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Soavi's "Stagefright"

post #1 of 22
Thread Starter 
Don't know why I didn't catch up to Stagefright sooner because I love Soavi's Dellamorte Dellamore and appreciate the visual value of The Church. When I was at the Fango con, I bought the Stagefright dvd cold and finally watched it today.

Shit, this is an intense little slasher flick, huh? It never felt stale to me for one moment, there's some effective jump scares, and the killer - had the film been given more exposure - is Movie Maniacs action figure worthy.

Now here's the thing. I know there are two discs out there. I have an 87-minute cut of it that's supposedly "restored." The dialogue track is for shit - surprising since there's a big Dolby Digital intro at the beginning.

I don't know what this "other" disc that's out there offers. Can anyone give me the skinny? Are there any other fans out there?
post #2 of 22
sorry, can't help you with Region 1 discs (I've only seen the Euro)

it is a decent little slasher though. I prefer it to Dellamorte because it's just a lot more straightforward. Generally not a huge Soavi fan though.
post #3 of 22
Stagefright is a great flick but I have the same version as you.
post #4 of 22
Thread Starter 
I'm up to hearing anything outside of Region 1 in regards to discs, got a multi-region player here.

The version I have is by EC Entertainment.

Why no love for the Soavi?
post #5 of 22
MIne is different. I thought the running time looked familiar so I assumed you had the Anchor Bay release. Actually the AB clocks in at 92 min.
post #6 of 22
the 2 cops ruled. and the opening was either the greatest or worst thing ive ever seen.
post #7 of 22
Even with only four films to his credit, Soavi is one of my all-time favorite genre directors - definitely in my top ten. If he'd kept directing (or if he ever goes back to it), I'm sure his rep would widen. Dellamorte, Dellamore seemed poised to take him onto a whole other level but sadly - for whatever reason - he backed off from feature films - or at least genre films - altogether. Has he directed anything in the last nine years or so?

I heard his sudden sabbatical had something to do with health problems related to his son - who was born around the time of Dellamorte - but I've never heard anything more about that than rumors.

As far as Stagefright goes, it's a great film but it's my least favorite Soavi. The film I really want to see on DVD is The Devil's Daughter (aka The Sect). What a dreamy, delirious, sick movie that is!
post #8 of 22
Quote:
Originally posted by dolarhyde
Has he directed anything in the last nine years or so?

He's been doing some steady TV work in Italy since '99, and is in the process of directing a film adaptation of Massimo Carlotto's "Arrivederci Amore Ciao", a suspense thriller.

From what I hear, after "...Ciao" is done, he'll be getting back into the genre to helm one of two scripts by cohort Romoli (either a vampire film, or a fantasy epic), who he's worked with on his last two films.

Keep in mind, I read all of this somewhere last summer, so who really knows what's currently going on, but I'd be a giddy little schoolgirl if Soavi started doing horror again. Lord knows it needs him.
post #9 of 22
He got fucked on the Dolph Lundgren picture The Minion and left pictures behind for good. Until last year...Argento-freak Alan Jones says he's workig on something again that'll hopefully happen this year, and not a moment too soon.

Can you believe this wonderfulpicture was written by the main ghoul from The Anthropophagus Beast and made under the guiding hand of that picture's director Astride Massaccesi (Joe D'Amato). Weird.
post #10 of 22
Ryan,
I also have the Anchor Bay disc, and mine comes in about 92 minutes and change, the same as Floydian's.

The AB disc has a filmography, and the trailer.


I searched everywhere years ago for a bootleg vhs of this movie when it came out. I haven't stopped loving this movie yet! I still have the battered tape.

It would be great if Soavi returned to features. The Church, condsidering it was supposed to be Demons 3 originally, was a good little movie with some good scenes.

Dellamorte Dellamore was a beautiful little movie, such an enjoyable time was had watching it.

His style seems to be more dreamy than logical, but that can enhance a mood of a movie in some very good ways.
post #11 of 22
STAGEFRIGHT is an exercise in style over substance IMO. The plot is pretty silly but Soavi's stylish directing and the gorgeous cinematography elevate the film way above your standards slasher flick. The villain's mask is one of the best ever used in a film of that sort and really quite creepy.

I'm still pissed that Anchor Bay put STAGEFRIGHT out on a bare bones DVD. They should at least have included some sort of documentary.

I don't know why Soavi has quit making movies but it probably has something to do with the current state of Italian cinema where even theatrical films are made with the TV market in mind. You can't show violence on TV during primetime so almost all Italian films these days are comedies or dramas of some sort. Argento is the only one who can buck that trend because his films still sell to foreign distributors and are thus profitable for producers.

I hope he does indeed return with his first movie since DELLAMORTE.

BTW, why has nobody released his brilliant THE SECT (LA SETTA) in the US? I have the Italian DVD which has English audio and I highly recommend that movie. There's a face-ripping mechanism in that flick that is beyond cool!
post #12 of 22
I liked this movie, and I wrote up a review of the AB DVD awhile back:

Michele Soavi's "Stagefright" on DVD

Pros
Above average, stylish direction. There is a decent amount of kills, some very brutal.

Cons
Slow start, perhaps too many slasher film cliches, barebones DVD treatment as far as extras.

Bottom-line
Stagefright is classic 1980s-era slasher film. The DVD is excellent for audio/video. The script and plot are weak, but it delivers a good dose of gore, thrills, and suspense.
4 out of 5

Stagefright
1987, directed by Michele Soavi, released by Anchor Bay

Movie
Stagefright is also known as Bloody Bird, Aquarius and Deliria, among other names. It is the first feature film directed by Michele Soavi, who was known as an Argento protégé, and one of the "new" generation of Italian horror directors. The producer is the infamous Joe D'Amato (Aristide Massaccesi), and Stagefright was written by George Eastman (Luigi Montefiori). So you have a fair amount of recognized Italian filmmakers involved in the production - and that, along with the big names that Soavi had worked with previously, make you expect quite a lot from this film. But does it deliver?

The story: A new play is in late stages of its production, called "Night Owl." From the start, it is obvious that the hotheaded, temperamental director Peter (David Brandon) expects perfection from his cast. The play itself features rape, murder, a serial killer - and dance numbers. If you like 1980s-era music and dance, then you are in for a treat. It reminded me a little of the production that was being undertaken in the movie Staying Alive. The killer in the play wears an ominous looking owl mask - more like a hood, covering the whole head.

The tense rehearsal results in the star, Alicia (Barbara Cupisti), suffering a bit of a sore ankle - though she rarely limps or complains of it - only when demanded by the plot. Betty (Ulrike Schwerk), the wardrobe mistress comes to Alicia's aid - she will take Alicia to a nearby hospital. Fortunately, Alicia can get quick treatment, without the dictatorial Peter knowing she is leaving the theatre, or that she even needs treatment. Unfortunately, while it is technically a hospital - it is a mental hospital. One of its patients is former actor Irving Wallace (Clain Parker), who has had past problems with killing his fellow actors. Boy, we wouldn't want him locked up in the theater with our current cast, would we?

But of course, the killer does end up at the theater, and when he takes his first victim, it indirectly results in Peter locking the cast in the theater for the night. This happens because after returning from the hospital, Alicia goes back inside the theater - Betty must run back to the car - where she meets a brutal demise. And the killer now has a key to get inside. When Betty's body is discovered, and after the police ensure that the theater is safe, Peter makes a fateful decision. He tells the press the victim was an actress, not a wardrobe mistress. To further take advantage of the publicity, he plans to rewrite the play to take advantage of Betty's death at the hands of Irving Wallace, and he vows to open the show early. In order to achieve these goals, Peter locks most of the cast into the "safe" theater for a night of practice. But is it safe?

Video
Stagefright is presented in an anamorphic 1.85:1 transfer. Anchor Bay's publicity info claims this was restored from "original Rome vault materials" - and it shows. There are some imperfections that carry over from the source material, but otherwise, it is a solid transfer. There are a lot of colorful scenes, that look excellent here on DVD. I can't imagine that a better version of this movie has ever been available for home viewing.

Audio
You get a choice here, of two different Dolby Digital audio tracks - Surround EX, and plain 2.0. Both are in English, there is no Italian language track available here. And no subtitles either.

But the dubbing is pretty good, I have seen much worse. And the music, from composers including Simon Boswell, fits the movie. That is, for an 80's movie, you get a typically 80's score. Perhaps it will seem a bit dated, so you might not like it.

Trash Factor
I really loved some of the killings in this film - there is an extreme level of brutality here, which will make quite a few of these scenes very memorable. Luckily for us, there is quite a well-stocked craft area at the theatre - so the killer has no trouble accessing things like a pickaxe, industrial size drill, and chainsaw - which all get put to goooood use. Total body count is modest here (about 10), but most are well crafted.

As far as the sex appeal of the film - there are quite a few very attractive female stars - wearing very 80s-era garb, and gaudy costumes and wigs. The star of Stagefright, Barbara Cupisti, along with Loredana Parrella are the standout "lookers" as far as female characters - but no major skin for them. Just some clingy clothes and costumes at times. Mary Sellers, however, happens to be stalked changing in the wardrobe area, and you'll see her topless for a bit while she hides in a changing room.

Another slightly erotic moment to watch for - when the doctor examines Barbara Cupisti's ankle, he seems a little touchy-feely. Way to go, doc!

Extras
Very slim offering from Anchor Bay. There is a theatrical trailer and a brief biography of Michele Soavi. This bio is simply a series of text screens to flip through using your DVD remote - basic info, but still a good introduction to Soavi for any newcomers.

Packaging
The cover image on the DVD is a poster reproduction. The chapter stop insert card has this same image on the flip side. Maybe it's just me, but I am not sure what the alternate title Aquarius means - and the image that goes along with this title is pretty generic. It has an axe crashing through a fish tank, I think? Go figure.

Overall
I really enjoyed this initial directorial effort by Michele Soavi. It's stylish, but sensible all the same. The plot is certainly lacking, but I enjoy the set-up: we know who the killer is early in the film. And with the dramatic irony, we know this well before the characters even know they are in danger. On top of this, we have the victims locked-up with the killer, in a rather confined space. Besides one quick side trip, and a few exterior shots, all of the action takes place in the theater.

The film is perhaps a little slow starting, however, until the chain of events that bring the killer to the theatre is completed. Making this a little more bothersome, is that while we wait for things to get rolling, there seems to be an attempt at character development that doesn't quite work. What that results in, is that with the exception of a few of the actors in the play, most of them end up being pretty generic. Just inevitable victims. That in itself isn't a problem with me, but the weak attempt to breathe life in the characters is. So we learn stuff like one dancer is involved with another, or this dancer seems jealous of this one. But in the end, these little tidbits do nothing to advance the plot, and mean nothing at the end of the movie.

One scene in particular that I liked was shortly after the director makes the rehearsal a "lock-in." Peter directs the on-stage action, and urges the play's "killer" to "kill" Corinne (Loredana Parrella). But it is the escaped mental patient wearing the owl-head, not the actor - so when Peter barks the order to "kill"…

Bottom-line, I definitely recommend the DVD of Stagefright - while the movie has faults, it does succeed in providing suspense, gore, and thrills. It is a classic 1980s-era slasher film. The script is somewhat weak, and the plot rather predictable. For me, though, these are luxuries, not necessities - a slasher film can do just fine when it relies on the "visceral," and leaves the "cerebral" in the back seat. But like I said before, some really good kills, with excellent makeup and gore effects. Add the "owl-hooded" killer to the mix, and you have a winner.

If you buy this, though - don't expect much more than the movie. A little disappointing, but you can find this DVD for less than $15, so it's a minimal investment. Buy or rent this one!
post #13 of 22
Thread Starter 
Wetbones, if anything, I'd consider The Church a more style-over-substance kind of film than Stagefright - at least the narrative is more cohesive.

I wonder what's been added in the AB cut of the dvd. I'll have to seek that one out too.
post #14 of 22
As far as I know, the AB cut should be the same as other Regions.

It's a pretty gory movie, and I believe it is uncut in AB's release.




The Church has actual less plot than I ever thought was imaginable. It has plenty of backstory and plenty of ideas bouncing around, but actual tangible story is a bit thin.

Definitely the visuals are the driving force on that movie.


After all, it is still unofficially Demons 3.
I still would have liked to see the original Demons 3 that Argento and Bava were going to do:
The Demon contagion loose on an airplane.
post #15 of 22
Didn't Lamberto Bava do a "Demons 3" ?
post #16 of 22
I think he did, yeah.

And Wetbones is right, the major reason behind Soavi's near disappearance was the decay of Italian cinema, mainly because of Silvio Berlusconi. Cinema was washed over by TV and lot of directors can't find financing, especially when it comes to genre films. I certainly hope he gets back to directing though.
post #17 of 22
Quote:
Originally posted by Straxboy - An Anthony Hickox Film
Didn't Lamberto Bava do a "Demons 3" ?
It was The Orge , subtitled Demons 3.

But it bears no resemblance to any of the Demons movies. No demons, no demon virus...nothin'!

That movie came about after the original Demons 3 idea was nixed, and Soavi did The Church, which was ALSO a considered idea for a demons sequel.

So Bava decided to jump them all and do The Orge, but also call it Demons 3 to beat them to the punch.



It's like when you see Zombie 4: After Death or Zombie 5: Killing Birds.

They were stand alone movies that were added to the Zombie banner to cash in on the Zombie name.

Bava did that with his Orge... Demons and Demons 2 were big hits overseas.
post #18 of 22
Great review Rabi!
post #19 of 22
I love this movie! Good gory fun! One of my favorite slasher flicks!
post #20 of 22
Quote:
Originally posted by Wetbones

BTW, why has nobody released his brilliant THE SECT (LA SETTA) in the US? I have the Italian DVD which has English audio and I highly recommend that movie. There's a face-ripping mechanism in that flick that is beyond cool!
If anyone doesn't realize, "La Setta" was released on tape in the US as "The Devil's Daughter." I don't remember it very well, but it was pretty cool. Worth a look.
post #21 of 22
Pelicans and Herbert Lom: who said "high concept" was dead.

I almost don't want Soavi to come back, if the recent form of pretty much every great Italian director compared to their glory days is anything to go by.
post #22 of 22
Speaking of Soavi, does anyone know if there's an english translated version of Sclavi's "Dellamorte Dellamore" novel (which I hear is darker than the film)? I know the Dylan Dog comics are available, but I can't seem to find info on the Dellamorte book anywhere.
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