Oakland's Oracle Arena on Friday (11/30):
A really fun show: not the high intensity of some of his concerts I’ve seen in the past, but it’s pretty well known by now that, while Bruce loves the Bay Area, the audiences here don’t push him in quite the same way that they do in the south or midwest (to say nothing of the eastern seaboard): I’d have called the general tone more genial and high-spirited than anything else, with lots of audience interaction (some of which can get schticky for those who have seen him many times, but he’s always playing as much to people seeing him for the first time as to longtime fans). The Oakland audience also demonstrated themselves utterly hopeless in the crowd-surfing department, nearly dropping Bruce once, who had to keep instructing them on how to get him back up to the stage.
The tempos are more measured these days; a function not only of age, but of the enormous size of the current band: I remember when I used to think the seven-piece E Street Band was huge; there were eighteen musicians onstage Friday, and that was without Patti. I have to say, though, that the horns are much better integrated than has sometimes been the case in the past, and it’s remarkable that with so many new faces, they’ve still done around 200 different songs in the nine months or so of the tour; I can't say the Big Man isn't missed, but his nephew's growing into the role. And what may be lost in whipcrack intensity gets somewhat made up for with full, rich sound, even in a barn like Oracle Arena (our seats were pretty much nosebleed, but dead center).
Easy to pick a high point: “Kitty’s Back,” which I haven’t heard him do in something like thirty years, and which featured great solos from the individual band members: Bruce was so into Roy’s amazing piano part that he kept signaling him to keep going, building to a wild crescendo; it was easily as good as, or better than, any boot version I've heard over the years.
Given that only about half the setlist is fixed every night, you have to just hope he’ll randomly hit upon a few of your particular favorites, and I was delighted to hear “Ties That Bind,” “I’m Going Down” and “The E Street Shuffle,” which is one that I’d actually never heard him do live before. And when Bruce collected signs for requests, he seemed genuinely pleased and surprised by the request for “Devils and Dust,” which he played for only the second time on the tour, a beautifully intense performance. For what it’s worth, I like much of the new album, and the material sounded great live.
My college-age daughter was along for her first Bruce show (and it was my wife's first since the Tunnel of Love tour), and since she's only a casual fan (at best), it was nice that she got to hear the one song she was particularly hoping for: "Santa Claus is Coming To Town" (they both had a great time). On the other hand, I have a friend who went to the show (I learned later), and had been just desperately hoping for "Candy's Room"; he didn't do it, and I don't have the heart to tell her that I saw a photo of the setlist, taken pre-show, and it was actually on the setlist, but got dropped in favor of “Adam Raised a Cain”! No complaints on that from me, though, because "Adam" was incredibly powerful; in fact, it was a guitar-heavy evening, with Cover Me” featuring a stunning sequence of solos from Bruce, Nils and Steve, Nils going absolutely nuts at the end of "Because the Night," and Bruce on fire for virtually every solo all night. He was also in strong voice right up to the end of the show (not always to be taken for granted); he took advantage of the "let a kid sing lead" portion of "Waiting On A Sunny Day" to catch his breath, and that seemed to really fuel him for the stretch drive, from an impassioned "Raise Your Hand" to a "Thunder Road" that sounded and felt as though thirty years had dropped away, his voice soaring the way it did the first time I saw him way back when.
Setlist:
Land of Hope and Dreams
Cover Me
Adam Raised a Cain
Something in the Night
Hungry Heart
We Take Care of Our Own
Wrecking Ball
Death to My Hometown
My City of Ruins
The E Street Shuffle
Pay Me My Money Down
The Ties That Bind
I'm Goin' Down
Devils & Dust
Because the Night
She's the One
Shackled and Drawn
Waitin' on a Sunny Day
Raise Your Hand
The Rising
Badlands
Thunder Road
* * *
Kitty's Back
Born to Run
Dancing in the Dark
Santa Claus Is Comin' to Town
Tenth Avenue Freeze-out