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Movie stuff you only just realised... - Page 57

post #2801 of 3690

I was watching Ken Russell's The Devils recently and realized that the "bring out your dead" sequence in Monty Python and the Holy Grail is a homage to a sequence early in the film. Mind = Blown. Maybe this is common knowledge, but I am so glad that I watched it and caught the reference myself watching it rather than reading about it first. Simply incredible.

post #2802 of 3690
Quote:
Originally Posted by Fafhrd View Post

By that logic Marty should have died in BTTF when he returned to the happily altered 1985 (unless you're implying that Biff died before 2015 in the dystopian timeline, but in that case he should have started to fade a la Marty, instead of stumbling away like he was having a heart attack).

 

Let's face it:  the Back to the Future series is incredibly sloppy, time travel-wise.  They play very fast and loose with the paradoxes.  Technically, Doc should have been all for bringing Clara back to the future with them, because then Shonash Ravine would return to being Clayton Ravine, and the disruption in the timeline he created when he saved her life would have been minimized since she would have been removed from it again.  And the idea that the universe would just realign around Jennifer and Einstein without them being affected when the timeline was repaired is pretty silly.

 


Even as a kid, when I saw Part 3 I always wondered why Marty didn't just turn to Doc, who hadn't been sent to the past yet, and say "Hey... don't stay in the air next to the billboard, and everything will be cool." But then there's no movie I guess.
 

 

post #2803 of 3690
Quote:
Originally Posted by Hammerhead View Post

Warren Beatty and Shirley MacLaine are siblings.


 

This one really surprised me when I read it a few years ago.

 

 

Adding: actress Mariska Hargitay (don't watch whatever Law and Order show she is on, but I am aware of her existence) is the daughter of Jayne Mansfield and Mickey Hargitay. Who was her daddy and what did he do? You can find out by watching this stunningly well acted biopic:

 

 

 

 

post #2804 of 3690

I only just realized it's Christoph Waltz, and not Christopher Waltz ::polar bear facepalm::

 

PS Hat tip to RENN for his VIDEO REVIEW of CARNAGE where he pronounced the name aloud, cluing me in

post #2805 of 3690

images.jpg

This guy...

 

.. is the nephew of this guy:

m.jpg

Crazy.

post #2806 of 3690

Adam Scott was in Hellraiser: Bloodline.

post #2807 of 3690

Adam Scott was in Hellraiser: Bloodline.

post #2808 of 3690

Jeffery Donovan was in The Blair Witch 2

post #2809 of 3690

Yeah, that's hard to notice given that Kim Director's breasts were also in BLAIR WITCH 2.

post #2810 of 3690

Whatever happened to Kim Director, anyway?

 

I like to think she married Tim Screenwriter and became Kim Director-Screenwriter.

post #2811 of 3690

Movie stuff I only just realized? HULK (2003) is in many ways much better than every other MARVEL film and most other super hero movies that have come afterwards

 

In 2003 I was a bit underwhelmed, but now upon recently revisiting certain scenes, I realize that it was made with a level of skill and grace that has sadly been lacking from the genre for quite a while. The inventive "comic book frames" work like gangbusters, and Hulks jumping, soaring action scenes get my blood pumping. They manage to capture a true sense of exhilaration at his powers, and honestly wow me. The music is excellent, and the action beats are all fantastic. I love Ang's mocap work as Hulk, the rage is palpable. In the NORTON HULK, HULK was purely the work of animators, and while he often smashes stuff real good, it's just CGI cartoon destruction, with little underlying emotion. In HULK 2003, the scope is epic and the cinematography beautiful and haunting. In INCREDIBLE HULK, everything is flat and small like a TV SHOW. Marvel's films look pretty crummy when stacked up against Ang Lee's ambitious outing

 

Now, there was far far too much bloat, and alot of the film is just too boring to revisit, but in general Bana's character work was stellar and the story, in broad strokes, was very compelling. I've even come to love the final confrontation with Nolte. When I rewatched it a few days ago, it was positively chilling (no pun intended)

 

The movie has just shot up quite a bit in my estimation, and sadly, modern blockbusters look all the worse for wear in the comparison

post #2812 of 3690
Quote:
Originally Posted by Princess Kate View Post

Movie stuff I only just realized? HULK (2003) is in many ways much better than every other MARVEL film and most other super hero movies that have come afterwards

 

In 2003 I was a bit underwhelmed, but now upon recently revisiting certain scenes, I realize that it was made with a level of skill and grace that has sadly been lacking from the genre for quite a while. The inventive "comic book frames" work like gangbusters, and Hulks jumping, soaring action scenes get my blood pumping. They manage to capture a true sense of exhilaration at his powers, and honestly wow me. The music is excellent, and the action beats are all fantastic. I love Ang's mocap work as Hulk, the rage is palpable. In the NORTON HULK, HULK was purely the work of animators, and while he often smashes stuff real good, it's just CGI cartoon destruction, with little underlying emotion. In HULK 2003, the scope is epic and the cinematography beautiful and haunting. In INCREDIBLE HULK, everything is flat and small like a TV SHOW. Marvel's films look pretty crummy when stacked up against Ang Lee's ambitious outing

 

Now, there was far far too much bloat, and alot of the film is just too boring to revisit, but in general Bana's character work was stellar and the story, in broad strokes, was very compelling. I've even come to love the final confrontation with Nolte. When I rewatched it a few days ago, it was positively chilling (no pun intended)

 

The movie has just shot up quite a bit in my estimation, and sadly, modern blockbusters look all the worse for wear in the comparison


Hail, sister.

 

post #2813 of 3690

Tell that to Ang Lee. Hulk ended the guy's brief tenure with the mainstream studio blockbuster and also caused him to consider retirement from film altogether.

 

See also: David Lynch with Dune.

 

Personally, I don't think it deserved the hate a lot of people gave it (showing The Hulk in an unfinished state was a big mistake on Universal's part) but I think it will ultimately exist as a cinematic oddity. I know it has its supporters but I really doubt there's going to be a widespread Blade Runner or The Thing-esque "Hold on, this movie is actually brilliant!" realization.

post #2814 of 3690


 

Quote:
Originally Posted by Mike J View Post

Tell that to Ang Lee. Hulk ended the guy's brief tenure with the mainstream studio blockbuster and also caused him to consider retirement from film altogether.

 

See also: David Lynch with Dune.

 

Personally, I don't think it deserved the hate a lot of people gave it (showing The Hulk in an unfinished state was a big mistake on Universal's part) but I think it will ultimately exist as a cinematic oddity. I know it has its supporters but I really doubt there's going to be a widespread Blade Runner or The Thing-esque "Hold on, this movie is actually brilliant!" realization.



 

I'm not saying its the next BLADERUNNER, or even a particularly good film, but there is alot to like and much of it is exhilarating filmmaking. The action scenes have life and awe to them that virtually no super hero film these days can match. I often posted in recent years about our lowered expectations when it comes to studio fare, and the small, flat TV like state of the current MARVEL universe speaks to that. There is simply nothing in any of those films that really compares to the sense of freedom and power found in certain HULK action scenes 

 

Much of the movie is boring, and bloated to the extreme, but care was taken crafting the characters and story, and there are moments of real, genuine drama. As stated in my previous post, the final confrontation with Nolte was legitimately moving, I had chills


Edited by Princess Kate - 11/8/11 at 6:55pm
post #2815 of 3690

Always felt the comparison of Lee's Hulk to Lynch's Dune ​was pretty sound. In both cases you have artists swimming around in the shark tank of the Hollywood blockbuster mainstream, studying its habits. The films are almost bound to disappoint fans of the source material, but as movies in and of themselves they're not like anything else, and it's fascinating to watch such stubborn artists working on a huge multi-million-dollar canvas. It's the kind of oddball combo serious film geeks always say they want more of, like that poster of Alejandro Jodorowsky's The Star Wars.

post #2816 of 3690

William Fichtner is the voice of the marriage counselor in Mr. and Mrs. Smith!

post #2817 of 3690
Quote:
Originally Posted by raptors661 View Post

William Fichtner is the voice of the marriage counselor in Mr. and Mrs. Smith!


The movie had no clearly defined villain but they had William Fichtner on board and he was just a fucking voice? Madness!

 

post #2818 of 3690

Brad Pitt was one of six producers on Kick Ass.

post #2819 of 3690

He was also intially cast as Big Daddy, but dropped out to be a Basterd.

 

 

 

post #2820 of 3690

Jean Claude Van Damm was a dancing extra in one of those terrbile Breakin movies from the 80s.

 

Proof can be found here: http://www.youtube.com/watch?v=POXoJyNcLiI

post #2821 of 3690

Every so often I remember Elias Koteas played Casey Jones in the TMNT series and laugh a hearty laugh.

post #2822 of 3690

Richard Belzer was the club comedian in Scarface.

post #2823 of 3690

The guys who gave us such movies as Re-Animator, Robot Jox, Society, and Silent Night, Deadly Night 4 (Stuart Gordon and Brian Yuzna, respectively) were two of the three guys who wrote the story for Honey, I Shrunk the Kids! Hearing that on a podcast just earlier tonight then going online and seeing it was true... I was quite shocked. 

post #2824 of 3690
Quote:

Originally Posted by Hammerhead View Post

 

 

Kate Bosworth, Julia Stiles and Erika Christensen are the same person.



You know that really explains a lot.

 

post #2825 of 3690

I dispute that. Christenson and Stiles are talented and attractive.

post #2826 of 3690
Quote:
Originally Posted by MichaelM View Post

I dispute that. Christenson and Stiles are talented and attractive.


No offense, insert retching sound here.

post #2827 of 3690

A bit left field, sorry-

 

In another thread someone was complaining about a plot point and another chewer chimed in with something like "it would be like Andy with the shoes in Shawshank"...

 

Is there something I'm missing about that part of the movie?  Is it a monumentally stupid plot point that doesn't make sense with regard to Andy donning the Warden's shoes toward the end or something?

 

 

post #2828 of 3690

Ambler, the shoes were the tip off that Andy wasn't going to kill himself, as the film seemed to suggest and build toward. Red, our eyes for the film, certainly thought Andy was going to hang himself, and was so consumed with worry he didn't even notice Andy wearing the warden's polished nice shoes.....which he stole as part of his disguise once he escaped.

post #2829 of 3690
Quote:
Originally Posted by MichaelM View Post

Ambler, the shoes were the tip off that Andy wasn't going to kill himself, as the film seemed to suggest and build toward. Red, our eyes for the film, certainly thought Andy was going to hang himself, and was so consumed with worry he didn't even notice Andy wearing the warden's polished nice shoes.....which he stole as part of his disguise once he escaped.


Hm, I get that, but the person made it seem like there was something that didn't work about it, like maybe the fact that none of the guards noticed?  Maybe it's nothing.
 

 

post #2830 of 3690

Slap Shot was written by a woman, screenwriter Nancy Dowd. How cool is that?

post #2831 of 3690

The third act of Spider-Man takes place around Thanksgiving. The parade when Spidey and the Green Goblin first encounter each other is not only the Macy's Day Parade, but Macy Gray is there. Clever.

 

I'm onto you, Raimi.

post #2832 of 3690

Ty Burrell from Modern Family is in Black Hawk Down.

post #2833 of 3690

Jason Segel played Mike in SLC Punk. I just saw the film again (which, interesting enough, had an even bigger emotional impact on me than when I was 20), which I've not seen since at least before Knocked Up sort of broke Segel as an actor.


Edited by JacknifeJohnny - 11/23/11 at 9:40am
post #2834 of 3690

Michelle Williams played a Young Sil in Species.

post #2835 of 3690

And she was way too attractive for her age.

post #2836 of 3690

Billy Bob Thornton is cousin to the crazy motherfucker in the stripey tights here.

 

post #2837 of 3690

That many of J.F. Sebastian's "toys" in BLADERUNNER are actually hideous failures of genetic design. Mutants that rasp and struggle to breath, yet he's decked them out in costumes to make them look like vintage wind up toys

 

It's creepy. Previously I just thought he designed genetic toys to keep him company. Only after watching the FINAL CUT did I realize that many "toys" are just failures from his work with Tyrell, dressed up in ghoulishly playful garb

 

The pinocchio figure with the giant nose? It's Leon the replicant, or at least a version that drools and sputters as it draws breath

 

It's extremely disturbing, and makes me view Sebastian's character in a vastly different light

post #2838 of 3690

 

Quote:
Originally Posted by Justin Clark View Post

Billy Bob Thornton is cousin to the crazy motherfucker in the stripey tights here.


As a big professional wrestling fan, I am shocked I never heard before that BBT is related to the Funk family.

 

I recently found out that Jenna Elfman is related to the rest of the famous Elfmans. Her husband is the son of Richard and Marie-Pascale Elfman, best known as the director and the lead female in a movie I'm sure is a favorite of many around here, Forbidden Zone.

post #2839 of 3690

The soldier from the excellent episode of The Storyteller, "The Soldier and Death,"

300px-Bobpeck.jpg

 

is Bob Peck, also known as Muldoon from Jurassic Park.

13578-10106.gif

post #2840 of 3690

vlcsnap-2011-11-30-18h48m37s133.jpg

Michael Keaton was originally cast in The Purple Rose Of Cairo but was dumped for being too 'modern'.

post #2841 of 3690
Quote:
Originally Posted by Art Decade View Post

vlcsnap-2011-11-30-18h48m37s133.jpg

Michael Keaton was originally cast in The Purple Rose Of Cairo but was dumped for being too 'modern'.



Ha. Did you just watch that PBS "American Masters: Woody Allen"doc? That was the first time I heard the explanation for it.

 

post #2842 of 3690

You know it, dude.

post #2843 of 3690
Quote:
Originally Posted by Bill McNeal View Post

The soldier from the excellent episode of The Storyteller, "The Soldier and Death,"

300px-Bobpeck.jpg

 

is Bob Peck, also known as Muldoon from Jurassic Park.

13578-10106.gif



Bob Peck = fuckin' awesome. He was also the lead in Martin Campbell's original Edge of Darkness serial for the BBC. He managed to be utterly badass while giving one of the most truthful portrayals of the grieving process I've seen from any actor. The man was a legend.

 

post #2844 of 3690

Jim Rash, the Dean on Community, co-wrote the script for The Descendants.

post #2845 of 3690

Just was reading the new EW on my lunch break, and the cringe worthy Spielberg interview did contain a few interesting bits sandwiched chunks of nonsense straight from beard (HOOK is a bad movie because it used sets and practical effects, apparently. He'd have corrected it's flaws by shooting on green screen, were he to make the film today! Also, he is now all about "escapism" and is seemingly proud of inflicting TRANSFORMERS on the world. He claims TRANSFORMERS 3 is the "best one")

 

One thing I learned was that Harrison Ford was his first choice for Allen Grant in JP. I like Sam Neil in the role, but I definitely think Ford would have been a big step up. Ford apparently turned down the offer though..

post #2846 of 3690

Heh. Reminds me of his other comment that Hook was bad because he "didn't let Robin Williams be funny." I honestly just think he loves that movie, is extremely proud of it, and is just totally confused that other people don't think the same.

 

What's the exact quote on that escapism thing, though? It's hard to take that seriously with Munich being so recent, Lincoln on the horizon, and War Horse likely being at least somewhat serious in how it deals with war.

post #2847 of 3690
Quote:
Originally Posted by JMulder View Post

Heh. Reminds me of his other comment that Hook was bad because he "didn't let Robin Williams be funny." I honestly just think he loves that movie, is extremely proud of it, and is just totally confused that other people don't think the same.

 

What's the exact quote on that escapism thing, though? It's hard to take that seriously with Munich being so recent, Lincoln on the horizon, and War Horse likely being at least somewhat serious in how it deals with war.


 

I actually like HOOK (I want to see a RUFIO sequel/prequel!), and I'm kind of annoyed he was slagging off the wonderful hand crafted sets. They're my favorite part of the film. Everything has a wonderfully cozy charm, and Neverland feels like a physical place, half way between the real world and the sets of the Broadway Peter Pan musical

 

And I will go hunt down the article, hang on. I left it in the staff room. However keep in mind he talks about how WAR HORSE is going to be PG13 and he isn't going for realistic combat.. which always has been what enrages me about the project. Taking the horrors of WW1 and using them as fodder for a watered down uplifting story about a horse

 

Spielberg just annoys me because he's so enormously talented, and but lately he uses that talent (and his famous name) for the most crassly cynical ends. He's our greatest living director, and he's out there pimping the loathsome TRANSFORMERS films? It just leaves a bad taste in my mouth, and makes me think less of the man

post #2848 of 3690

Maybe he just has blinders on in regards to Transformers, since he was involved in the production and whatnot (the extent to which I really have no idea). But he's also quoted as saying he never dislikes a movie, even those that are critically panned -- so perhaps he's just a better director than discerning audience member anyways.

 

And while I agree Transformers is crassly cynical, I don't get that impression from any of his other recent output, with the exception of Skull (which Lucas notoriously pushed him into doing, of course).

post #2849 of 3690

 

Quote:

WILL THERE BE ANOTHER MICHAEL BAY TRANSFORMERS?

 

I hope so, because I think he made the best of the three with the last one!

 

 

Quote:

 

 

GEORGE FAMOUSLY TINKERS WITH HIS MOVIES AFTER THE FACT. BUT YOU'VE SAID THAT YOU REGRET CHANGING ET FOR THE 2002 RERELEASE, AND WOULD NEVER CHANGE ANOTHER OF YOUR MOVIES

 

.... (Spielberg offers a mea culpa on ET) ....

 

NOW YOUR PHILOSOPHY IS TO NOT CHANGE EVEN THE ROUGH EDGES?

 

My philosophy now is that every single movie is a sign post of it's time, and it should stand for that. We shouldn't go back and change the parting of the red sea in THE TEN COMMANDMENTS just because we can now make that even more spectacular than it was

 

 

 

This is total nonsense. If you don't change stuff, can I get my original cliff matte painting back in RAIDERS, Steve?

 

Quote:

OVER THE LAST FEW YEARS, YOU'VE REALLY GOTTEN INTO THE KID-FRIENDLY STUFF.. ESPECIALLY AS A PRODUCER. TRANSFORERS, COWBOYS AND ALIENS, SUPER 8..

 

It's all about the escapism, you know?

 

 

So no grander ambitions as an artist. Just escapism...

 

He could make a LINCOLN film that would impact our politics in the here and now, potentially influence the election.. but no, he just wants to offend no one and make a film for 8th grade American history classes, so he delayed it till after the election

 

TRANSFORMERS? All his idea...

 

Quote:

I REMEMBER ASKING YOU ONCE ABOUT WHAT INTERESTED YOU IN TRANSFORMERS?

 

I used to buy my kids TRANSFORMERS toys.... I called up the head of HASBRO and I said "Will you sell me the rights? I think I have a way of turning this into a movie"

 

Thank you Steve, for this gift to cinema..

 

Quote:

 

AT A 30TH ANNIVERSARY SCREENING OF RAIDERS, YOU TOLD THE AUDIENCE THAT YOU FELT YOU'D BURNED BRIDGES WITH CRYSTAL SKULL

 

I'm really proud of that movie! ....

 

WERE YOU UPSET WHEN SHIA PUBLICLY CRITICIZED IT?

 

I'm not going to go there

 

So just no honesty on that front from him

post #2850 of 3690

Thanks for writing that up, Kate. I think you're being a little too hard on him in judging his statements there, though, and maybe reading into them a little too much. A statement like "it's all about the escapism" is pretty innocuous, and could've even been meant half-jokingly. I think the movies sort of speak for themselves on that matter.

 

It's pretty professional to duck away from the Shia question, too, and he changed the Lincoln release date because he didn't want it being brought into the fray of discussion, tarnishing the movie he actually made. Makes sense to me.

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