disco Volente to shame. So many changes and some have some goodness, but from 5:30 on... I could listen to that stuff forever.
The Night We Lost... - Awesome. Here's your single. This is probalbly the most radio friendly. It's a groovy track with a great line, "Innocence is a relative term".
Silenced Forever - Fuck man... I hated this one. Bigtime. I didn't even give it a chance til a few days ago. Boy was I wrong. Talk about musical moments. When the lyrics kick in the whole song kicks ass. "Silence the competition" part is awesome, but when you sing "So tired of waiting" ... man... It's my single favorite part of the album, and one of my more favorite parts in music the last couple of years. I'll listen to this over some of the Radiohead stuff I've got. I shit you not. The drum solo completely grew on me to. It does bang.
More later...