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Coolest moments in cinema - Page 2

post #51 of 65
Kill Bill - The House Of Blue Leaves scene

Suicide Circle - Opening Scene

Dawn Of The Dead - Motorcycle Gang

LOTR: FOTR - Borimor getting up after the first and second arrows

They Live - Alley Fight

Scream - You Don't Know The Rules!!!

theres a few of my faves
post #52 of 65
Die Hard: McClane's "Thanks for the advice" line when blasting from under the table.

Heat: DeNiro goes to the hotel to settle the score with the man who sold him out.

The Professional: Oldman sees the grenade.

The Punisher: Lundgren snaps the neck of the deaf female assassin.

The Godfather: All of Michael's foes are killed while he's at church.

Commando: "I lied!"
post #53 of 65
Goldeneye: Bond shrugging of ricocheting bullets as he arms some mines.

Ronin: The tunnel shootout in Paris.

Moulin Rouge: The Tango de Roxanne.

Aliens: Vasquez and Gorman looking at the grenade.

Road to Perdition: Sullivan walking down the hotel hallway to Conner's room.

The Way of the Gun: The Brothel shootout.

Princess Mononoke: Ashitaka lifting the gate to leave Irontown.

Cowboy Bebop (Session #5, Ballad of Fallen Angels): Spike falling from the window of the church.

Open Range: The first shotgun blast in the bar, the shootout.
post #54 of 65
When Scott Glenn takes his head bandage off in Silverado.
post #55 of 65
Reign Of Fire - the 'Empire Strikes Back' play performed in front of small kids hanging off every word in a future where movies and their history have long since disappeared. I thought this scene was fantastic - the idea of introducing a classic moment in film history like that to those kids made the concept of the movie's setting so much more realistic. To me at least.
post #56 of 65
LOTR: ROTK - The Dead (don't wanna spoil something here now )
post #57 of 65
Most of the second half of ROTK.
post #58 of 65
Aliens:

The scene with the alien rising out of the water behind Newt, when she's under the floor.

The scene with the Queen coming out of the elevator and Ripley is holding onto Newt, thinking that Bishop left them.

Cliffhanger: "Gravity's a bitch,ain't it!"

Mission Impossible: The beginning break in scene and Emilio in the elevator

Rising Sun: When the bad guy get's called out in front of Mako and all the others slowly back away. "They're distancing themselves."
post #59 of 65
T-800 coming out of the elevator in T2.

"Come with me if you want to live."

Perfect use of slo-mo.
post #60 of 65
Quote:
Originally posted by Messiahman
In Star Trek II, just before Khan gets his molecules scattered, he intones: "Khan: From hell's heart, I stab at thee. For hate's sake, I spit my last breath at thee." KABOOM!
Just reading that gives me chills.

FOTR -When Aragorn salutes the Uruk-hai with his sword and proceeds to kick ASS.

Tombstone - Any Val Kilmer scene.

Die Hard - Jumping off the top of the building, fire house around his waist.
post #61 of 65
Brian Cox's monologue of "what could be" at the end of "25th Hour". I still get a little choked up everytime I see that.
post #62 of 65
Quote:
Commando: "I lied!"
There are too amny awsome quotes to count in that one. On peice of cinema that really affected me with out me noticing was In the beginning of EMPIRE OF THE SUN when Jim is driving away and he waves to his parents and they wave back. For some reason I found my self waving too. Wierd. But brilliant. Also the shot of Uma walking down the stairs to the washroom in the house of blue leaves.
post #63 of 65
"I'll see you in HELL, William Munny!"








"................yeah."
post #64 of 65
"You have made me a happy man."

"Next, I'll make you a dead one!"

*cut to extreme close up of temporary tattoo.*
post #65 of 65
In THE BEACH (2000), I think Oscar Winning director Danny Boyle does a masterful job of building suspense for the reveal of the titular BEACH. From Robert Carlyle's initial, dream like description of a beach beyond anything you could imagine, to the entire epic, romantic journey to get there, the movie builds wonderfully towards the big reveal sequence. By the time the secret cove is  discovered by our heroes, I think Boyle's direction is evocative of Spielberg in the way it uncovers the beach a piece at a time through a series of master shots, combined with close ups of the characters faces looking in awe. It's all blended with what I consider to be the perfect music for the moment, and even after having seen the movie many times, I still find it to be a stunningly effective piece of cinema
 
The image of the walled cove is I think fairly iconic, and is as perfect a depiction of a literal island paradise as I've seen in film. The fact that no such place exists on earth, and Boyle used special effects to close off the beach from the ocean, makes it a greater accomplishment, IMHO. The effects are seamless eleven years later 
 

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