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Sneak Preview of Dan Simmons' Hard Freeze (coming out in 8/02)

post #1 of 26
Thread Starter 
From Dan's official website:

<img src="http://dansimmons.com/ds/img/hardfreeze2.jpg" alt="" />

One

Joe Kurtz knew that someday he would lose focus, that his attention would wander at a crucial minute, that instincts honed in almost twelve years of cell-block survival would fail him, and on that day he would die a violent death.

Not today.

He noticed the old Pontiac Firebird turning behind him and parking at the far side of the lot when he pulled into Ted's Hot Dogs on Sheridan and when he stepped out he noticed three men staying in their car as the Pontiac's engine idled. The Firebird's windshield wipers moved the falling snow aside in two black arcs, but Kurtz could see the three men's heads outlined by the lights behind them. It was not yet six p.m. but full night had fallen in that dark, cold, claustrophobic way that only Buffalo, New York, in February could offer.

Kurtz scooped three rolls of quarters out of the console of his old Volvo, slipped them into the pocket of his peacoat and went into Ted's Hot Dogs. He ordered two dogs with everything except hot sauce, an order of onion rings, and a black coffee, all the while standing where he could watch the Firebird from the corner of his eye. Three men got out, talked for a minute in the falling snow and then dispersed, none of them coming into the brightly lighted restaurant.

Kurtz carried his tray of food to the seating area around behind the long counter of charcoal burners and drink machines and found a booth away from the windows where he could still see out and was in line of sight of all the doors.

It was the Three Stooges.

Kurtz had glimpsed them long enough to make a positive identification. He knew the Stooges' real names but it didn't matter – during the years he had been in Attica with them, everyone had known them only as the Three Stooges. White men, in their thirties, not related except via some sexual menage a trois that Kurtz didn't want to think about, the Stooges were dirt stupid but crafty in their mean and lethal way. The Stooges had made a career of exercise-yard shank jobs, taking orders from those who couldn't get at their targets for whatever reason and contracting their hits out for pay as low as a few dozen cartons of cigarettes. They were equal-opportunity killers: shanking a black for the Aryan Brotherhood one week, killing a white boy for a black gang the next.

So now Kurtz was out of stir and the Stooges were out of stir and it was his turn to die.

Kurtz ate his hot dogs and considered the problem. First, he had to find out who had ordered the contract on him.

No, scratch that. First he had to deal with the Three Stooges but in a way that allowed him to find out who had put the contract out. He ate slowly and looked at the logistics of the matter. They weren't promising. Either through blind luck or good intelligence – and Kurtz did not believe in luck – the Stooges had made their move at the only time when Kurtz was not armed. He was on his way home from a visit to his parole officer and he'd decided that even the Volvo wasn't a good place to hide a weapon. His PO was a tough-assed lady.

So the Stooges had him without a firearm and their specialty was execution in a public place. Kurtz looked around. There were only a half dozen other people sitting in the booths – two old timers sitting silent and apart and an exhausted-looking mother with three loud pre-school-age boys. One of the boys looked over at Kurtz and gave him the finger. The mother ate her French fries and pretended not to notice.

Kurtz looked around again. The two front doors opened onto the Sheridan Drive side of the restaurant to the south. Doors on the east and west sides of the brightly lighted dining area opened onto the parking lots. The north wall was empty except for the entrance to the two restrooms.

If the Stooges came in and started blazing away, Kurtz did not have much recourse except to grab one or more of the civilians to use as a shield and try to get out one of the doors. The drifts were deep out there and it was dark away from the restaurant lights.

Not much of a plan, Joe. Kurtz ate his second hot dog and sipped at his Coke. The odds were that the Stooges would wait outside for him to emerge – not sure if he had seen them – and gun him down in the parking lot. The Stooges weren't afraid of spectators, but this wasn't the exercise yard at Attica; if they came inside to kill him, they'd have to shoot all the witnesses – diners and workers behind the counter included. It seemed excessive even for the Attica Three Stooges.

The oldest of the three boys two booths over tossed a ketchup-covered French fry at Kurtz. He smiled and looked at the happy family, wondering whether two of those kids, held high, would offer enough bone and body mass to stop whatever caliber slugs the Stooges would be firing. Probably not.

Too bad. Kurtz lifted one foot at a time onto the seat of the booth, removed his shoes, and slid off his socks, balling one inside the other. One of the boys in the nearby booth pointed at Kurtz and started babbling excitedly to his mother but by the time the sallow-faced woman looked his way, he'd tied the second shoe and was finishing his onion rings. The air felt chilly without socks on.

Keeping his eye on the pale Stooge faces just visible through the falling snow outside, Kurtz brought out each roll of quarters and emptied them into the double-thick sock. When he was finished, he set the ad hoc sap into the pocket of his peacoat. Assuming that the Stooges were carrying handguns and/or automatic weapons, it wasn't quite a fair fight yet.

A Buffalo police officer came into the dining area carrying his tray of hot dogs. The cop was uniformed, overweight, armed and alone, probably on his way home from a day shift. He looked tired and depressed.

Saved, thought Kurtz with only a little irony.

The cop set his food on a table and went into the restroom. Kurtz waited thirty seconds and then pulled on his gloves and followed.

The officer was at the only urinal and did not turn around as Kurtz entered. Kurtz passed him as if heading for the stall, pulled the homemade blackjack out of his pocket, and sapped the cop hard over the head. The officer groaned but went down on both knees. Kurtz sapped him again.

Bending over the cop, he took the long-barreled .38 service revolver, the handcuffs, and the heavy baton from his belt. He removed the cop's hand radio and smashed it underfoot. Then he tugged off the cop's jacket.

The rear window was high up on the wall in the stall, was reinforced with metal mesh and was not designed to be opened. Holding the cop's jacket up to deflect the glass and muffle the sound, Kurtz smashed the glass and pulled the metal grid out of its rusted hinges. Stepping up on the toilet, he squeezed through the small window and dropped into the snow outside, getting to his feet behind the Dumpster.

East side first. Sliding the cop's revolver in his belt, Kurtz went around the back of the restaurant and peered out into the east parking lot. The Stooge called Curly was pacing back and forth behind the few parked cars, flapping his arms to stay warm. He was carrying a Colt .45 semiauto in his hand. Kurtz waited for Curly to make his turn and then walked silently out behind the short man and clubbed him over the head with the lead-weighted baton. He cuffed Curly with his hands behind his back, left him lying in the snow and walked around to the front of the restaurant.

Moe looked up, recognized Kurtz, and started fumbling a weapon out from under his thick goosedown jacket even as he began to run. Kurtz caught up to him and clubbed him down into the snow. He kicked the pistol out of Moe's hand and looked through the glass doors of Ted's Hot Dogs. None of the workers at the empty service counter had noticed anything and the avenue was free of traffic at the moment.

Throwing Moe over his shoulder and pulling the .38 from his belt, the baton dangling from his wrist by its leather strap, Kurtz walked around to the west side of the building.

Larry must have sensed something. He was standing by Kurtz's Volvo and peering anxiously through the windows. He had a Mac-10 in his hands. According to other people Kurtz had known inside, Larry had always sung the praises of serious firepower.

With Moe still on his shoulder, Kurtz raised the .38 and shot Larry three times, body mass, head, and body mass again. The third Stooge went down quickly, the Mac-10 skittering away on ice and ending up under a parked SUV. The shots had been somewhat muffled by the falling snow. No one came to the door or window to check.

Still carrying Moe and dragging Larry's body, Kurtz tossed both men in the back seat of his Volvo, started the car, and drove around to the east side of the parking lot. Curly was moaning and beginning to come to, flopping around listlessly with his hands cuffed behind his back. No one had seen him.

Kurtz stopped the car, got out, lifted Curly, and tossed the moaning Stooge into the back seat with his dead and unconscious pals. He closed Curly's door, went around and unlatched the door behind the driver's position, got in, and drove away down Sheridan to the Youngman Expressway.

The Expressway was slick and icy, but Kurtz got the Volvo up to sixty-five miles per hour before glancing around. Larry's body was slumped up against the cracked-open door, Moe was still unconscious and leaning against Curly, and Curly was playing possum.

Kurtz cocked the service revolver with an audible click. "Open your eyes or I'll shoot you now," he said softly.

Curly's eyes flew open. He opened his mouth to say something.

"Shut up." Kurtz nodded toward Larry. "Kick him out."

The pale ex-con's face paled even further. "JesusfuckingChrist. I can't just . . ."

"Kick him out," said Kurtz, glancing back at the road and then turning back to aim the .38 at Curly's face.

His wrists handcuffed behind him, Curly shoved Moe aside with his shoulder, lifted his legs, and kicked Larry out the door. He had to kick twice to get him out. Cold air whirled inside the car. Possibly because of the storm, traffic on the Youngman was light.

"Who hired you to kill me?" asked Kurtz. "Be careful . . . you don't get many chances at the right answer."

"Jesus Christ," moaned Curly. "No one hired us. I don't even fucking know who you are. I don't even . . ."

"Wrong answer," said Kurtz. He nodded at Moe and then at the open door. Icy pavement was roaring by.

"Jesus Christ, I can't . . . he's still alive . . . listen to me, please . . ."

The Volvo tried to slide a bit as they came around a curve on the ice. Keeping one eye on the rearview mirror, Kurtz corrected the slide, turned back, and aimed the pistol at Curly's crotch. "Now," he said.

Moe started to gain consciousness as Curly kicked him across the seat to the open door. The icy air revived Moe enough that the bigger man reached up and grabbed the seatback and held on for dear life. Curly glanced at Kurtz's pistol and kicked Moe in the belly and face with both feet. Moe flew out into the night, striking the pavement with an audible wet noise.

Curly was panting, almost hyperventilating as he looked up at Kurtz's weapon. His legs were up on the back seat but he was obviously concocting a way to kick at Kurtz.

"Move those feet without permission and I put two into your belly," Kurtz said softly. "Let's try again. Who hired you? Remember, you don't have any wrong answers left."

"You're going to shoot me anyway," said Curly. His teeth were chattering in the blast of cold air from the open door.

"No," said Kurtz. "I won't. Not if you tell me the truth. Last chance." Curly said, "A woman."

Kurtz glanced at the road and then back. That made no sense. The D-Block Mosque still had a $10,000 fatwah out on Kurtz as far as he knew. Little Skag Farino, still in the pen, had several reasons to see Kurtz dead and Little Skag had always been a cheap son of a bitch, likely to hire skanks like the Stooges. An inner-city Crips gang called the Seneca Social Club had put out the word that Joe Kurtz should die. He had a few other enemies who might hire someone. But a woman?

"Not good enough," said Kurtz. He raised the aim toward Curly's belly.

"No, Jesus Christ, I'm telling the truth! Brunette. Drives a Lexus. Paid five thousand in cash up front – we get another five when she reads about you in the paper. She was the one who told us about you probably not carrying today because of your PO visit. Jesus Christ, Kurtz, you can't just . . ."

"What's her name?"

Curly shook his head wildly. Curly was bald. "Farino. She didn't say . . . but I'm sure of it . . . she's Little Skag's sister."

"Maria Farino is dead," said Kurtz. He had reason to know.

Curly began shouting, talking so fast that spittle flew. "Not Maria Farino. The other one. The older sister. I seen a family picture once that Skag had in stir. Whatshername, the fucking nun, Agelica, Angela, some fucking wop name . . ."

"Angelina," said Kurtz.

Curly's mouth twisted. "You're going to shoot me now. I told you the fucking truth, but you're going to . . ."

"Not necessarily," said Kurtz. It was snowing harder and this part of the Youngman was notorious for black ice, but he got the car up to seventy-five. Kurtz nodded toward the open car door.

Curly's eyes grew wide. "You're fucking joking. . . I can't . . ."

"You can take one in the head," said Kurtz. "Then I dump you. You can make your move, take a couple in the belly, maybe we crash. Or you can take a chance and tuck and roll. Plus, there's some snow out there. Probably as soft as a goosedown pillow."

Curly's wild eyes went to the door.

"It's your call," said Kurtz. "But you only have five seconds to decide. One. Two."

Curly screamed something indecipherable, scooched over on the seat, and threw himself out the door.

Kurtz glanced at the mirror. Headlights swerved and spun as cars tried to take evasive action, tangled, bounced over the bundle in the road, and piled up behind Kurtz's Volvo.

He lowered his speed to a more sane forty-five miles per hour and exited at the Kensington Expressway, heading back west toward Buffalo's downtown. Passing Mt. Calvary Cemetery in the dark, Kurtz tossed the cop's pistol and baton out the window.

The snow was getting thicker and falling faster. Kurtz liked Buffalo in the winter. He always had. But this was shaping up to be an especially tough winter.

post #2 of 26
Hooked me again, like he always does.

Tense stuff. I like, but I still wish he'd give full-length science fiction another whirl.
post #3 of 26
Who the hell is Dan Simmons and where should I start.

That was amazing...
post #4 of 26
Dan Simmons writes quite a variety of stuff. Horror, hard-boiled fiction, sci-fi.

Summer of Night, a leaner version of 'It', is my fave. A lot of people like his sci-fi novels, which I haven't gotten around to.

He's a good writer, and it's great that he can finish new novels so quickly.
post #5 of 26
Thread Starter 
Eyeball, Simmons is working on a two-volume, science-fiction tale based on Homer's Odyssey. The first novel, Ilium, is past-due to his publisher.
post #6 of 26
Thread Starter 
Tony,

A list and some comments upon Simmons’ work. The ones in bold are books I would be happy to have you read. Keep in mind on the others that even bad Simmons is better than most other writer’s work. Dan Simmons is, hands down, my favorite author.

Song of Kali -- Horror. Simmons’ first published novel, and winner of the World Fantasy Award. “Some places are too evil to exist.” Never before have I felt such a palpable sense of place in fiction. A truly disturbing novel. A scholar travels to India for research, and becomes entangled with a cult that worships Kali, the Indian goddess of the dead.

Phases of Gravity -- Mainstream. Former astronaut going through mid-life crisis. Every time he looks into the night sky he sees the pinnacle of his life. What can he possibly achieve greater than the moment of his past when he walked on the moon?

Carrion Comfort -- Horror. Simmons’ epic vampire tale, clocking in at over 1000 pages. A book that chills and thrills.

Hyperion -- Science Fiction. Simmons’ masterpiece ... although I fully expect him to write more masterpieces. Universe spanning “space opera” that tackles the big questions. Amazing work, based on The Canterbury Tales and the works of John Keats. Xymog’s review of the entire Hyperion Cantos can be found here: <a href="http://www.sci-fighter.com/news/newsmar02/mar06hyperion.php3" target="_blank">http://www.sci-fighter.com/news/newsmar02/mar06hyperion.php3</a>

Fall of Hyperion -- Science Fiction. The sequel to Hyperion. Answers many of the questions posed in Hyperion, but asks many more. Satisfying conclusion.

Prayers to Broken Stones -- short story collection. Contains great work, including Simmons’ first published story “The River Styx Runs Upstream.” Also, a great introduction by Harlan Ellison.

Summer of Night -- Horror. Simmons’ entry into the terrors of childhood, a la King’s It and McCammon’s Boy’s Life. A group of children in 1960’s Elm Haven, Illinois encounter something evil in the old school house.

The Hollow Man -- Horror. Simmons’ exploration of the themes of Dante’s inferno.

Children of the Night -- Horror. Simmons return to vampires. The most likely first Simmons’ film we’ll see.

Summer Sketches -- non-fiction. A collection of sketches and notebook/journal entries from Simmons. An exploration of his process of writing.

Lovedeath -- a collection of 4 novellas. A mixed bag.

Fires of Eden -- horror. Simmons’ weakest, in my opinion. Hawaiian Gods.

Endymion -- Science Fiction. A return to the universe of Hyperion, but not to the same themes.

The Rise of Endymion -- Science Fiction. A sequel.

The Crook Factory -- Espionage Thriller. Ernest Hemingway as U.S. spy in Cuba

Darwin’s Blade -- Thriller. Accident investigation.

Hard Case -- Hard-boiled mystery. The first Kurtz novel.

A Winter Haunting -- Horror. A sequel, of sorts, to Summer of Night. My review of A Winter Haunting can be found here: <a href="http://www.creature-corner.com/reviews/winterhaunting2.php3" target="_blank">http://www.creature-corner.com/reviews/winterhaunting2.php3</a> Johnny Butane’s review here: <a href="http://www.creature-corner.com/reviews/winterhaunting1.php3" target="_blank">http://www.creature-corner.com/reviews/winterhaunting1.php3</a>
post #7 of 26
Thanks, man, I'll get started right away.
post #8 of 26
Thread Starter 
Let me know which you choose, and post your thoughts!

Check out Dan's site, too. It's good.
post #9 of 26
Quote:
Blofeld:
Eyeball, Simmons is working on a two-volume, science-fiction tale based on Homer's Odyssey. The first novel, Ilium, is past-due to his publisher.
This should be interesting. Tad Williams threw a ton of Odyssey stuff into Otherland. It'll be fun to compare!
post #10 of 26
As far as first chapters go, that was SOMETHING!

I've never read Simmons before, but that was terrific. I too am hooked.

What is this classified as, noir I guess? It's really awesome, and immediately reminded me of Max Payne. I can't believe we have to wait till August though.

But anyway, I should get some of his books.
post #11 of 26
Thread Starter 
Pick up Hard Case, the first of the Kurtz books.
post #12 of 26
I picked up A Winter Haunting today, I'll read after I finsh Kavalier and Clay and Carter Beats The Devil.

I couldn't find Hard Case other wise I would of picked that one up.
post #13 of 26
Simmons is a good writer, but I prefer his horror stuff. The problem is, so many crime writers these days are pantywaists and milquetoasts - Robert B. Parker was always tough to take, and Lawrence Block's Scudder is annoyingly chatty, a far cry from his angst-ridden, alcohol-soaked PI of the late 70s.

Stephen King should try writing a few straight crime novels if he leaves horror fiction.
post #14 of 26
It's hard to believe today, but there was actually a time, way back in the late 80s and early 90s, when Robert B. Parker was a writer of good PI stories. Today he churns out the same bland, first-draft, big check collecting shit year after year, and his protaganist Spenser has turned into a whinning bully who is so unlikeable a character he leaves you praying the bad guys somehow quite painfully kill his useless ass. It's a classic example of an author and his character long ago wearing out their welcome.
post #15 of 26
It must be tough, after 30 years, to keep 'em coming. Like I said, Block is kinda in the same boat. But Block is a better writer whose character has actually evolved...I just don't find the new Scudder as interesting.

And Spenser has created one of the most annoying characters in fiction with Spenser's moll Susan. I swear, she's as annoying as Mary Elizabeth Mastrantonio in The Abyss.
post #16 of 26
Thread Starter 
Picked up my copy today.

Here is a cover blurb: "Hard Freeze runs swift and wild as a scalded dog, slaps the traditional crime novel around, and makes it like it. My favorite Dan Simmons's work, hands down. You don't want to miss this one." -- Joe R. Lansdale

Here's the jacket descrition:

"There's a bitter wind brewing in Buffalo, New York, and it's blowing in more than just snow. "Little Skag" Farino, the last don of the local crime family, wants Kurtz dead and is sending in platoons of hit men, starting with the Attica Three Stooges and working up through more competent killers. Little Skag's beautiful sister, Angelina Farino Ferrara, is back from seven years in Sicily and has her own deadly agenda for Kurtz.

If that isn't enough, Kurts is approached by a dying concert violinist who wants his daughter's killer found. Rejecting the case at first, he is soon on the trail of a man who's not just the murderer of one child, but a cold-blooded serial killer who is a master of alternate identities and has the power to send a hundred men after Kurtz. As the bodies pile up like cords of wood, Hard Freeze hits town with the power of a whiteout blizzard and builds to a truly chilling climax. This is a crime novel where trigger fingers freeze to blue steel."
post #17 of 26
Heh heh. Sounds like good stuff. Maybe I'll pick up a copy to read on my flight out to CHUDWest. What's his follow-up?
post #18 of 26
Thread Starter 
Do you mean what's next?

Well, Simmons has a two volume science-fiction epic (in a different universe than Hyperion) called Ilium and Olympos.

And it is reported that he's writing a third Kurtz novel.

Simmons is on the following tour for Hard Freeze

Tuesday, August 13
Scottsdale, AZ
7:00pm
The Poisoned Pen
4014 N. Goldwater Blvd #101
Scottsdale, AZ 85251

Wednesday, August 14
Orange, CA
6-7:00pm
Book Carnival
348 S. Tustin
Orange, CA 92666

Thursday, August 15
San Diego, CA
7:00pm
Mysterious Galaxy
7051 Clairemont Mesa Blvd
Ste. 302
San Diego, CA 92111

Tuesday, August 27
Denver, CO
7:30pm
Reading/Signing
Tattered Cover
1628 16th Street
Denver, CO 80208

Thursday, August 29
Boulder, CO
7:00pm
Reading/Signing
High Crimes
946 Pearl Street
Boulder, CO 80302
post #19 of 26
I was kinda hoping for another tale in the Elm Haven series - or was A Winter Haunting the last?
(I include Darwin's Blade in the set, because of Lawrence, even though it lacks the supernatural aspects of the others.)
post #20 of 26
Thread Starter 
Well, I'm sure he'll change his plans...
post #21 of 26
Do you think?
post #22 of 26
Thread Starter 
I'm really looking forward to Ilium and Olympos. They are science-fiction riffs on Homer's Odyssey, and Simmons says it's the most complex and difficult writing he's ever done.
post #23 of 26
Well, given the source material, it's a tall order
- perhaps too much for a lesser writer, but given Simmons' cross-genre strength and research ability, what can we say but YOWZA!
post #24 of 26
I like the guy, especially what I've read of Crook Factory, but I find his books require patience and complete attention. I'm a third of the way through Summer of Night right now, and I really like it.

But...

SONG OF KALI will FUCK you up. For life.

Peace.
post #25 of 26
Simmons is one of the few mass market writers I enjoy - Mitchell Smith is another - whose work has serious depth and substance, yet crosses different genres. He's not always 'easy' to read, but then what the hell writer worth reading is?
post #26 of 26
I'm about halfway through the book now, and it just keeps getting better. Once the boys and Cordie decide to team up, it really starts moving fast. I love the whole history aspect of the Bell, it's much more what you would expect it to sound like rather than IT, in which the history is sort of done as asides. Here it's integrated into the story.
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SPOILERS for both SONG OF KALI and SON
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It really, really, really SUCKS that Duane got killed. When I was reading that, I was like, no big deal, he's a main character and he'll get out of it. But when you learn that he's dead, I went "WHAT? HE'S FUCKING DEAD !?!"
That gets you into the book even more. Simmons certainly pulls no punches. I thought the dead baby in SONG OF KALI was bad, but this was totally unexpected.
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