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Mulholland Drive

post #1 of 15
Thread Starter 
I just rented this and, ummm, well I don't have a clue what to think of it. I searched around for other theads, but as you all know, the search is screwed, so can y'all give me some of your comments on this movie?

As of right now, I didn't like it. I actually hated it. It was a mindfuck to fuck all mindfucks, and I have ZERO idea of what just went on. Maybe I missed something. HELP ME GODDAMNIT!
post #2 of 15
Cheese, this is my favorite movie of last year. Hand's down. Think of it as two impressions. The intrigue, innocence and promise of the first. The soiled, disillusioned, nasty "reality" of the second.

I personally don't think Lynch movies should be deconstructed linearly. I think they work much better as something you experience without trying to analyze it too much (even though when I left the theater I tried and failed to analyze it down to the little people running out of the box). His movies really feel like dreams to me, and you leave them with that unsettled feeling of waking up from a nightmare.
post #3 of 15
Thread Starter 
You see, the little people in the box thing ,and the ending how she was attacked by old people... that, to me, seems like Lynch saying, "What's the weirdest fucking thing I can do... hmmmm..." And, to me, that isn't good filmmaking... Tom Green asked the same question with Freddy Got Fingered, and look what happened.

I liked the contrast between the dream-like hlaf and the realistic half, but there was nothing (seemingly to me, at least) that tied them together. And the ending? Shit, that ending was not an ending. Maybe I need to watch it again, but this movie did not come across as "brilliant filmmaking". I'm not a big Lynch fan, so I guess I shouldn't be surprised that I didn't like this.
post #4 of 15
I don't think Lynch does things just to be weird, but that's just me and I am a huge fan of his films.

My interpretation of the little people (the people who were first represented as her fellow passengers in the first half) is that they were encouraging her to pursue her dreams in the beginning. In the ending, this encouragement and admiration has been transformed into a demonic reminder of the naivete of her dreams of stardom. Ultimately, I think what does her in is that all the naive hope she had about her future turned out to be bitterly untrue on every level.
post #5 of 15
THe Salon piece from a while back might hold some interesting hints, but I'm of the feeling that any interpretation is valid on this flick. <a href="http://www.salon.com/ent/movies/feature/2001/10/23/mulholland_drive_analysis/" target="_blank">Go here for it.</a>
post #6 of 15
One of our fellow Chewers (Sorry, I can't remember who it was now) created this site:

<a href="http://innergrail.com/mulhollanddrive/index.htm" target="_blank">http://innergrail.com/mulhollanddrive/index.htm</a>

that has quite an impressive analysis. Again, it's just one POV, but it makes sense at least
post #7 of 15
Thread Starter 
After reading what voltes wrote (and man, you are a genius) I must say that I like the film a bit more. However, I still think David Lynch is a quack.

I guess these just aren't the films for me. Now that I look at Mulholland Drive, I can piece together the pieces and put the story together. The problem I had was that I didn't see how each piece connected and how the film is sort of told backwards. My problems was also that this was not obvious enough. Memento tells you straight out that the film is told backwards, but no this film. I guess that's both good and bad.

It's good because it keeps the film feeling like a big dream, and dreams do't make much sense. But, as a film, it's hurt by it, almost crippled by it. I laughed during this movie at how ridiculous it was at times. The ending is a prime example. Once the movie decided to "wake up" I think it should have stayed that way, and the ending with the grandparents should not have happened.

This movie isn't clear nor is it logical. I'm a logical person, which is why I love movies like Memento. Memento is a very logical film. Mulholland Drive is a fantasy, but it never really tells you that. I guess I'm too conservative for these kinds of movies.

Now, looking back, I like this film... and at the same time I don't like it. I like what it did and I like the aspects of it (performances and such) but I still see how unclear it is. There is a line between telling the audience too much and ruining the fun of it, and not telling them enough. I don't think Mulholland Drive explains itself very well, and that, in my opinion, is both its strength and its weakness.

Okay... I haven't ranted like that in a long time. It's good to vent that every now and then. As always, this rant is brought to you by Cheese Biscuits... eat me.
post #8 of 15
CheeseBiscuits, do you know what I thought of when the "little people" showed up? I thought of your post in the "dream" thread back in the Culture board. Remember how you talked about little people working in our brains? I never got to tell you, but I was fascinated by your imaginative theory.

Anyway, that's pretty much how I interpreted the "little people." They started out small then grew to normal height. They were something that was forgotten now brought back, but in a perverted light. Basically, they represented "guilt."

Anyway, thanks to SpaceMonkey and Russell for remembering my analysis. I really wanted to make one for "Vanilla Sky" but I was somewhat disappointed by it. I did recently saw "Open Your Eyes," and I personally felt that it is way superior to VS.
post #9 of 15
Ive seen it a couple times and still have no clue what is going on.
post #10 of 15
I thought this was an awesome movie.

The way I interpreted it is that the second half is the reality - the first half is a daydream where she imagines her life as she'd like it - her girlfriend is helpless and dependent on her, the director/love rival is firstly forced not to cast her as the star due to some kind of sinister conspiracy, and then is maritally humiliated. She is a better actress than the girlfriend, and she has a loving aunt that leaves her a nice home. A woman that was nice to her at a party once acts as a mother figure to her.

But reality starts intruding - the notion of the key, and the hitman, and the attempted murder on the highway which in effect was her girlfriend putting the kabosh on their relationship.

As a story of somebody desperately trying to control/absorb/destroy their love object, it was really cool. There are things I don't understand - the monster thing at the beginning and the guy in the cafe with the dreams, the little box people, amongst others, but while it's not linear, in a kind of dream-like, psychological way, it's spot on.

Well, I could relate to it. Though I am neither and actress or a lesbian.
post #11 of 15
I just saw this recently. This film was very confusing and the master of all mind fuck movies. I didn't understand it at all, I watched it again, I still didn't understand. I needed some one to explain the whole thing to me, some one explained to him also and the chain goes on. Maybe Lynch didn't even understand it. There many parts in the movie that where funny that I don't think where mean't to be funny, like when the hobo came out from behind the dumpster, I nearly passed out from laughter. Those demented people that where always smiling was even funnier, I was lauging so hard I could barely watch.
post #12 of 15
I checked it out because of the supposed tawdry lesbian sex scene involving Watts. It was far from "tawdry".
However the movie was "asstastic".
post #13 of 15
Aside from Damn Good lesbo action, Damn Good performances. I think this film sucked. And yes I understand the movie perfectly.
post #14 of 15
The lesbian scenes were the only thing they caught my interest enough to actually sit through the whole thing.
post #15 of 15
it entertained the hell out of me for 2+ hours. loved. don't know what i took away from it, but it was damn fun to watch.
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