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Danger: Diabolik

post #1 of 12
Thread Starter 
Brilliant, kooky, and sexy Mario Bava venture based on the exploits of popular Italian comic book anti-hero, Diabolik.
John Phillip Law is in the lead, whilst the too gorgeous, and sadly missed, Maris Mell, plays Diabolik's sexy girlfriend and criminal co-hort, Eva. Expectedly genius and innovative direction by Bava (watch for his interesting attempts to frame scenes like comic panels) and a phenomenal score by the indomitable Ennio Morricone.

Since dropping off the public radar so many years ago, the film's mainstream exposure has been limited to its influence on films like Tim Burton's Batman, Roman Coppola's CQ, and most notably, the Beastie Boys music video "Body Movin'", which actually incorporated footage from the film.

Similar in style, but far superior to the campy Batman television show of the 60's, Danger: Diabolik is about a flamboyant criminal mastermind, decked out in what today is basically black leather fetish gear, going about commiting various extravagant robberies and acts of terrorism for the thrill of it, and for goodies to lavish upon his aformentioned girlfriend.

This is an endlessly fun film, with an anti-hero who is *truly* that, killing people (including cops) without any afterthought, stealing whatever catches his eye, and blowing up shit up just for kicks. When he retires to his "pimped out" secret lair, he primarily lounges around naked with his girlfriend, or they go and make the beast with two backs covered in piles of cash.
As a comic book film, this is one of the best, it's like Sin City, in the fact that it just revels in the world that it's representing and it never pulls back. I'm a big fan of the "fumetti neri" genre (literally "black comics" or "adult comics") and whilst Danger: Diabolik represents the lighter side of that whole period, dominated by artists like Magnus, it's also bawdy and wild enough to go toe to toe with the likes of cult classics, Barbarella and Flash Gordon.

If you've not had the pleasure, I implore you to check it out.
post #2 of 12
Yeah, it was also the series finale movie for Mystery Science Theater 3000.

I think when it aired as the finale for MST3k a lot of people were kinda pissed that they chose that movie to make fun of, but I thought it worked well for MST3k. Its one of those movies that's great to riff on, but at the same time you'd probably watch even if they weren't doing their commentary.

I think in Grant Morrison's run on New X-Men there was a character called Fantomex (I think) who was basically based on Diabolik.

Oh and the soundtrack is great. Its been along time since I've seen the movie, but I can still remember a lot of it.

Best line (and final MST3k stinger): Is that stud coming?
post #3 of 12
Do you mean...

post #4 of 12
Thread Starter 
I own two Diabolik fumetti, one in English, the other in French (original 1975 printing), and yep, I also have Kriminal on DVD (Italian language only).

I've heard of Satanik, but I've not had the pleasure of reading the books or watching the film (which I hear is quite awful).
post #5 of 12

Finally got around to watching this flick, and I am just straight out astounded right now.  It gets repetitive, the dialogue and plot is almost non-existent, and the capers aren't as inventive and clever as the movie wants you think, but good god is this movie pure.  Diabolik is the original magnificient bastard.  He is the distilliation of all what we love about preening assholes.  He's just cool.  Slinking around in a wetsuit/superhero get-up, killing dudes and taking what he wants in ultimate style.  Mario Bava is fantastic here.  Each scene is directed with style and off-beat finesse.  Plus, Diabolik has THE definite money/bed scene of all time.

 

 

EDIT: Oh, and I found an article talking about the original screenplay that makes me wistful for what could have been:

 

Quote:
The original screenplay contains many elements either jettisoned or altered, presumably at least partly by Bava. There is easily twice as much dialogue that was pared down. Every scene with Eva is scripted with nudity or sex, as if these elements were written in to sell the property even though all involved knew they would be dropped. The killings read as more graphic in the script, with tortures and grue dwelled upon sadistically.

 

 

http://www.dvdtalk.com/dvdsavant/s71diabolik.html

post #6 of 12
Quote:
Originally Posted by HypnoToad View Post

Yeah, it was also the series finale movie for Mystery Science Theater 3000.

I think when it aired as the finale for MST3k a lot of people were kinda pissed that they chose that movie to make fun of, but I thought it worked well for MST3k. Its one of those movies that's great to riff on, but at the same time you'd probably watch even if they weren't doing their commentary.

I think in Grant Morrison's run on New X-Men there was a character called Fantomex (I think) who was basically based on Diabolik.

Oh and the soundtrack is great. Its been along time since I've seen the movie, but I can still remember a lot of it.

Best line (and final MST3k stinger): Is that stud coming?


*Raises hand* I'm one of those people that kind of thought making fun of a comedy was kind of bullshit, but I'm probably just a butthurt Bava enthusiast. And I'm positive I've read Morrison admit Fantomix was based on Diabolik. I think the best thing I noticed watching the film for the 50th time is that Diabolik is a total asshole and actually kills innocent people. He's certainly no Robin Hood.

 

Man, I wish we could go back in time and hire young John Philip Law and Bava to make a Captain America movie...

post #7 of 12

I find Mario Bava's style absolutely stunning. Danger Diabolik, Planet of the Vampires and Black Sabbath are my personal favorites. He was a master of mood and atmosphere while the cinematography in his movies was simply breathtaking; high contrast with rich, saturated color. Oh and The Drop of Water, from Black Sabbath, is one of the greatest short Horror movies ever made. Only Terror at 20,000 Feet from the Twilight Zone Movie equals it IMHO. I wouldn't even put Modesty Blaise or Barbarella anywhere near Bava's genius as I find those movies to be a fucking snore despite some nice sets, costumes and photography.

 

Mario Bava : Maestro of the Macabre is an excellent documentary on the great man.

post #8 of 12

There is no more beautiful horror film ever made than Black Sunday. He's one of the few workman-like directors who doesn't have a single blemish on his ouvre, unless we're counting the recut version of Lisa and the Devil.

post #9 of 12

You're forgetting DR. GOLDFOOT AND THE GIRL BOMBS.

post #10 of 12
Quote:
Originally Posted by Malmordo View Post

You're forgetting DR. GOLDFOOT AND THE GIRL BOMBS.



No, we're trying to forget that, kinda like repressing the memory of being prison raped.

post #11 of 12
Quote:
Originally Posted by Malmordo View Post

You're forgetting DR. GOLDFOOT AND THE GIRL BOMBS.



No I'm not. That's the best possible movie that could be made from that script. And I bet he made it in a weekend for $40.

post #12 of 12

Funny that I just watched Dr. Goldfoot and the Bikini Machine for the first time in, at least, 15 years and it really doesn't hold up as well as I remember. The problem is that the movie focuses too much on that fucking douchebag Frankie Avalon. The Abominable Dr. Phibes is a much better movie.

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