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* CHUD Mafia RPG - Chapter 9 - Page 2

post #51 of 157
Virgil positions himself in front of the double doors and waits for Paulie to finish shooting. Soon as the gunfire subsides, he cracks his neck, then slams his foot in the doors which swings wide open under the impact, allowing him to dive roll inside the room and into a crouched position, his rifle raised and ready to fire.
post #52 of 157
Second floor

As Paulie kicks in the door, Othello opens up on the cubes with a full auto barrage. He doesn't stop until the gun runs dry.
post #53 of 157
SECOND FLOOR

Paulie hears the double doors slam open. He whirls, MP5 up and ready to fire.

And stops as he sees Virgil standing at the ready. Paulie lowers the machine gun and sighs heavily as he walks towards the doors.

"Next time tell me what you got in mind, okay Rambo? I wanna save what ammo I got for the bad guys." He shouts to Othello. "Hey Moor, the place is clear, I'm headin' to the elevator."
post #54 of 157
As the chopper steadies, Frank looks back at the man, the helicopter now firmly in his sights. Rain soaking his face and hair, he has to act. Now.

'Fuck it.'

Frank switches the weapon to semi-automatic and blindly fires in the direction of the motorcade.
post #55 of 157
Thread Starter 
!!! GAMEMASTER EDIT REQUEST !!!

((Fett, thank you. Edited since Fett cleared up his post. ))
post #56 of 157
Second Floor

"Right."

The empty clip clatters to the floor and bounces. A fresh clip slams home and he chambers a round. As he walks to the elevator the forty-five slides out of his holster and he meets up with the boys at the elevator.

"Time to burn some ammo. I haven't killed anyone in two minutes and my finger's are gettin' itchy."
post #57 of 157
Thread Starter 
Cannery: Second Floor
(ATTN: Othello, Paulie, Virgil)

(Please make sure that you are keeping track of ammo and inverntory, taking into account the additional items you lifted from the guards, etc.)

An uncomfortable silence passes as the elevator whirs faintly. It seems delayed on the first floor momentarily, then begins its rise again. The overhead panel flickers red, showing it is almost present.

Othello, Virgil and Paulie brace for the metal doors to open, nerves frayed by the lack of hostiles in the entire top floor that they just swept with bullets.

(Respond to the arrival of the elevator, not what you find inside. I will reply as soon as I can to what is behind the door, if anything.)
post #58 of 157
Dino sees Frank switch to semi as he anxiously anticipates to use the Professor.

He decides against using him for now. He then firmly holds his other Glock then carefully aims and shoots at the scurrying cat food below.
post #59 of 157
Thread Starter 
Helicopter
(ATTN: Dino, Frank, Roman)

Frank's wild spray isn't enough to stop the rocket-wielding Triad, evidenced by the distant spark of rocket kickback. Frank watches helplessly, with Dino peering over his shoulder as wind and rain fail to stop the projectile.

Roman's attention turns to the rocket as well, and the three of you make your peace with your Maker. The pilot does his best to steer clear, but is close to crippled by fear. The chopper now lingers over the rooftop again, about 30 feet up.

Wind howls. Rain spits silently on the windshield, and into the open cabin door. In a moment of clarity, Roman and Dino dive for the opposite door simultaneously, ripping it open.

Dino falls back in recoil, Roman lands flat. The eye of God seems to be on his wayward children, as the rocket darts clean through the chopper, crossing from one open door through the other.

The three of you are stunned. EVen Paulie would be with out words if he had seen this... this miracle.

"Losing... fuel... fast," the pilot ruins the silence with another warning. Leaking fuel mingled with rain slips from the outer hull. On instinct, the frightened air-chauffeur brings his beaten vessel close to the rooftop, wasting no time seraching for the helipad.

Scream of metal scraping awakens all onboard. The eagle, however crookedly, has landed.
post #60 of 157
SECOND FLOOR

As he hears the elevator near their floor, Paulie ducks into the nearby cubicle. He peers around the edge, ready to blast anything that doesn't look like elevator interior.
post #61 of 157
Second floor

Virgil stands huddling the wall to the right of the elevator, careful not to let his rifle come into view. His position ensures that no one can see it while coming out of the elevator and he is ready to blast away the first enemy that enters his field of vision.
post #62 of 157
Frank clambers to his feet, his head bleeding from hitting it during the crash. He groans, and pulls Dino off of Roman.

'Get up. We have to get out.'

He looks at Roman.

'You coming?'
post #63 of 157
Roman is jolted alert by the harsh landing.

"Yeah. I'm coming." he replies to Frank.

Roman Carvaggio leaps from the hatch and steps close to the ledge to appraise the convoy of enemies.

"Only one place to go. Inside." he says as he makes his way to the building access. He switches the knob on the radio, scanning for chatter.
post #64 of 157
Second Floor

Othello backs up a bit and holsters the forty-five. He then takes up a position on the floor and sights over the barrel of the stubby automatic, ready to rake the interior with fire. Sweat beads on his brow and he feels like an overfull water baloon, ready to split wide open at any moment from the stress.
post #65 of 157
Frank shadows Roman and holds the submachine gun, scanning from left to right.

'Dino, keep the back covered.'

The trio begin to descend the staircase.
post #66 of 157
Thread Starter 
Second Floor
(ATTN: ALL PLAYERS)

Silence is broken by a "ding" of arrival. Paulie feels a momentary flashback to Chinatown, as the doors slide open to reveal...

At least three Triads, armed with UZIs, face warily into the room, about to move forward. As they take the first step, Othello and the Jester unleash a torrent of lead into their collective gullet, with Virgil sliding into place diagonally.

The three men stop only when the bloody remains of their foes line the small compartment floor. Smoke and souls rise simultaneously. Three sets of disappointed ancestors greet their foolish kin.

The elevator is clear.

Roman and Frank are near the bottom of the stairwell as the gunfire subsides. Either all the "family" or all their "company" just got wiped out, as no sound comes from the distance. As the two of you peer down, you are joined by Dino. Ahead lies the broken down door to the conference room (see map) and bullet ridden walls beyond.
post #67 of 157
Second Floor

Othello pulls the corpses out of the elevator, brutal and bloody work even for a man used to it. With the elevator door blocked open, he begins to pick through the litter of flesh and bone and snags an Uzi with the two extra clips the man was carrying. The MP5 fills one hand and the UZi in the other he is ready for all comers.
post #68 of 157
SECOND FLOOR

"Uzis? Got me some fond memories of Uzis." Paulie scoops up another Uzi and as much ammo as he can scrounge.
post #69 of 157
"Hope I don't get the leftovers.", Virgil says as he goes to search the last guard. His eyes brighten and his smile widen when he finds out the guard was carrying a .357 Colt Python and a Desert Eagle. Both are only loaded with what's in the chamber, but that should be enough to deal some serious damage, he thinks as he holsters them. A noise coming from the back of the room makes him turn.

"Someone's coming down from the roof".
post #70 of 157
Second Floor

Othello runs through the conference room doors and circles around to the back of the intruders. He is about to open up on them when he realizes that the backs look familiar.
post #71 of 157
SECOND FLOOR

"Hey, whoever sent up the Chan Clan here is gonna be waiting for this baby to come back down. Let's not take all day, huh?"
post #72 of 157
Frank immediately wheels around, and holds his gun to Othello's chin.
post #73 of 157
Second Floor

"Easy big daddy."

He smiles and points his guns to the floor.

"Just your friendly neighborhood black man."
post #74 of 157
"Don't get too jumpy people, I don't think we want to kill each other. There are only so many people waiting to do that for us after all."

Virgil studies the elevator.

"I'm not sure if there is enough room for the six of us. Perhaps we should make two trips."
post #75 of 157
"Or have some of us ride on the luggage rack," Paulie says, pointing to a service hatch in the roof of the elevator.
post #76 of 157
Second Floor

"Much better idea. I don't want to take two trips in case there is a lot of company downstairs."

Othello pops the hatch and levers himself up into the hole.
post #77 of 157
"Fine. I'll be taking the elevator myself. Which two of you gentlemens ride with me?"
post #78 of 157
'Elevator sounds good to me. I could take as much comfort as possible right now.'
post #79 of 157
"Hell, I hope it's pretty clear that I ain't no luggage," Dino says and awaits the others' decision.
post #80 of 157
"Well hell, it was my idea, I'll take the top bunk." Paulie climbs up through the roof.
post #81 of 157
Thread Starter 
Endgame
(Paulie, Virgil, Othello, Roman, Frank, Dino)

Othello and Paulie make there way through the hatch onto the top of the elevator car. The inside of the shaft reeks of stale... something.

The two men hear a suspicious clank from above. As though some kind of latch or swing-bar was lodged inplace against the door overhead, leading out onto the roof.

Virgil and Frank slide into the metal box, leaving room for Roman and Dino to filter in behind them. Bloodied "1F" and "B" buttons await selection, on the panel to Frank's right.
post #82 of 157
'Pick the magic number, gentlemen.'
post #83 of 157
"First floor's got my vote."
post #84 of 157
Frank jabs a finger at the 1F button.
post #85 of 157
Thread Starter 
Endgame
(ATTN: ALL)

The hum of aged elevator kicks in, signalling descent. From their point atop the chamber, Paulie and Othello pick up the motion of cables as an additional hint.

Hearbeats quicken. Thundering like a crash of rhinos, the four lower passengers brace themselves for the inevitable. The two up top not much different.

Between the group, they had spotted no less than 7 Triad vehicles approaching. Multipled by 4... almost 30 goons joining the ranks of whatever was already inside.

A trap. there would be no blasting out of this one. To charge in with gunfire ripplign would be suicide.

Ding. That fucking sound. Too often, it seems that waiting on elevators had ended in gunfire. Why? Why did it have to happen again?

The doors slid open, and four warriors gritted teeth, two guardian angels hovering just above the now motionless car.

A ballet of death? An orgy of gunfire? A symphony of suicide.

No. Quiet greeted them.

<img src="http://www.geocities.com/generallogan/Misc/Cannery1F.txt" alt="" />

Exiting into the room slowly, each eye lurked across the room for poised gunmen. Nothing. A sudden snapping, then hissing sound echoed from the corners of the ceiling above the conveyor belt area.

"Mr. Redman and company," a voice echeod as if through a bull-horn. As the crew of six descended into the room and took up strategic door positions, they spotted overhead intercom speakers.

Roman moved to the West, oustide the heavy "curtain", back to the wall. Othello and Dino moved quickly to the large dock doors, all shut and clamped from the outside. Redman took the southwestern end, Dino the southeast. Virgil moved instinctively to the employee entrance in the northeastern part of the room, while Frank tucked himself into a defensible position behind the converyors in the room's center. Paulie took watch over the elevator, which idled on their floor.

The voice stood out to Redman.

"Weasel."

The wormy former employer continued (remember, think James Woods), "You and your... family," he let out a chuckle, "...are surrounded. The room you are in is filling with tear gas."

He isn't bluffing. From various shafts along the ceiling and side walls, white gas wafted slowly into the room. For the most part, there was no way to get a solid glimpse outside.

Roman made out a few henchman beyond the glassed-in lobby, and Virgil could see through the smoked glass on the employee door that there was movement outside nearby. Flashes of red and white clothing.

"You and your men can come out and surrender, or we can open fire on the building. There's no third option... we'll give you... 3 minutes? Yes. 3 minutes to choose the fate of you and your ...'friends'," the speaker clicked off, as Weasel's last words echoed through the cannery floor.
post #86 of 157
Paulie tentatively pokes a couple of buttons on the elevator on the off chance it's still working.
post #87 of 157
Thread Starter 
(Setting update: It is darkening outside, closing in on dusk. The rainclouds are looming, still showering the exterior of the building lightly but consistently.)
post #88 of 157
Deathtrap

Othello looks over at Paulie with a slight smile.

"That thing won't take you anywhere worth going. We are boxed in. Trapped like rats."

Rich, deep laughter boomed from the big man's chest like a double barrelled shotgun.

"I gotta wonder why the Weasel set this little trap. I mean I knew the fix was in, but I thought we'd gotten the better of him. I'm guessing he's gonna sell us to the Triads. Anybody got any clues?"
post #89 of 157
"Does it really matter right now? I think we got better things to do instead of standin' around playin' Clue."

He steps back into the elevator and looks up into the shaft at the cables. "What do you think the odds are of them bein' able to shoot us up in that shaft?"
post #90 of 157
Deathtrap

"Why would they have to shoot up when I don't doubt that they have at least four guys up on the roof that could shoot down it. Just like fish in a barrel."

He set's his Uzi down on a box.

"And playing Clue may just save our hides. We aren't getting out alive with our guns. We are boxed in well and truly."
post #91 of 157
"Oh, so we sit down and put on our thinkin' caps so we can die secure in the knowledge we know why? Bullshit. Besides, we ain't got time, not with this tear gas comin' in here."

He points to the elevator. "Now unless they can read minds or somethin', there ain't no way they can know we're hidin' up in there, and even if they anticipate it, how they supposed to shoot down into a closed shaft? And just maybe they ain't gassin' the second floor since they think we're all down here. If not, that shaft is probably more venitalted than this place, so I'd rather take my chances in there than sit around here puttin' our heads together."
post #92 of 157
'I don't care if we sit here and get ventilated, or Mission Impossible-it up that shaft and get gassed, anything's better than sitting around here and waiting! We need a plan, fast!'
post #93 of 157
Virgil lightly taps the employee's entrance door.

"I don't think this is too solid. Gunfire could probably bring it down. But that would mean go out and risk rushing into Triads. What do you say? Worth a shot?"
post #94 of 157
Roman Carvaggio summons the remaining strength to push air with his diaphragm.

He staggers to the center of the group. "No more shoot-outs, no more running, lets give them what they want." he swallows hard. "It's high time we found out who was pulling our strings," he smiles weakly. "And we cut those strings...for good."

Roman looks at the gassing then at the battered and bloodied group. "Let's surrender".
post #95 of 157
"Fine by me. I'm tired of gunfighting anyway. Let's just hope your plan works, Roman, otherwise you'll never see the end of me when we're in Hell"
post #96 of 157
"Sounds good to me too. Besides if they wanted us dead right away that would be nerve gas or they would have cut us down already. Chaps my hide to even look like we are going to give in but it's high time I stopped thinking like a thug and started thinking like a lawyer. Deception is the order of the day."
post #97 of 157
'Whatever.'

Frank slumps on the floor and lights a cigarette.
post #98 of 157
"Oh, this idea is much crazier than mine, I'm in."
post #99 of 157
Thread Starter 
Endgame
Cannery: Exterior
(ATTN: ALL PLAYERS)

The storm continues to saturate parking lot asphalt, as six men slowly pace forward. The group of men step slowly out of the lobby doors, facing an army of no less than twenty Triads, with at least 15 or so of Weasel's finest local boys loafing about. There are doubtlessly more men around the perimeter.

Darkness of night appraoches, as all six of you now stand clear in the parking lot's western side. You see seveal vehicles, including a black limo. Stepping out of the limo is Linh Lao, joining the man known as Weasel behind heavy guard.

The irritable recruiter smirks at his captives, and Lao smiles as she stares Roman's men down. The woman seems to have a beef with every man present, a telltale fire in her eyes.

A group of Uzi-clad Triads moves in cautiously to frisk the crew. A quick survey of the situation is all that is needed to remind each of your "prisoners" that any sudden moves will likely earn you a swift death.

Rain washes down on you as you stand agains the brightness of spotlights and Cadillac hi-beams. Between squints Othello spots a flicker. A distant light, somewhat far off yet. An open and close that is almost rhythmic... a deliberate signal of some sort. None of the allied forces around you seem to take notice.

With a feint gesture, Roman's attention is turned to the light as well. It is a signal... morse code, perhaps. He catches the tail end as the message ceases and the distant glimmer dies.

Each of you are approached by one or two of the Chinese thugs to be searched. If undeterred, they will locate and remove all guns, clips, and knives (shurkien, etc.) from your person. You will need to post whatever inventory you are attempting to conceal, any dialogue, etc. Risky action could cost the group their lives. Be wise.
post #100 of 157
Othello lets the two men go through his duster for a bit and eventually they just remove it to make their work easier. The rain quickly soaks his white shirt, turning pink near his shoulder wound. He looks up at the heavens and smiles that beat-the-devil grin. His gaze levels on the two head honchos as if staring at their black souls. He then carefully lets his eyes focus a few feet in front of the two and assumes his best lead counsel voice.

"Looks like you've got some backup on the way. Smart move given that you have the six most dangerous men in Coldstone in hand. Now that you have our weapons don't you think thirty hardcore goons could handle us?"

He lets the rain continue to fall for a beat.

"Unless, that is, the reserves are meant to outnumber your partner's army. I couldn't imagine you of all people wanting to stab someone in the back."

He sends up a prayer to the Blessed Mother that seeds of doubt had been planted in what he knew to be the fertile soil of paranoia and distrust.
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