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Unfairly Hated and Underrated Scores - Page 3

post #101 of 110
9/30/06 at 1:34pm
I find it easy. Then again, I have yet to come to terms with the idea of people listening to country music on purpose.
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post #102 of 110
9/30/06 at 1:35pm
Close-minded ignorance and bigotry will do that to a guy.
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post #103 of 110
9/30/06 at 1:46pm
No, it's just shit music. Anything else you read into it is your own problem.
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post #104 of 110
9/30/06 at 1:53pm
Sorry, I thought you were making another fatuous, pompous and more than vaguely misinformed post about something.
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post #105 of 110
9/30/06 at 1:55pm
You were mistaken.
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post #106 of 110
9/30/06 at 2:02pm
I'm going to add yet more Terence Blanchard love to this thread, specifically for his moody, 80s-infected work on DARK BLUE. That score is such a perfect replication of the LETHAL WEAPON school of music that it singlehandedly makes the movie feel like a product of the era it's depicting.
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post #107 of 110
10/2/06 at 11:50am
Quote:
Originally Posted by haveapez
I enjoy David Shire's score for Return to Oz. It definitely doesn't get enough credit.
Easily one of my faves.

The Dark Crystal (Trevor Jones) as well: http://www.filmtracks.com/composers/jones.shtml
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post #108 of 110
10/2/06 at 11:48pm
I think the Thomas Newman scores that are underated are Lemony Snicket and In The Bedroom. Drive Away the credit song from snicket is just plain brilliance. I havent heard any comments about the score for Little Children, but I am sure its intresting.

And Gregson Williams score for Kingdom of Heaven should of won the Oscar, its just epic, lush, and haunting.

Speaing of GoldenEye what about Grant Kirkhope work on GoldenEye 64 capturing Serras work?
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post #109 of 110
10/12/06 at 5:26pm
The score for The Fury is definitely not as heralded as it should be.
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post #110 of 110
10/14/06 at 3:50pm
Giorgio Moroder's score for Cat People is pretty damn cool.
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