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Mike Leigh's Naked

post #1 of 9
Thread Starter 
I remember seeing this film on VHS back in 1997 and falling in love with the speeches but failing to understand the implications and undertones of the piece. Rewatching it on Criterion's DVD really brought home how magnificent the film is and how much of a tradegy it is that it became Leigh's lost film. With a lack of a British DVD the film is seemingly somewhat unknown in the UK.

The film follows Johnny (David Thewlis) an intelligent but bitter young man who loathes weakness and vindicates himself by hurting others. After a sexual encounter in his hometown goes wrong Johnny flees to London to escape a beating and finds himself once again affecting his ex-girlfriends life and the lives of everyone he meets.

It's an interesting film in that Johnny is a repulsive person, cruel, bitter, cynical and only seeking pleasure in hurting others. But he is also eloquent and magnetic in his personality, able to sermonise on evolution, prophecy and chaos theory with meticulous skill. He's a charmer who is always armed with a joke and who destroys those he allows to get close.

What saves Johnny as a character are moments of general humanism and an overt correlation with a sleazy upper class landlord who has Johnny's propensity for destruction but none of his charm.

Beautifully shot with a baroque score and accomplished performances from everyone involved Naked is one of those rare films which offers a slice of a specific time but also feels refreshingly modern (despite the doomsday references).
post #2 of 9
Nothing saves Johnny as a character. He rapes a woman. It's the fact that the movie is unafraid to have a character as despicable and yet as identifiable as Johnny that makes it a classic.
post #3 of 9
Thread Starter 
He's an awful character and the only thing that really keeps the audience with him, and makes us feel the slightest bit of empathy is the juxtaposition between him and Jeremy. That's the way I see it anyways, Jeremy shows exactly what Johnny would be if he had been born into the upper classes.

And that first encounter in Manchester is consensual until he pushes things to far and he backs off almost immediatley.
post #4 of 9
Quote:
Originally Posted by devincf
Nothing saves Johnny as a character. He rapes a woman. It's the fact that the movie is unafraid to have a character as despicable and yet as identifiable as Johnny that makes it a classic.
Who did he rape? In the opening scene it appears to be consensual sex that he takes in a direction that is extremely offensive to the woman, so he stops but she's still pissed, so he runs away.

I love this movie, and the Criterion package is pretty fucking awesome with the short and curlies show included. This movie was made around 1990, right? When I was watching it about a year ago I didn't realize when it was made and I was always under the impression that it had been made only one or two years prior, just from this very modern feel - I'm not sure where that's coming from, but I think the music may have had something to do with it. The music is amazing. Also, the evil yuppie guy seemed like his character was inspired by Jason Bateman, but maybe it was the other way around.
post #5 of 9
Thread Starter 
It was made in 1993 just after Maggie Thatcher resigned as Prime Minister, which is what the Maggie joke in the middle is about.
post #6 of 9
Quote:
Originally Posted by stump
Who did he rape? In the opening scene it appears to be consensual sex that he takes in a direction that is extremely offensive to the woman, so he stops but she's still pissed, so he runs away.
This is correct. A lot of critics, including Faraci it seems, take the opening sequence as an outright rape versus consensual sex gone awry. Leigh himself was somewhat mystified by those reactions, as he thought the reality of the scene was clear. Johnny's connection to Jeremy/Sebastian holds firm though.

By the by, "Naked" is in my top five.
post #7 of 9
Thread Starter 
Edgar Wright cited this as one of his 100 exceptions to the British films have been awful since the 1950s. Still probably one of my all time favourite British films and every time I watch it I can't believe how magnetic Thewlis is.
post #8 of 9
Pretty fascinating movie with a magnetic/haunting score, the rest is so visceral I can't talk about it.

And I don't know what it is that makes Mike Leigh's movies so great...
post #9 of 9
A film that until recently made me sad for Thewlis, a really great actor who should be up there with Oldman, but alas his recent resurgence is seemingly on the wane again. Still Curoan put him in Azkaban where we got him, Oldman, Rickman, and Spall firing on all cylinders.

Liegh always feels timeless.
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