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Originally Posted by Eye_H8_U
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Yeah she basically gives into despair just as the rescue effort starts to get a full head of steam. She'd have probably been found if she'd held on a liittle longer. I loved the ending to this movie. It's probably my favorite thing about the film. It goes against the Hollywood grain.
That and the gratuitous titty shots in the beginning of the movie. They need to bring back nudity in more horror movies.
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I love you Eye, and I want to have your babies......... which would be quite a task considering I'm a married heterosexual male. I agree with you 100% on both the (unexpected, at least to me) bleakness of the ending of the film and the titty shots early on. Those were natural, big ole non silicone ones also, which is always nice.
It seems that when I read a post and choose to reply, I'm always arguing one point or another, but not on this reply. I feel the movie failed at certain times (when compared to its' potential) with the dread of what might be hanging out below the water line. I actually think the skinny dipping scene at the beginning of JAWS and even the rip off of the same scene in PIRANHA hit that dread point more effectively than this movie did most of the times. I watched it on Sunday night on DVD for the first time, and I'll admit, I found the main characters yuppyish and not entirely likable to begin with, then I was just anxious to see how they manage to keep a film interesting with two people floating in the water for 45 minutes or whatever it was. It did keep my attention. In a big way. At the end of the film, I was PISSED OFF for 2 seconds (my wife was pissed for much longer), but then the 'aftertaste' of the movie kicked in and I have to say I not only liked it but it's encroaching on the "loved it" territory. Is it something I'll put in when buddies come over with a couple cases of beer? Hell no, but it affected me, and I'm still thinking about the haunting aspect of that ending as I'm writing this.
Ok, maybe I will argue about something in this thread. Heck, at least I'm consistant! Some of these posts have said things like "I knew it was an indie film, therefore.........", "I didn't expect much out of it because it was an "indie film" etc. etc. I'd like to define indie films: Movies made outside the Hollywood (or growing Florida) studio systems. They are often less commercial than studio films, but at the same time, they are often less formulaic, and made for the passion of getting that story out there rather than to make a ga-jillion dollars. For those that look at indie films with a negative preconception, I'd like to list a few indie films:
THE FLY, DEAD ALIVE, SUSPIRIA, AUDITION, NIGHT OF THE LIVING DEAD, DAWN OF THE DEAD, HALLOWEEN, HENRY, PORTRAIT OF A SERIAL KILLER, VIDEODROME, eXistenZ, SCANNERS, THE NAKED LUNCH, DRUGSTORE COWBOY, SESSION 9, DAY OF THE DEAD, THE CONVENT ( I love this silly movie, see it if you haven't yet had the pleasure), THE HILLS HAVE EYES, BLACK SABBATH, Last House on the Left, GO ASK ALICE, BLACK CHRISTMAS, TEXAS ChAINSAW MASSACRE, and many more that can't be paid for right now by the remaining currency of my mind the list goes on and on. Being an indie film just means it was made by someone who forewent the usually studio tampering to make what they wanted to make. To borrow a quote I loved from South Park, indie films aren't all about "GAY COWBOYS EATING PUDDING" .