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Your Favourite Literary Passages?

post #1 of 27
Thread Starter 
Here are two of mine, although you don't have to transcribe them.

Chapter 1 of Great Expectations is bleak and vivid:


Ours was the marsh country, down by the river, within, as the river wound, twenty miles of the sea. My first most vivid and broad impression of the identity of things, seems to me to have been gained on a memorable raw afternoon towards evening. At such a time I found out for certain, that this bleak place overgrown with nettles was the churchyard; and that Philip Pirrip, late of this parish, and also Georgiana wife of the above, were dead and buried; and that Alexander, Bartholomew, Abraham, Tobias, and Roger, infant children of the aforesaid, were also dead and buried; and that the dark flat wilderness beyond the churchyard, intersected with dykes and mounds and gates, with scattered cattle feeding on it, was the marshes; and that the low leaden line beyond, was the river; and that the distant savage lair from which the wind was rushing, was the sea; and that the small bundle of shivers growing afraid of it all and beginning to cry, was Pip.

"Hold your noise!" cried a terrible voice, as a man started up from among the graves at the side of the church porch. "Keep still, you little devil, or I'll cut your throat!"

A fearful man, all in coarse grey, with a great iron on his leg. A man with no hat, and with broken shoes, and with an old rag tied round his head. A man who had been soaked in water, and smothered in mud, and lamed by stones, and cut by flints, and stung by nettles, and torn by briars; who limped, and shivered, and glared and growled; and whose teeth chattered in his head as he seized me by the chin.

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Also the Sherlock Holmes story The Speckled Band:

"I could not sleep that night. A vague feeling of impending misfortune impressed me. My sister and I, you will recollect, were twins, and you know how subtle are the links which bind two souls which are so closely allied. It was a wild night. The wind was howling outside, and the rain was beating and splashing against the windows. Suddenly, amid all the hubbub of the gale, there burst forth the wild scream of a terrified woman. I knew that it was my sister's voice. I sprang from my bed, wrapped a shawl round me, and rushed into the corridor. As I opened my door I seemed to hear a low whistle, such as my sister described, and a few moments later a clanging sound, as if a mass of metal had fallen. As I ran down the passage, my sister's door was unlocked, and revolved slowly upon its hinges. I stared at it horror-stricken, not knowing what was about to issue from it. By the light of the corridor-lamp I saw my sister appear at the opening, her face blanched with terror, her hands groping for help, her whole figure swaying to and fro like that of a drunkard. I ran to her and threw my arms round her, but at that moment her knees seemed to give way and she fell to the ground. She writhed as one who is in terrible pain, and her limbs were dreadfully convulsed. At first I thought that she had not recognized me, but as I bent over her she suddenly shrieked out in a voice which I shall never forget, "Oh, my God! Helen! It was the band! The speckled band!" There was something else which she would fain have said, and she stabbed with her finger into the air in the direction of the doctor's room, but a fresh convulsion seized her and choked her words. I rushed out, calling loudly for my stepfather, and I met him hastening from his room in his dressing-gown. When he reached my sister's side she was unconscious, and though he poured brandy down her throat and sent for medical aid from the village, all efforts were in vain, for she slowly sank and died without having recovered her consciousness. Such was the dreadful end of my beloved sister."

<a href="http://etext.lib.virginia.edu/etcbin/toccer-new2?id=DoyBand.sgm&images=images/modeng&data=/texts/english/modeng/parsed&tag=public&part=1&division=div1" target="_blank">Read More...</a>

post #2 of 27
From Neuromancer, by William Gibson:

"Get your security up here," Case told her.
Then he sprinted down the corridor, out of her sight. The last two doors were closed and, he assumed, locked. He spun and slammed the sole of his nylon running shoe into the blue-lacquered composition door at the far end. It popped, cheap hardware falling from the splintered frame. Darkness there, the white curve of a terminal housing. Then he was on the door to its right, both hands around the transparent plastic knob, leaning in with everything he had. Something snapped, and he was inside. This was where he and Wage had met with Matsuga, but whatever front company Matsuga had operated was long gone. No terminal, nothing. Light from the alley behind the arcade, filtering in through sootblown plastic. He made out a snakelike loop of fiberoptics protruding from a wall socket, a pile of discarded food containers, and the bladeless nacelle of an electric fan.
The window was a single pane of cheap plastic. He shrugged out of his jacket, bundled it around his right hand, and punched. It split, requiring two more blows to free it from the frame. Over the muted chaos of the games, an alarm began to cycle, triggered either by the broken window or by the girl at the head of the corridor.
Case turned, pulled his jacket on, and flicked the cobra to full extension...

(I know this isn't the most intense part of the book, but I enjoy all the writing in it, and this little chase in the beginning always draws me in.)

From And the Ass Saw the Angel, by Nick Cave:

God is not gushy. You won't catch Him expelling a lot of heavenly gas on pleasantries and idle confabulation. Nor does He go in for a hell of a lot of preachifying, either. Gone is the hard sell of the old days--the old fire and brimstone pitch. These days God deals in a specialized commodity--people now are less inclined to part with their precious creature comforts and earthly pleasures for the promise of a celestial kingdom after death. God's clientele is small and select. The Devil has a shovel.
God has matured. He is not the impulsive, bowelless being of the Testaments--the vehement glorymonger, with His bag of cheap carny tricks and His booming voice--the fiery huckster with His burning bushes and wonder-wands. Nowadays God knows what He wants and He knows who He wants. If in His majesty He has seen fit to select you as an instrument in His Greater Plan, then, ah tell you, you must be ready to receive, comprehend, and act upon His instructions, without question or debate.
Ah was His sword, sharp and keen and poised to strike. I glinted in the sun.

post #3 of 27
WARNING - MOVIE SPOILERS BELOW! (heh heh)
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"When you live a flower that lives on a star, it is sweet to look at the sky at night." (Translation)
-Antoine de Saint-Exupery, The Little Prince

"In this year on March 1st came at last the passing of King Elessar. It is said that the beds of Meriadoc and Peregrin were set beside the bed of the great king. Then Legolas built a grey ship in Ithilien, and sailed down Anduin and over Sea; and with him, it is said, went Gimli the Dwarf. And when that ship passed an end was come in Middle-Earth of the Fellowship of the Ring."
-JRR Tolkien, The Lord of the Rings

"There is a pleasure in the pathless woods,
There is a rapture on the lonely shore,
There is society, where none intrudes,
By the deep sea, and music in its roar:
I love not man the less, but Nature more,
From these our interviews, in which I steal
From all I may be, or have been before,
To mingle with the Universe, and feel
What I can never express, yet cannot all conceal."
-Lord Byron, Childe Harolde

post #4 of 27
The opeining of Lolita.

Lolita. Light of my life, fire of my loins. My sin, my soul. Lo-lee-ta: The tip of the tougue taking a trip of three steps down the pallate to tap, at three, on the teeth. Lo. Lee. Ta.

She was Lo, plain Lo, in the morning standing four feet ten in one sock. She was Lola in slacks. She was Dolly at school. She was Dolores on the dotted line. But in my arms she was always Lolita.

Apologies if I got any of that incorrect, but that is typed from memory.
post #5 of 27
From Deathman by Ed Gorman

"The night before he killed a man, Hawes always followed the same ritual.

"He arrived in town late afternoon -- in this case a chill shadowy afternoon -- found the best hotel, checked in, took a hot bath in a big metal tub, put on a fresh suit so dark it hinted at the ministerial, buffed his black boots till they shone, and then went down to the lobby in search of the best steak in town."

post #6 of 27
From The Return of the King:

"Gandalf did not move. And in that very moment, away behind in some courtyard of the City, a cock crowed. Shrill and clear he crowed, recking nothing of wizardry or war, welcoming only the morning that in the sky far above the shadows of death was coming with the dawn.

And as if in answer there came from far away another note. Horns, horns, horns. In dark Mindolluin's sides they dimly echoed. Great horns of the North wildly blowing. Rohan had come at last."

From Microserfs:

"Anyway, that was the seed notion. Karla and I wrote a big list of "decadent cereals" on the office dry-erase wall:
CAP'N CRUNCH:
Reason this cereal is decadent
:
a)Colonialist exploiter pursues naive Crunchberry cultures to plunder. b)Drunkenness, torture, and debauchery implicit in long ocean cruises.
SUGAR FROSTED FLAKES:
Reason this cereal is decadent
:
Silky throated military-industrial complex spokestoad "Tony the Tiger" exploits the need of the undereducated underclass for a paternalistic, Reagan-like figure. A cautionary tale of the perils of not indoctrinating at the creche level.
TRIX:
Reason this cereal is decadent
:
Well-meaning rabbit, "Trix," kept in continual state of malnutrition/subservience by dominant children of the parasitic bourgeoisie. "Silly rabbit, Trix are for kids" can only be contrued as a call to class warfare.
LUCKY CHARMS:
Reason this cereal is decadent
:
Man with no known adult friends lures children into forest for purpose of nutritional (ideological) seduction. Sprightly twinkle motif on packaging (putatively an allusion to "flavor") are, in fact, metaphors for soul-deadening sucrose.
RICE KRISPIES:
Reason this cereal is decadent
:
Snap, Krackle, and Pop thinly veiled emblems of the Trilateral Commission.
COCOA PUFFS:
Reason this cereal is decadent
:
"I'm cuckoo for Cocoa Puffs," the demented cackle of Sonny the Cocoa Puffs bird/spokesmuppet, is resonant with the insanity inherent in the needless enslavement of the proletariat.
COUNT CHOCULA--FRANKENBERRY
Reason this cereal is not decadent
:
Gay relationship offers an excellent role model for this new era of diversity. Witty vampire motif plays on never-ending struggle of the oppressed to topple the ruling classes."

From Dirk Gently's Holistic Detective Agency:

"'Come,' he said, sweeping through the door to where Miss Janice Pearce sat glaring at a pencil. 'let us go. Let us leave this festering hellhole. Let us think the unthinkable, let us do the undoable. Let us prepare to grapple with the ineffable itself, and see if we may not eff it after all....'"
post #7 of 27
As far as i'm concerned, the best passage of The Catcher in the Rye:

"All right-the Mr. Vinsons. Once you get past all the Mr. Vinsons, you're going to start getting closer and closer-that is, if you want to, and if you look for it and wait for it-to the kind of information that will be very, very dear to your heart. Among other things, you'll find that you're not the first person who was confused and frightened and even sickened by human behavior. You're by no means alone on that score, you'll be excited and stimulated to know. Many, many men have been just as troubled morally and spiritually as you are right now. Happily, some of them kept records of their troubles. You'll learn from them-if you want to. Just as someday, if you have something to offer, someone will learn something from you. It's a beautiful reciprocal arragnement. And it isn't education. It's history. It's poetry."

God that's beautiful.

More from another book some other time...there are many others I want to type.
post #8 of 27
"Future? Oh, I get it. You mean you don't forsee a pot of gold at the end of our juicy rainbow. You mean that our intimacy isn't likely to yield a dividend. You disappoint me, Gwendolyn, I hoped you might have a watt or two more in your bulb than those poor toads who look on romance as an investment, like waterfront property or municipal bonds. Would you complain because a beautiful sunset doesn't have a future or a shooting star a payoff? And why should romance 'lead anywhere'? Passion isn't a path through the woods. Passion is the woods. It's the deepest, wildest part of the forest, the grove where the fairies still dance and obscene old vipers snooze in the boughs. Everybody but the most dried up and dysfuctional is drawn to the grove and enchanted by it's mysteries, but then they just can't wait to call in the chain saws and bulldozers and replace it with a family-style restaurant or a new S and L. That's the payoff, I guess. Safety. Security. Certainty. Yes, indeed. Well, remember this, pussy latte: we're not involved in a 'relationship,' you and I, we're involved in a collision. Collisions don't much lend themselves to secure futures, but the act of colliding is hard to beat for interest. Correct me if I'm wrong."

-Half Asleep In Frog Pajamas, Tom Robbins

post #9 of 27
How sweet the moonlight sleeps upon this bank!
Here will we sit, and let the sounds of music
Creep in our ears. Soft stillness and the night
Become the touches of sweet harmony.
Sit, Jessica. Look how the floor of heaven
Is thick inlaid with patens of bright gold.
There’s not the smallest orb which thou behold’st
But in his motion like an angel sings,
Still quiring to the young-ey’d cherubins;
Such harmony is in immortal souls,
But whilst this muddy vesture of decay
Doth grossly close it in, we cannot hear it.
...
...do but note a wild and wanton herd
Or race of youthful and unhandled colts,
Fetching mad bounds, bellowing and neighing loud,
Which is the hot condition of their blood,
If they but hear perchance a trumpet sound,
Or any air of music touch their ears,
You shall perceive them make a mutual stand,
Their savage eyes turn’d to modest gaze,
By the sweet power of music...
...
The man that hath no music in himself,
Nor is not moved with concord of sweet sounds,
Is fit for treasons, strategems, and spoils;
The motions of his spirit are dull as night,
And his affections dark as Erebus:
Let no such man be trusted. Mark the music.

The Merchant of Venice - Shakespeare

post #10 of 27
Some places are too evil to be allowed to exist. Some cities are too wicked to be suffered. Calcutta is such a place. Before Calcutta I would have laughed at such an idea. Before Calcutta I did not believe in evil -- certainly not as a force separate from the actions of men. Before Calcutta I was a fool.

After the Romans had conquered the city of Carthage, they killed the men, sold the women and children into slavery, pulled down the great buildings, broke up the stones, burned the rubble, and salted the earth so that nothing would ever grow there again. That is not enough for Calcutta. Calcutta should be expunged.

Before Calcutta I took part in marches against nuclear weapons. Now I dream of nuclear mushroom clouds rising above a city. I see buildings melting into lakes of glass. I see paved streets flowing like rivers of lava and real rivers boiling away in great gouts of steam. I see human figures dancing like burning insects, like obscene praying mantises sputtering and bursting against a fiery red background of total destruction.

The city is Calcutta. The dreams are not unpleasant.

Some places are too evil to be allowed to exist.

Song of Kali -- Dan Simmons

post #11 of 27
Quote:
Blofeld:
Some places are too evil to be allowed to exist. Some cities are too wicked to be suffered. Calcutta is such a place. Before Calcutta I would have laughed at such an idea. Before Calcutta I did not believe in evil -- certainly not as a force separate from the actions of men. Before Calcutta I was a fool.

After the Romans had conquered the city of Carthage, they killed the men, sold the women and children into slavery, pulled down the great buildings, broke up the stones, burned the rubble, and salted the earth so that nothing would ever grow there again. That is not enough for Calcutta. Calcutta should be expunged.

Before Calcutta I took part in marches against nuclear weapons. Now I dream of nuclear mushroom clouds rising above a city. I see buildings melting into lakes of glass. I see paved streets flowing like rivers of lava and real rivers boiling away in great gouts of steam. I see human figures dancing like burning insects, like obscene praying mantises sputtering and bursting against a fiery red background of total destruction.

The city is Calcutta. The dreams are not unpleasant.

Some places are too evil to be allowed to exist.

Song of Kali -- Dan Simmons
I know I'm predictable, but...

HELL. FUCKING. YES.
post #12 of 27
I'll second that. I know almost know that introduction by heart—and I've only read it once. Lodged in my brain, it did.
post #13 of 27
"Let me say it again. The purpose of The Mode Training is to have you become conscious of the operating modes of the mind. That's all. You can't change the operating modes. The best you can hope for is to notice when you're in a mode. That, at least, allows you to own it - to be the source of it, to be responsible for it."
"Okay, I got that."
"Good. Operating in the domain of ownership will allow you to create new modes, as necessary. Right now, you can only operate in your unconscious modes, all those modes you've been programming into your head for the last three billion years. Only when you can start to become aware of the modus operandi of your mind can you start creating new modes. That's the mode that the training is about: the mode of no modes at all; the mode that allows you to create modes."
I thought about that for a while. Foreman waited patiently.
"So, how do I do that if I'm dead? Wouldn't it make a lot more sense to keep me alive?"
Foreman turned to the rest of the trainees. "I thought so. We have now achieved a new state. Bargaining. Negotiation. 'Don't take me. Take my mother. She's old. She's useless. Take anyone but me. Take a lawyer.'" Foreman gave me a look. "Sorry, but Hell has a full quota of lawyers already."
"This doesn't make sense. Why should I get enlightened if I'm only going to die?"
"Why not? Why die stupid?" Foreman laughed. "Why do anything at all if you know you're going to die? It doesn't matter, Jim. Bargain all you want. The Survival Process continues until you're dead."
Foreman sat down in his chair and stared at me.
"Are you getting any of this yet?" he asked.
"No," I admitted. "How much longer does this go on?"
"Until you're dead, Jim. Until you're dead."

From David Gerrold's A Rage For Revenge.

Okay, it's not Shakespeare. But who can argue with "Why die stupid?"?
post #14 of 27
"I could hear my heart beating. I could hear everyone’s heart. I could hear the human noise we sat there making, not one of us moving, not even when the room went dark."
-- Raymond Carver, "What We Talk About When We Talk About Love"

One of my favorite lines from one of my favorite stories.
post #15 of 27
Thread Starter 
Guys, this is all great reading material, and food for thought.
post #16 of 27
Quote:
Mad_Man_Mundt:
The opeining of Lolita.

Lolita. Light of my life, fire of my loins. My sin, my soul. Lo-lee-ta: The tip of the tougue taking a trip of three steps down the pallate to tap, at three, on the teeth. Lo. Lee. Ta.

She was Lo, plain Lo, in the morning standing four feet ten in one sock. She was Lola in slacks. She was Dolly at school. She was Dolores on the dotted line. But in my arms she was always Lolita.

Apologies if I got any of that incorrect, but that is typed from memory.
You should keep going on with that opening cause, get to the really good stuff:

"Did she have a precursor? She did, indeed she did. In point of fact, there might have been no Lolita at all had I not loved, one summer, a certain initial girl-child. In a princedom by the sea. Oh when? About as many years before Lolita was born as my age was that summer. You can always count on a murderer for a fancy prose style.

Ladies and gentlemen of the jury, exhibit number one is what the seraphs, the misinformed, simple, noble-winged seraphs, envied. Look at this tangle of thorns."
post #17 of 27
One of my faves, the opening to Delillo's Great Jones Street:

"Fame requires every kind of excess. I mean true fame, a devouring neon, not the somber renown of waning statesmen or chinless kings. I mean long journeys across grey space. I mean danger, the edge of every void, the circumstance of one man imparting an erotic terror to the dreams of the republic. Understand the man who must inhabit these extreme regions, monstrous and vulval, damp with memories of violation. Even if half-mad he is absorbed into the public's total madness; even if fully rational, a bureaucrat in hell, a secret genius of survival, he is sure to be destroyed by the public's contempt for survivors. Fame, this special kind, feeds itself on outrage, on what the counsellors of lesser men would consider bad publicity -- hysteria in limousines, knife fights in the audience, bizarre litigation, treachery, pandemonium and drugs. Perhaps the only natural law attaching to true fame is that the famous man is compelled, eventually, to commit suicide."
post #18 of 27
"To be or not to be..."
post #19 of 27
what a great thread.....
post #20 of 27
Quote:
Master Drummond:
Quote:
Mad_Man_Mundt:
The opeining of Lolita.

Lolita. Light of my life, fire of my loins. My sin, my soul. Lo-lee-ta: The tip of the tougue taking a trip of three steps down the pallate to tap, at three, on the teeth. Lo. Lee. Ta.

She was Lo, plain Lo, in the morning standing four feet ten in one sock. She was Lola in slacks. She was Dolly at school. She was Dolores on the dotted line. But in my arms she was always Lolita.

Apologies if I got any of that incorrect, but that is typed from memory.
You should keep going on with that opening cause, get to the really good stuff:

"Did she have a precursor? She did, indeed she did. In point of fact, there might have been no Lolita at all had I not loved, one summer, a certain initial girl-child. In a princedom by the sea. Oh when? About as many years before Lolita was born as my age was that summer. You can always count on a murderer for a fancy prose style.

Ladies and gentlemen of the jury, exhibit number one is what the seraphs, the misinformed, simple, noble-winged seraphs, envied. Look at this tangle of thorns."
I know. I just got tired of typing.
post #21 of 27
From The Sun Also Rises

Women made such swell friends. Awfully swell. In the first place you had to be in love with a woman to have a basis of friendship. I had been having Brett for a friend. I had not been thinking about her side of it. I had been getting something for nothing. That only delayed the presentation of the bill. The bill always came. That was one of the swell things you could count on.

I thought I had paid for everything. Not like the woman pays and pays and pays. No idea of retribution or punishment. Just exchange of values. You gave up something and you got something else. Or you worked for something. You paid someway for everything that was any good. I paid my way into enough things that I liked, so that I had a good time. Either you paid by learning about them, or by experience, or by taking chances, or by money. Enjoying living was learning to get your money's worth and knowing when you had it. You could get your money's worth. The world was a good place to buy in. It seemed like a fine philosophy. In five years, I thought, it will seem just as silly as all the other fine philosophies I've had.
post #22 of 27
You know, I do believe in magic. I was born and raised in a magic time, in a magic town, among magicians. Oh, most everybody else didn’t realize we lived in that web of magic, connected by silver filaments of chance and circumstance. But I knew it all along. When I was twelve years old, the world was my magic lantern, and by its green spirit glow I saw the past, the present and into the future. You probably did too; you just don’t recall it. See, this is my opinion: we all start out knowing magic. We are born with whirlwinds, forest fires, and comets inside us. We are born able to sing to birds and read the clouds and see our destiny in grains of sand. But then we get the magic educated right out of our souls. We get it churched out, spanked out, washed out, and combed out. We get put on the straight and narrow and told to be responsible. Told to act our age. Told to grow up, for God’s sake. And you know why we were told that? Because the people doing the telling were afraid of our wildness and youth, and because the magic we knew made them ashamed and sad of what they’d allowed to wither in themselves.

After you go so far away from it, though, you can’t really get it back. You can have seconds of it. Just seconds of knowing and remembering. When people get weepy at movies, it’s because in that dark theater the golden pool of magic is touched, just briefly. Then they come out into the hard sun of logic and reason again and it dries up, and they’re left feeling a little heartsad and not knowing why. When a song stirs a memory, when motes of dust turning in a shaft of light takes your attention from the world, when you listen to a train passing on a track at night in the distance and wonder where it might be going, you step beyond who you are and where you are. For the briefest of instants, you have stepped into the magic realm.

That’s what I believe.

The truth of life is that every year we get farther away from the essence that is born within us. We get shouldered with burdens, some of them good, some of them not so good. Things happen to us. Loved ones die. People get in wrecks and get crippled. People lose their way, for one reason or another. It’s not hard to do, in this world of crazy mazes. Life itself does its best to take that memory of magic away from us. You don’t know it’s happening until one day you feel you’ve lost something but you’re not sure what it is. It’s like smiling at a pretty girl and she calls you “sir.” It just happens.

These memories of who I was and where I lived are important to me. They make up a large part of who I’m going to be when my journey winds down. I need the memory of magic if I am ever going to conjure magic again. I need to know and remember, and I want to tell you.

Boy's Life -- Robert R. McCammon
post #23 of 27
Quote:
Originally Posted by Blofeld View Post
You know, I do believe in magic. I was born and raised in a magic time, in a magic town, among magicians. Oh, most everybody else didn’t realize we lived in that web of magic, connected by silver filaments of chance and circumstance. But I knew it all along. When I was twelve years old, the world was my magic lantern, and by its green spirit glow I saw the past, the present and into the future. You probably did too; you just don’t recall it. See, this is my opinion: we all start out knowing magic. We are born with whirlwinds, forest fires, and comets inside us. We are born able to sing to birds and read the clouds and see our destiny in grains of sand. But then we get the magic educated right out of our souls. We get it churched out, spanked out, washed out, and combed out. We get put on the straight and narrow and told to be responsible. Told to act our age. Told to grow up, for God’s sake. And you know why we were told that? Because the people doing the telling were afraid of our wildness and youth, and because the magic we knew made them ashamed and sad of what they’d allowed to wither in themselves.

After you go so far away from it, though, you can’t really get it back. You can have seconds of it. Just seconds of knowing and remembering. When people get weepy at movies, it’s because in that dark theater the golden pool of magic is touched, just briefly. Then they come out into the hard sun of logic and reason again and it dries up, and they’re left feeling a little heartsad and not knowing why. When a song stirs a memory, when motes of dust turning in a shaft of light takes your attention from the world, when you listen to a train passing on a track at night in the distance and wonder where it might be going, you step beyond who you are and where you are. For the briefest of instants, you have stepped into the magic realm.

That’s what I believe.

The truth of life is that every year we get farther away from the essence that is born within us. We get shouldered with burdens, some of them good, some of them not so good. Things happen to us. Loved ones die. People get in wrecks and get crippled. People lose their way, for one reason or another. It’s not hard to do, in this world of crazy mazes. Life itself does its best to take that memory of magic away from us. You don’t know it’s happening until one day you feel you’ve lost something but you’re not sure what it is. It’s like smiling at a pretty girl and she calls you “sir.” It just happens.

These memories of who I was and where I lived are important to me. They make up a large part of who I’m going to be when my journey winds down. I need the memory of magic if I am ever going to conjure magic again. I need to know and remember, and I want to tell you.

Boy's Life -- Robert R. McCammon

Thank you! One of my favorite books ever. Why Robert R McCammon is still unkown to most Ill never understand. He's a wonderful writer,
post #24 of 27
Always been one of my favourite pieces of text from probably my favourite Shakespeare play, The Tempest:

Caliban:
Be not afeard; the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices
That, if I then had waked after long sleep,
Will make me sleep again: and then, in dreaming,
The clouds methought would open and show riches
Ready to drop upon me that, when I waked,
I cried to dream again.
post #25 of 27
"No question now, what had happened to the faces of the pigs. The creatures outside looked from pig to man, and from man to pig, and from pig to man again; but already it was impossible to say which was which."

Not to mention my sig.
post #26 of 27
Makes me want to check out that Boy's Life book!

As for mine, the final passage still haunts me:

Aureliano had already understood that he would never leave that room, for it was foreseen that the city of mirrors (or mirages) would be wiped out by the wind and exiled from the memory of men at the precise moment when Aureliano Babilonia would finish deciphering the parchments, and that everything written on them was unrepeatable since time immemorial and forever more, because races condemned to one hundred years of solitude did not have a second opportunity on earth.
-from One Hundred Years of Solitude by Gabriel Garcia Marquez

And I first read this one on the opening page of Black Hawk Down, but it's still an excellent summation of war and humanity. From the master himself, Cormac McCarthy:

It makes no difference what men think of war, said the judge. War endures. As well ask men what they think of stone. War was always here. Before man was, war waited for him. The ultimate trade awaiting the ultimate practitioner.
-Blood Meridian
post #27 of 27
A recent one from near the beginning of a book that I can't stop thinking/posting about, "Liberation: Being the Adventures of the Slick Six After the Collapse of the United States of America" by Brian Francis Slattery. The bold red text is my favorite bit of imagery in some time:

Quote:
No, he was annoyed because it was his guards who had tied his ankles, pushed the generator over, as if what was happening on the mainland could excuse it. There were riots in Los Angeles, riots in New York. Mexicans fleeing back across the border. The big factories - the ones with high walls and wired windows that you could drive by at seventy miles an hour, car windows rolled down and a Dead bootleg from 1974 on the stereo, and still be driving by it when Jerry finished his solo - the factories were going under, the workers sitting in their cars in the gigantic parking lots, smoking bad cigarettes, wondering what they were going to do now, while eight miles away on the other side of the compound, a man was clipping a door into the cyclone fence, peeling back the wires to let his family squat in the derelict buildings while he stationed himself on the roof with a rifle and sixty-two bags of salt-and-vinegar potato chips. There were killings out on the Midwestern farms, criminals roaring from town to town, borne on a caravan of rusted cars, a trail of food and gasoline, burning houses, leaving corpses chewed by shotguns in ditches. It was like that for a year, and first they could see it on the television, a newscaster in a yellow jacket standing in the rain, holding a gray microphone under the camera's glare, barking out what he was seeing when the flames behind him were plain enough. Speeches from a nervous president, sitting against the backdrop of a flag in an undisclosed location that the inmates joked was really in Canada. Then, one by one, the television stations stopped working. No news out of Washington at all, as if its mouth had been filled with dirt. The letters stopped coming, the paychecks stopped coming, and the Office of Maritime Penitentiaries couldn't be raised. Another month passed; they hailed other ships asking what was going down. One of the guards said he heard something about how there was no such thing as a dollar anymore. He opened his wallet, pulled out a five, waved it above his dinner in the flourescence of the mess hall. If this isn't money, then what is it?

"Don't you get it?" the warden said. "America is gone."
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