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The Best of BOND; Let's get this over with - Page 182

post #9051 of 11880
Quote:
Originally Posted by LaurenOrtega View Post

Don't get me wrong, they'd all probably smack Tracy around a bit.

At least with Lazenby you can imagine she'd mouth off to him without another pop.

Funny, I always did think it was Diana Rigg who was wearing the pants in the relationship. Mostly due to her coming off as a pro while Lazenby is clearly the inexperienced novice. She'd eat him alive. That's why with someone like Connery, there's more of an equal balance, two powerhouses put together sounds like a much more interesting dynamic and could have made the impact of her death even more powerful IMO.


Anyway, going a bit off topic: To all fans of the spy genre, I highly recommend seeing TINKER TAILOR SOLDIER SPY. I just watched it and I have to say it's probably one of the best of the genre. A must see.
post #9052 of 11880

I actually LIKE that Diana Rigg's fairly take charge in the relationship.

post #9053 of 11880
I agree, was refreshing for the series especially after YOLT (ex: the leading lady was so underdeveloped her isn't even mentioned at all).
post #9054 of 11880
For my money, the first actress that gave Diana Rigg a real challenge for best Bond Girl was Eva Green.
post #9055 of 11880
Quote:
Originally Posted by Mr. Stockslivevan View Post

I agree, was refreshing for the series especially after YOLT (ex: the leading lady was so underdeveloped her isn't even mentioned at all).

 

Agreed.

 

Interestingly, the characterisation of Tracy in OHMSS follows the book quite closely. Bond's relatively more passive relationship with her in the book seems sub-textually to be driven by him finally breaking down the walls he had built up around himself after his experience with Vesper, and is consistent with the development by Fleming of Bond's distate for his work and a desire to quit. It's serendipity (or clever producing) that the Bond girls in the films needed a fresh approach, as Mr S correctly notes, and the character of Tracy and the story of OHMSS could achieve that.

 

Did OHMSS bomb? Seems strange that the promising direction - no matter who the actor was going to be thereafter - was so crudley cast aside in DAF.

post #9056 of 11880

Do audiences these days even care about Fleming's original depiction of Bond? I doubt most of them have never even read the books. Bronson and Moore's versions of Bond is their idea of the character.

post #9057 of 11880
Quote:
Originally Posted by felix View Post

Do audiences these days even care about Fleming's original depiction of Bond? I doubt most of them have never even read the books. Bronson and Moore's versions of Bond is their idea of the character.

 

Not sure if that was aimed at me, but I wasn't making that point particularly. I was just being a Bond book geek. The nice thing about Diana Rigg's performance was that it had roots in the books - which still mattered in the late sixties, I'd say - and served a strong, albeit ultimately wasted, purpose in the film series.

 

Saying that though, for a characterisation that arguably doesn't matter, it's extraordinary how much lip service is paid to fidelity by actors who take on the role. Espcially the actors that have followed Moore and Brosnan.

post #9058 of 11880
Quote:
Originally Posted by jhp1608 View Post

Did OHMSSbomb? Seems strange that the promising direction - no matter who the actor was going to be thereafter - was so crudley cast aside in DAF.

It was felt that without Lazenby and that audiences were not enthusiastic about OHMSS, that it was best DAF would go on its own path as a more fun entry in the style of GOLDFINGER.

Personally I enjoy DAF primarily because of Connery and Tom Mankiewicz's witty script. It's got a goofy quality to it that I find irresistible and the cast is fun. Heck, I actually enjoy Charles Gray as Bolfeld in the same of way I enjoy Gene Hackman's Lex Luthor. I will never understand the hate it gets.
post #9059 of 11880
Quote:
Originally Posted by felix View Post

Do audiences these days even care about Fleming's original depiction of Bond? I doubt most of them have never even read the books. Bronson and Moore's versions of Bond is their idea of the character.

 

  To be honest, I have read any Fleming novels and I don't plan to. Connery wasn't Fleming's idea of Bond and at first wasn't happy with the casting. The one liners weren't in the novels; Connery and the director of Dr No came up with those on the set. Even Connery wasn't the Bond of the books.

post #9060 of 11880

I don't actually like Fleming all that much.

post #9061 of 11880
Charles Grey is a poor substitute for Donald Pleasance and Telly Salvalas. He could at least have gone bald.
post #9062 of 11880

My problem with Grey is he isn't very menacing. DAF has its fun moments, but its not one of the better Bond movies.

post #9063 of 11880
Quote:
Originally Posted by LaurenOrtega View Post

I don't actually like Fleming all that much.

http://www.youtube.com/watch?v=LT2O71LDUc8
Quote:
Originally Posted by Arjen Rudd View Post

Charles Grey is a poor substitute for Donald Pleasance and Telly Salvalas. He could at least have gone bald.

I personally found Donald Pleasance very boring. Charles Grey wasn't menacing like Savalas, but I thought he was charismatic enough and had some great lines to work with. As for not going bald, that's fine by me because Blofeld wasn't bald in the first place.
post #9064 of 11880
Quote:
Originally Posted by Chaz View Post

For as much as I love OHMSS I don't like that Tracy is smacked by Bond, and decked by her father, who after wards says,"Spare the rod." I just don't like seeing man hit women. I know, aren't I Mr Sensitive.

 

Say goodbye to the thread, Chaz.

 

Uhhh...man talk

 

1000

post #9065 of 11880

I recently saw DAF and SWLM on the big screen, and two things struck me: How ugly the photography of DAF is, and how in SWLM Curt Jurgens plays Stromberg (in many ways a Blofeld analog) absolutely straight, without a trace of camp.

post #9066 of 11880

Diamonds are Forever just looks like complete ass.

 

Aside from the elevator fight though(which is a really great brutal sequence) there's absolutely nothing worthwhile in that movie whatsoever.

post #9067 of 11880

The shift from the elegance of OHMSS to the sleaziness of DAF perfectly exemplifies why the 70's sucked shit compared to the 60's.

post #9068 of 11880
Quote:
Originally Posted by Clarence Boddicker View Post

Say goodbye to the thread, Chaz.

Uhhh...man talk


Bond mentions spanking women at several points throughout the series. It's a bit of a running theme with him.
Quote:
Originally Posted by LaurenOrtega View Post

Diamonds are Forever just looks like complete ass.

Aside from the elevator fight though(which is a really great brutal sequence) there's absolutely nothing worthwhile in that movie whatsoever.

I have not seen it in years and years precisely because my memory of the film matches exactly your description, but I am inclined to agree with you in any case. It's a tremendously disappointing final outing for Connery as Official Bond. I don't think he should have bothered to come back. Given his complaints about the direction of the films when he quit the first time, I don't know why he would return, pudgy and past his prime (something that is I think antithetical to Fleming's Bond, who would never have made it to old age), for an entry nearly identical in depth and general approach to You Only Live Twice.
post #9069 of 11880
The sleaziness for me is one of the film's strengths. I can see why Connery would return for DAF: Tom Mankiewicz's script, and of course the big paycheck. It also makes a much better final entry than YOLT (or NSNA especially). I can't be the only one in this forum who enjoys DAF. So many great points it has:

Great diaogue, of course.
Shirley Bassey's best title song.
John Barry's socre.
Every scene with Jimmy Dean "I'll take in the john!"
Jill. St. John's Tiffany
Wint & Kidd, best henchmen of the 70s
Lana Wood's knockers.


It does have its flaws: Cheap f/x. Bambi and Thumper kicking Bond's ass (and then him miraculously handling them in the pool). Guy Hamilton never seemed comfortable shooting in panavision scope so it's really lacking there. Finally the climax that abruptly ends because they scrapped the finaly showdown between Bond and Blofeld (which would see the death of Blofeld).

Aside from those flaws, I can't help but grin as I watch the flick. It's a great start for the 70s much like MOONRAKER was a great end for the decade.
post #9070 of 11880

Those Skyfall trailers are fan-fucking-tastic.  And now it's time to play catch-up...

 

Quote:
Originally Posted by History Buff View Post

It would be cool to have Lazenby or Dalton do some voice over work for a Bond game but I guess that ship has sailed for both those guys.  

 

Had the From Russia With Love video game sold better, it might have happened.  The whole concept was to do a game adaptation from each "era", giving us Bond games with Lazenby, Moore, and Dalton voicing the role and lending their likeness.  Obviously Lazenby's would have been OHMSS.  I believe Moore's The Spy Who Loved Me was earmarked for a go and there were rumors that it would be altered to have Blofeld as the villain (as they had the character back by then and he was intended to be the villain in the original script), making it a pseudo-sequel to the Lazenby game.  I don't think they ever mentioned which Dalton one they would do.  I would have loved for an improved LTK, but I suspect Living Daylights would have been far more likely.

 

As a consolation we are getting this anthology 007 Legends game, I guess.  Better than nothing, but what was proposed could have been fun if it had caught on with the fans.

 

Quote:
Originally Posted by Slim View Post
I think this trailer is the first time in the Craig era we've seen an onscreen reference to Bond's military rank and branch of service, too.

 

I think you are right.  Let's also not forget that this is his first true appearance as "Bond, James Bond".  Casino Royale and Quantum of Solace are effectively Bond Begins: Parts 1&2, which is accentuated by the gun barrel sequence happening at the end of QoS as opposed to the beginning.

 

Quote:
Originally Posted by Mr. Stockslivevan View Post

Would make sense if this were a much younger and reckless Bond, in fact they were aiming for an early 20s actor before settling with Craig.

 

Funnily enough, the other three main contenders for the role....all of which were a good deal younger than Craig....have all hit their stride recently.  Sam Worthington is effectively a new action star.  Henry Cavill is the new Superman.  And the other one is one of the leads on the new Hawaii Five-O show.

 

Quote:
Originally Posted by Chaz View Post


 One of the things I like about QOS is that when Bond goes rouge, he gets the job done without MI6.

 

My favorite scene in the film is where his company card is declined and he flirts his way out of getting ratted out to MI6 by the travel agent.

 

Quote:
Originally Posted by MrBananaGrabber View Post

I've never seen DAD or QoS, worth netflixing?  Brosnan is my least favorite bond, and I still haven't warmed up to Craig.

 

I really need to watch LTK again.  It disturbed me so much when I saw it as a kid (Shark attack!  Exploding head! Benicio in a shredder!), I never revisited it.

 

LTK has a great Dalton performance and fantastic villains (Robert Davi, Benecio Del Toro) saddled with a problematic screenplay.  I love the entire set-up of the tale "Bond gone rogue and out to avenge his friend" but it loses its way a bit in places.  Well worth seeing though.  And definitely give QoS a look.  It's not nearly as bad as many say, it's just no Casino Royale.

 

Do with DAD as you please.  It's the worst of the lot.

 

Quote:
Originally Posted by LaurenOrtega View Post

I always cringe at those parts during old Bond movies.

 

Always.

 

Hush...man-talk!

 

But yeah, so do I.

 

Quote:
Originally Posted by Arjen Rudd View Post

For my money, the first actress that gave Diana Rigg a real challenge for best Bond Girl was Eva Green.

 

Agreed and I love how it coincidentally turns out that they are the only two women (outside of Moneypenny) that Bond has ever loved.

 

Quote:
Originally Posted by LaurenOrtega View Post

Diamonds are Forever just looks like complete ass.

 

Aside from the elevator fight though(which is a really great brutal sequence) there's absolutely nothing worthwhile in that movie whatsoever.

 

DAF is far from one of my favorites, but don't you dare even think of dismissing Mr. Wint & Mr. Kidd.  They are easily among my favorite Bond villains.

post #9071 of 11880

Sean Connery sounded like he was about to have a stroke in his line readings from the FRML video game. 

post #9072 of 11880

Yeah, the execution of that game as a whole didn't really help when it came to the sales either.  It was middling at best.

post #9073 of 11880
Code:
Quote:
Originally Posted by Mr. Stockslivevan View Post

I can't be the only one in this forum who enjoys DAF.
Your not. I like it quite a bit too. I love the scene with Case at the Gas Station.

I can understand not wanting to read the Fleming books. But you really should give OHMSS and FRWL a read, they are both fucking fantastic and the movies are pretty damned close to exact adaptations. I think someone mentioned that Fleming wrote OHMSS with Sean Connery in mind as Bond.
post #9074 of 11880
Quote:
Former James Bond star George Lazenby has criticised the latest 007 movies for having "no heart".

Lazenby, who played Ian Fleming's MI6 agent in 1969's On Her Majesty's Secret Service, shared his thoughts about Daniel Craig's Bond in the latest issue of Entertainment Weekly.

"He's a fantastic actor, but [his movies] are more violent, aren't they? It's the way our society has gone," said the Australian actor.

"You can't have someone who's got feelings now. Bond has to be able to shoot someone now and kiss a girl three minutes later. When I did it, it had more heart. There's no heart to the new Bond."

Lazenby's sole outing as James Bond saw the spy marry Tracy di Vicenzo (Diana Rigg), only to see her gunned down by nemesis Ernst Blofeld (Telly Savalas) in the film's final scene.

George Lazenby stepped into Sean Connery's shoes for On Her Majesty's Secret Service
The actor added that he regretted "many times" not being able to reprise his role as 007.

"Especially when I had a baby and another one in the pouch, and I was broke," he said. "I was living with my mother in Australia."

Asked how he felt about replacing Sean Connery, Lazenby replied: "What did I have to lose? I did all my own stunts, and I kept asking the director, 'Did the other fellow have to do this?' That's why the line is in the film: 'This never happened to the other fellow'.

"It made me so famous that when I went back to Australia, well, let's just say I didn't have any trouble getting laid."

Skyfall, the latest Bond movie, opens in cinemas and IMAX screens on October 26 in the UK and November 9 in the US.

All previous 22 007 movies will be released in a Blu-ray boxset for the first time on September 24 to mark the 50th cinematic anniversary of Ian Fleming's character.

http://www.digitalspy.co.uk/movies/news/a398622/daniel-craigs-james-bond-doesnt-have-a-heart-says-george-lazenby.html
post #9075 of 11880


It doesn't sound like he knows what he's talking about. Craig is one of the only men to play Bond as an actual human being.

post #9076 of 11880
Quote:
DAF is far from one of my favorites, but don't you dare even think of dismissing Mr. Wint & Mr. Kidd.  They are easily among my favorite Bond villains.

 

I don't like Mr. Wint and Mr. Kidd.

post #9077 of 11880
Quote:
Originally Posted by Mr. Stockslivevan View Post

The sleaziness for me is one of the film's strengths. I can see why Connery would return for DAF: Tom Mankiewicz's script, and of course the big paycheck. It also makes a much better final entry than YOLT (or NSNA especially). I can't be the only one in this forum who enjoys DAF. So many great points it has:
Great diaogue, of course.
Shirley Bassey's best title song.
John Barry's socre.
Every scene with Jimmy Dean "I'll take in the john!"
Jill. St. John's Tiffany
Wint & Kidd, best henchmen of the 70s
Lana Wood's knockers.
It does have its flaws: Cheap f/x. Bambi and Thumper kicking Bond's ass (and then him miraculously handling them in the pool). Guy Hamilton never seemed comfortable shooting in panavision scope so it's really lacking there. Finally the climax that abruptly ends because they scrapped the finaly showdown between Bond and Blofeld (which would see the death of Blofeld).
Aside from those flaws, I can't help but grin as I watch the flick. It's a great start for the 70s much like MOONRAKER was a great end for the decade.

 

It's interesting, I actually agree with all of the great points you mentioned. The title song is among the series' best (and on the right day, possibly my favorite), the score is very cool, and the dialogue sparkles. And Mr. Wint & Mr. Kidd are fantastic characters who pop up just enough without wearing out their welcome.

 

I think it's the chintzy look of the production, amateurish editing/dubbing (mainly in the pre-credits sequence - yuck!) the terrible hair on everyone, the Vegas setting and general "Americanized" tone that really puts me off from DAF. It truly is one of my least favorites in the series, but I can't deny that it has its charms.

post #9078 of 11880
I'm not sure what was going on with Ted Moore on DAF. He just lost that spark the had in the first four Bond films. Maybe it's because he was out of the Bond game for six years. I dunno. I think the Ken Adam sets are absolutely fine, it's the lighting of the set that makes it look cheaper than it should. Combine that with Hamilton not knowing how to shoot with panavision and it's problematic. Jump to LALD and it's obvious how Hamilton is much more comfortable with 1:85, although again Ted Moore still lost his mojo.

I always wondered why the switch to 1:85 was done and just found out recently. It wasn't really Hamilton's insistence but rather the studio's. Back then a lot of movies in the early 70s were making TV premieres and there's the problem with trying to air panavision widescreen films cropped, frustrating filmmakers over that because so much image is lost. So the studio has EON go for 1:85 so that the films would work more smoothly on TV premieres and that not too much cropping would be done like with YOLT. The reason they finally switched back to 2:35 for TSWLM was because since the film was going to be bigger and more ambitious that Cubby felt only 2:35 could do it justice, to hell with the TV premieres.
post #9079 of 11880
Quote:
Originally Posted by felix View Post

Do audiences these days even care about Fleming's original depiction of Bond? 

 

They don't, but it matters to me a little.

 

I like Fleming and the literary Bond. What's great about Craig is that he's the closest we've come to that, personality-wise. Fleming's Bond is a depressive, whose occupation and lifestyle wear on his nerve after a time, who sometimes worries about dying in a random airliner crash.

 

Craig, even in QOS, gets some of that across.

post #9080 of 11880

   I read that Lazenby interview too. When I read the too violent line, I wondered if he forgot about the scene where he chokes someone to death with a ski. He came off as classless when he said Rigg and him where going to have an affair as long as he didn't hook up with anybody else. She then caught him in the act with another woman, and they never hooked up. It looks like he was a tool then and a tool now.

post #9081 of 11880
Quote:
Originally Posted by Clarence Boddicker View Post

 

Say goodbye to the thread, Chaz.

 

Uhhh...man talk

 

1000


There is a difference between a little smack on the ass and belting a woman in the face. Also he had the gun out of her hand. She wasn't a threat.

 

PS I do love the man talk line.

post #9082 of 11880

Both of them are cringe inducing for me.

post #9083 of 11880
The climax of Dr. No has Bond fighting for his life against a giant squid, and it was a pretty iconic moment for the character. I think it would be really cool to have 007 sent on a mission in shark infested waters for the next film, so Daniel Craig's Bond might face off with a shark.
post #9084 of 11880
Quote:
Originally Posted by Dr Harford View Post

The climax of Dr. No has Bond fighting for his life against a giant squid, and it was a pretty iconic moment for the character. I think it would be really cool to have 007 sent on a mission in shark infested waters for the next film, so Daniel Craig's Bond might face off with a shark.

 

 

This would have been cool had I not seen Sterling Archer shoot a shark in the face then become a Pirate King and formed a South Pacific pirate Lacrosse league.

post #9085 of 11880
Quote:
Originally Posted by MrTyres View Post

 

 

This would have been cool had I not seen Sterling Archer shoot a shark in the face then become a Pirate King and formed a South Pacific pirate Lacrosse league.

 

Lana... Lana! LANA!!

post #9086 of 11880

License to Kill: I may have just been in a really good, but I enjoyed it a good deal.  Benicio and Davi bring tons of crazy menace, and it is a perfect 80's period piece.

 

I should have watched the commentary though, did a bunch of characters screen time get cut?  It was the end of the movie before I realized General Heller was American, among other things.

 

More character beats probably would have slowed the thing to a crawl though, so my only real complaints is are the weakish score, and not very good opening song.

post #9087 of 11880
They cut out a scene that introduces several of Sanchez's men like Heller and Truman-Lodge, which is problematic as they appear out of nowhere and it leaves audiences wondering "who is this? why is the film following this random guy?". The 2006 DVD finally got to show all the deleted scenes, including one with Dalton getting his first look at the Krest while wearing the dorkiest hat ever. John Glen implied that the scene was deleted because of that ugly hat (one of Dalton's attempts at portraying his Bond with more casual wardrobe than his predecessors)



I really wish they kept the hotel scene with Dalton watching his prey on TV. It also reinforces how powerful Sanchez is his country.
post #9088 of 11880
The really impressive thing about LTK is how many colorfully exotic deaths they manage to cram in. There's shark pit, decompression chamber, paper shredder, forklift through the head, and lots of fire. The guy getting smothered in maggots always skeaved me the most.
post #9089 of 11880

The DVD from netflix didn't have the deleted scenes, thanks!  I think they all should have stayed.  Also, my crush on Carey Lowell hasn't gone anywhere.

 

Still surprised at the violence, but that was the time period.  LTK, Enemy Mine, and Temple of Doom are among the goriest PG-13 movies I've seen.  Nowadays they can get away with anything as long as there's no blood.

post #9090 of 11880
When LTK was first submitted it got an R rating. Most of the real bloody parts were snipped off to get the PG-13 rating (shot of Leiter's leg bitten off, Benico's meat chunks going through the grinder, Krest's head exploding without the cutaway shot of Sanchez's henchman). When they remastered it with the original negatives it was the uncut version so that's the version that's been released since 2006. Funny thing is that when that version was submitted in 2006 it got PG-13, despite the same exact cut being stamped an R 17 years earlier. Shows how much standards have changed in the MPAA with violence becoming more accepted.
post #9091 of 11880

Ha, really?  Fascinating.

 

When Bond goes to the United states, he always seems to head South.  Wasn't he in Florida for Casino Royale too?

post #9092 of 11880
Quote:
Originally Posted by MrBananaGrabber View Post

Ha, really?  Fascinating.

When Bond goes to the United states, he always seems to head South.  Wasn't he in Florida for Casino Royale too?

I'd love to see Bond up in the pacific North West, or in Hawaii.

And yes, the Skyfleet S570 prototype was unveiled at Miami International Airport.
post #9093 of 11880

MrBannanaGrabber, Except for...Live And Let Die, which included 007 in New York City!

post #9094 of 11880
Quote:
Originally Posted by MrBananaGrabber View Post

Ha, really?  Fascinating.

 

When Bond goes to the United states, he always seems to head South.  Wasn't he in Florida for Casino Royale too?

 

He does make it as far north as San Francisco in VIEW.  

post #9095 of 11880
They just announced that 007 Legends is to include levels based upon LTK and, unfortunately, Die Another Day.
post #9096 of 11880

Both of those are kind of depressing.

 

In addition to MOONRAKER being considered a "classic" according to the game.

post #9097 of 11880
Quote:
Originally Posted by LaurenOrtega View Post

Both of those are kind of depressing.

In addition to MOONRAKER being considered a "classic" according to the game.

If we don't get the Fort Knox set or the YOLT volcano base, I'm out. (well, not really, but come on... Die Another Day?)
post #9098 of 11880
It makes sense that they would go with DIE ANOTHER DAY because it is the only Brosnan Bond film that never had a video game adaptation.


For the record, MOONRAKER is a classic.
post #9099 of 11880

It is too bad that Brosnan's level isn't Tomorrow Never Dies.  The Addition of License To Kill puts me in...007TH Heaven!  While I am glad that Moonraker was chosen over View To A Kill, The Spy Who Loved Me would have been perfect for the game.  Lotus Turbo Espirit Submersible.  Nuff Said.  The last time the Lotus sub was in a Bond Game was for the...Commodore 64 James Bond 007 by Parker Bros.

post #9100 of 11880
Quote:
For the record, MOONRAKER is a classic.

 

 

Moonraker is a terrible movie.

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