WARNING...PLOT SPOILERS!
IN THE FACE OF THE ULTIMATE NUCLEAR SHOWDOWN, ONE MAN HAS ABSOLUTE POWER...AND ONE MAN WILL DO ANYTHING TO STOP HIM.
Believe it or not, Tony Scott's Crimson Tide has been one of the most sought-after DVD titles in the history of the format (and perhaps even earlier than that, given its popularity on laserdisc) in terms of fan pressure for a special edition treatment, and the reason is really no mystery. Disney's Buena Vista home entertainment program originally launched a horrid, non-anamorphic barebones version of Crimson Tide that was seriously tough to watch...reds, in particular, during scenes in the USS Alabama submarine, would bleed all over the place, and the digital pixelation was absolutely atrocious in some dark shots. As a diehard fan of this Jerry Bruckheimer/Don Simpson-produced actionfest set aboard a nuclear submarine, I can attest to the poor quality of the original Buena Vista release of this title as well as admit to being one of those fans that have been salivating at the thought of a new version with perhaps better cover art, some keepcase literature and behind-the-scenes features....well, fans have been given that, but not all is perfect, as I will explain a bit later on.
The Mouse (affectionately known by DVD aficionados as the code word for the Disney Corporation's Buena Vista home video/DVD division) has recently been releasing some much-beloved explosion gems from the Bruckheimer stable in these "Unrated Extended Editions" -- this past Tuesday (on the birthday of yours truly which was a real treat because Crimson Tide is one of my all-time favorites!) saw the launch of the aforementioned Crimson Tide Unrated Extended Edition and Con Air Unrated Extended Edition, as well as Enemy of the State. Prior to these, we saw Buena Vista's re-release of the Nic Cage thriller Gone in 60 Seconds in a "unrated extended" kind of thing, too. What annoys me about these releases is that, first of all, in the wake of high definition sources like HD DVD and Blu ray, are companies like Disney/Buena Vista (whom I hear is not yet standing behind HD DVD) simply trying to milk and rape the public for as much as they can with these double-dips....or is the effort genuine, as in the case of Crimson Tide and Con Air, in which both received a much-needed anamorphic widescreen transfer (this process clearly benefitting the awful-looking Tide previously on DVD, but I'll get to that)? Then, what also bothers me about these "unrated extended" cuts is that they just seem utterly, utterly, unnecessary -- and I mean that by every sense of the word. Because of this, I refused to pick up Daredevil Director's Cut, Casualties of War Extended Cut, The Patriot Extended Cut....and on and on. Watching this "extended" version of Crimson Tide, I couldn’t help but think how much "better" and more "cohesive" the original version DVD was in comparison; at times, these "added" scenes simply don’t do what they're supposed to -- flesh out characters, make some scenes make more sense, etc....in fact, in the case of Crimson Tide, they make the narrative feel stranger and not so cohesive. Do we really need these "edited out" scenes back in the films so we double dip once more? And then what happens when the unavoidable high definition version -- on HD DVD AND Blu ray -- of all these films come and we have to triple dip to obtain those better cuts? Disney actually expects us to engage in this (in all fairness, most studios are guilty of this). I find nothing compelling about these edited-back-in scenes on these "unrated extended" DVDs; instead, I applaud the inclusion of anamorphic treatment on titles like Crimson Tide and Con Air because, in the case of Tide anyway, the benefits are crystal clear and the transfer is almost night and day in comparison to the original release.
Let's talk about the packaging of these "extended unrated" cuts; aside from the fact that the anamorphic transfers SHOULD have been given on the first versions of these discs, the beautiful slipcases included on these new versions should have been what they were packaged with, too. The artwork alone is worth the double dip here, if you dig that sort of thing (and I do, being an aficionado of how my collection looks of the shelf). Crimson Tide - Unrated Extended Edition comes as a single-disc package, once again, but is this time adorned with similar artwork from the first release, with Gene Hackman and Denzel Washington's faces yet bordered with a very cool metallic-looking raised pattern to mimic the bolts of a submarine; this border runs the top and bottom of the keepcase, which slips into an identical outer slipcase (which boasts the raised design). Some military dog tags on the side of the box proclaim this to be the UNRATED EXTENDED EDITION. Very nice work here from The Mouse in terms of aesthetics. The disc itself receives all-new artwork compared to the original, which sat as a simple, chrome disc but now boasts the red and grey colors from the new box.
The film itself, in my opinion, is one of Tony Scott's best efforts to date, and moves with that typical Jerry Bruckheimer-infused intensity that many find annoying and headache-inducing after awhile (just try to count all the explosions per minute in Armageddon or Con Air), yet the subject matter at hand is not as hit-you-over-the-head in terms of pacing than the aforementioned action flicks. With Bruckheimer and collaborator, the late Don Simpson, handling the action onboard the set of Crimson Tide, Scott went to work with a directing style that gives the viewer a feel of life aboard a deep sea nuclear submarine (yes, this has been done before as in Hunt For Red October and U-571, but bear with me here) with steep, angular shots, darkened corridors lit in deep reds and a general sense of claustrophobia. After the typical Bruckheimer/Simpson opening crashing lightning logo, Crimson Tide opens with a message on the screen ensuring us that there are no more powerful men in the world than the President of the U.S. (and a Soviet political reference) and the Captain of a nuclear submarine. We then cut to a CNN reporter standing on the deck of an aircraft carrier somewhere in the Mediterranean Sea explaining that a crisis has arrived: some ultra-radical Russian leader has gained power and backing (fans of the sitcom Seinfeld will notice the guy playing this role to be Elaine's boss) and due to U.S. intervention in his country's business, he plans to declare nuclear war on the States, and threatens to launch nuclear weapons at us. We then meet our characters: in a sizzling, captivating role, Denzel Washington plays Lt. Commander Hunter, a Navy submarine Executive Officer who is home hosting a birthday party for his daughter, along with fellow officer and friend Weps (Viggo Mortensen, The Lord of the Rings series), a Weapons commander also in the Navy. During his daughter's party, Washington overhears another CNN television broadcast announcing the radical Russian's plans for attacking the United States, and Mortensen suddenly gets a page on his beeper confirming that the threat is real and that the two of them must be called to duty (as far as "added" scenes go for this new DVD edition, there are some small added scenes here with dialogue between Mortensen and Washington at the birthday party, but nothing monumental or important in my eyes).
Called to the nuclear submarine base, Washington and Mortensen are given their orders, but not before Washington "interviews" for the position of Executive Officer by the Captain of the USS Alabama, the sub being sent to intercept the Russians, Ramsey (Gene Hackman). Hackman reads Washington's resume and sizes him up immediately as a Harvard-educated straight arrow who simply knows too much theory and is not experienced enough in the field...but he needs an XO because his got appendicitis. So, after getting the seal of approval by Hackman, his beloved Jack Russell Terrier named Bear and his Chief of the Boat, Cob (George Dzundza), Washington is given the duty of Executive Officer, right next to Hackman, onboard the Alabama.
The men are then assembled in a ready-room to be briefed by Hackman and an Admiral on the current situation of the radical Russian nationalist and the fact that he does not possess the launch codes to the nuclear subs he has stolen, but that he could possibly crack those codes and then sneak into our waters and destroy Washington or New York. Here, we meet some of other characters, including a rather thin-looking James Gandolfini (TV's The Sopranos) as the boat's Supplies Officer, and Matt Craven as Zimmer, the Communications Officer. Some surprising roles surface in this thriller as well, including small parts by Steve Zahn, Rick Schroeder and that kid we all know and love that played DeNiro's son in A Bronx Tale. After receiving their orders, the men say goodbye to their wives and children at the sub base (some added scenes are included in this version here, where along with Washington saying goodbye to his wife and kids, other members of the sub are doing the same....again, unnecessary, really). Washington then attends the rainy evening crew assembly for the night of the Alabama's launch for their mission, where Hackman gives an inspirational speech to the young men, albeit a bit frightening when he says "All I ask is that you keep up with me....and if you cant....that strange sensation you'll be feeling in the seat of your pants....will be my boot in your ass!"
IN THE FACE OF THE ULTIMATE NUCLEAR SHOWDOWN, ONE MAN HAS ABSOLUTE POWER...AND ONE MAN WILL DO ANYTHING TO STOP HIM.
Believe it or not, Tony Scott's Crimson Tide has been one of the most sought-after DVD titles in the history of the format (and perhaps even earlier than that, given its popularity on laserdisc) in terms of fan pressure for a special edition treatment, and the reason is really no mystery. Disney's Buena Vista home entertainment program originally launched a horrid, non-anamorphic barebones version of Crimson Tide that was seriously tough to watch...reds, in particular, during scenes in the USS Alabama submarine, would bleed all over the place, and the digital pixelation was absolutely atrocious in some dark shots. As a diehard fan of this Jerry Bruckheimer/Don Simpson-produced actionfest set aboard a nuclear submarine, I can attest to the poor quality of the original Buena Vista release of this title as well as admit to being one of those fans that have been salivating at the thought of a new version with perhaps better cover art, some keepcase literature and behind-the-scenes features....well, fans have been given that, but not all is perfect, as I will explain a bit later on.
The Mouse (affectionately known by DVD aficionados as the code word for the Disney Corporation's Buena Vista home video/DVD division) has recently been releasing some much-beloved explosion gems from the Bruckheimer stable in these "Unrated Extended Editions" -- this past Tuesday (on the birthday of yours truly which was a real treat because Crimson Tide is one of my all-time favorites!) saw the launch of the aforementioned Crimson Tide Unrated Extended Edition and Con Air Unrated Extended Edition, as well as Enemy of the State. Prior to these, we saw Buena Vista's re-release of the Nic Cage thriller Gone in 60 Seconds in a "unrated extended" kind of thing, too. What annoys me about these releases is that, first of all, in the wake of high definition sources like HD DVD and Blu ray, are companies like Disney/Buena Vista (whom I hear is not yet standing behind HD DVD) simply trying to milk and rape the public for as much as they can with these double-dips....or is the effort genuine, as in the case of Crimson Tide and Con Air, in which both received a much-needed anamorphic widescreen transfer (this process clearly benefitting the awful-looking Tide previously on DVD, but I'll get to that)? Then, what also bothers me about these "unrated extended" cuts is that they just seem utterly, utterly, unnecessary -- and I mean that by every sense of the word. Because of this, I refused to pick up Daredevil Director's Cut, Casualties of War Extended Cut, The Patriot Extended Cut....and on and on. Watching this "extended" version of Crimson Tide, I couldn’t help but think how much "better" and more "cohesive" the original version DVD was in comparison; at times, these "added" scenes simply don’t do what they're supposed to -- flesh out characters, make some scenes make more sense, etc....in fact, in the case of Crimson Tide, they make the narrative feel stranger and not so cohesive. Do we really need these "edited out" scenes back in the films so we double dip once more? And then what happens when the unavoidable high definition version -- on HD DVD AND Blu ray -- of all these films come and we have to triple dip to obtain those better cuts? Disney actually expects us to engage in this (in all fairness, most studios are guilty of this). I find nothing compelling about these edited-back-in scenes on these "unrated extended" DVDs; instead, I applaud the inclusion of anamorphic treatment on titles like Crimson Tide and Con Air because, in the case of Tide anyway, the benefits are crystal clear and the transfer is almost night and day in comparison to the original release.
Let's talk about the packaging of these "extended unrated" cuts; aside from the fact that the anamorphic transfers SHOULD have been given on the first versions of these discs, the beautiful slipcases included on these new versions should have been what they were packaged with, too. The artwork alone is worth the double dip here, if you dig that sort of thing (and I do, being an aficionado of how my collection looks of the shelf). Crimson Tide - Unrated Extended Edition comes as a single-disc package, once again, but is this time adorned with similar artwork from the first release, with Gene Hackman and Denzel Washington's faces yet bordered with a very cool metallic-looking raised pattern to mimic the bolts of a submarine; this border runs the top and bottom of the keepcase, which slips into an identical outer slipcase (which boasts the raised design). Some military dog tags on the side of the box proclaim this to be the UNRATED EXTENDED EDITION. Very nice work here from The Mouse in terms of aesthetics. The disc itself receives all-new artwork compared to the original, which sat as a simple, chrome disc but now boasts the red and grey colors from the new box.
The film itself, in my opinion, is one of Tony Scott's best efforts to date, and moves with that typical Jerry Bruckheimer-infused intensity that many find annoying and headache-inducing after awhile (just try to count all the explosions per minute in Armageddon or Con Air), yet the subject matter at hand is not as hit-you-over-the-head in terms of pacing than the aforementioned action flicks. With Bruckheimer and collaborator, the late Don Simpson, handling the action onboard the set of Crimson Tide, Scott went to work with a directing style that gives the viewer a feel of life aboard a deep sea nuclear submarine (yes, this has been done before as in Hunt For Red October and U-571, but bear with me here) with steep, angular shots, darkened corridors lit in deep reds and a general sense of claustrophobia. After the typical Bruckheimer/Simpson opening crashing lightning logo, Crimson Tide opens with a message on the screen ensuring us that there are no more powerful men in the world than the President of the U.S. (and a Soviet political reference) and the Captain of a nuclear submarine. We then cut to a CNN reporter standing on the deck of an aircraft carrier somewhere in the Mediterranean Sea explaining that a crisis has arrived: some ultra-radical Russian leader has gained power and backing (fans of the sitcom Seinfeld will notice the guy playing this role to be Elaine's boss) and due to U.S. intervention in his country's business, he plans to declare nuclear war on the States, and threatens to launch nuclear weapons at us. We then meet our characters: in a sizzling, captivating role, Denzel Washington plays Lt. Commander Hunter, a Navy submarine Executive Officer who is home hosting a birthday party for his daughter, along with fellow officer and friend Weps (Viggo Mortensen, The Lord of the Rings series), a Weapons commander also in the Navy. During his daughter's party, Washington overhears another CNN television broadcast announcing the radical Russian's plans for attacking the United States, and Mortensen suddenly gets a page on his beeper confirming that the threat is real and that the two of them must be called to duty (as far as "added" scenes go for this new DVD edition, there are some small added scenes here with dialogue between Mortensen and Washington at the birthday party, but nothing monumental or important in my eyes).
Called to the nuclear submarine base, Washington and Mortensen are given their orders, but not before Washington "interviews" for the position of Executive Officer by the Captain of the USS Alabama, the sub being sent to intercept the Russians, Ramsey (Gene Hackman). Hackman reads Washington's resume and sizes him up immediately as a Harvard-educated straight arrow who simply knows too much theory and is not experienced enough in the field...but he needs an XO because his got appendicitis. So, after getting the seal of approval by Hackman, his beloved Jack Russell Terrier named Bear and his Chief of the Boat, Cob (George Dzundza), Washington is given the duty of Executive Officer, right next to Hackman, onboard the Alabama.
The men are then assembled in a ready-room to be briefed by Hackman and an Admiral on the current situation of the radical Russian nationalist and the fact that he does not possess the launch codes to the nuclear subs he has stolen, but that he could possibly crack those codes and then sneak into our waters and destroy Washington or New York. Here, we meet some of other characters, including a rather thin-looking James Gandolfini (TV's The Sopranos) as the boat's Supplies Officer, and Matt Craven as Zimmer, the Communications Officer. Some surprising roles surface in this thriller as well, including small parts by Steve Zahn, Rick Schroeder and that kid we all know and love that played DeNiro's son in A Bronx Tale. After receiving their orders, the men say goodbye to their wives and children at the sub base (some added scenes are included in this version here, where along with Washington saying goodbye to his wife and kids, other members of the sub are doing the same....again, unnecessary, really). Washington then attends the rainy evening crew assembly for the night of the Alabama's launch for their mission, where Hackman gives an inspirational speech to the young men, albeit a bit frightening when he says "All I ask is that you keep up with me....and if you cant....that strange sensation you'll be feeling in the seat of your pants....will be my boot in your ass!"



