
One of those boys was so wild he sawed his own head off going 90 miles per hour. Hell... hell's exactly what they raised.
I've been a diehard fan of
TMC2 since it came out in 1986. The film has received the redheaded stepchild treatment from critics and non-fans alike from the very beginning. Hooper himself has disowned the film, claiming he didn't know what the hell he was thinking when he made it.
Looky. Built ya a little fry house.
The original
TCM has long been one of my favorite genre films, but
TCM2 holds a very special place in my heart. Back in 86, the idea of mixing balls-to-the-wall horror with comedy wasn't exactly something that audiences were used to seeing at the time. The original
Dawn of the Dead, and
Motel Hell (I personally feel Hooper was inspired by
Motel Hell in his approach for
TCM2) were the only two films I would consider to be in this category before the release of
TCM2.
Peel that pig and slice him thick!
I've seen the deleted scene of Joe Bob Briggs, as well as the underground parking garage scene where an entire football team gets slaughtered. There were some really graphic FX shots for the garage sequence, including a full frontal face chop via chainsaw-resulting in a partially dismembered head much like the intro, but way more violent. There was also a dismembered hand gag - a freshly amputated hand gives Bubba (Leatherface) the finger while it's wiggling around inside of a box.
Evil Dead 2 virtually had the same gag involving Ash and his rebellious/demonic hand, but it wouldn't be released until 1987. I've always thought Raimi was inspired by Hooper for the hand in
ED2, and since Hooper never used it in the final cut, no harm no foul.
They live on fear! They live on fear! They live on fear!
I view
HO1KC as the unofficial sequel to
TCM2. It's nowhere near as good, but it's very similar in tone and certainly goes for the morbid laughs. And Patrick, the inexplicable wall of guts you've mentioned, was actually where they dumped the discards. The spot on the wall that Hopper kicked open was the end of the waste chute. Because afterall, Drayton had an eye for prime meat! It's hilarious that the Daniel Boone type character depicted on the wall in that scene looks exactly like Ronald Reagan. I think it was an intentional jab at Ronnie's
trickle down economics.
I've got a real good eye for prime meat. Runs in the family.