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The Arcade Fire's "Neon Bible" has leaked

post #1 of 47
Thread Starter 
And its really really really damn good.

I won't compare it to Funeral,as that album is what I would consider a masterwork,but Neon Bible compares favorably.And if you were worried about No Cars Go...fear not,as it is bigger and better.They have a damn choir in it.


Early highlights are Keep the Car Running,Intervention,Ocean of Noise,Windowsill,and the HUGE My Body is a Cage
post #2 of 47
I love it so far, though due to happenstance I haven't heard past "Intervention." But the first few tracks are excellent.
post #3 of 47
Thank you for not posting a link. I'm at work, but I don't think I could resist downloading it and then losing my job.
post #4 of 47
I'm puzzled by some folks' lukewarm reaction to Black Mirror. I think it's better than anything on Funeral. There's more energy, more bombast (in the best sense of the word) on this album. Far more hooks.

Wonderful, wonderful, wonderful. No Cars Go floors me.
post #5 of 47
No Cars Go almost turns into a parody and it's very close to being over the top, but it somehow manages to remain great.

It's a great album, and nice, albeit brief, departure from the sound of Funeral. You can see the band wanting to be different, yet the familiarity is a nice welcome. Black Waves is pure Arcade Fire, yet the break in the middle of the song, as it turns into a completely different beast is a neat direction for that band, and turns the song into a wonderful surprise. The Well and the Lighthouse and Building Downtown are two really fun energetic songs that could really be written by most of today's boring new-wave enspired bands, but there's just that magical touch that The Arcade Fire gives the songs that actually make them feel somewhat unique.

I was very worried that this album wouldn't really catch at first, and that we'd all discover that it was just as good as Funeral, but in a few months time (remember the original lukewarm response to Broken Social Scene's self-titled album?), but this one feels epic upon first listen. It may be due to what I felt was a very boring year in music, last year, but Neon Bible is just a really exciting album and it was worth the wait.
post #6 of 47
It took me about 4 listens but I'm finally starting to really dig the album. I was initially offput by the really murky sounding production (Funeral had a nice home produced sound Neon sounds like it was recorded in a box at times). But when the songs finally hit (and they do take a while to grow) they're real beauties. The second half of Black Waves/Bad Vibrations is already nearing classic status with me and songs like Intervention/No Cars Go/My Body is a Cage show that the time touring with U2 actually helped the group. Whereas previous anthemic tubthumpers sounded a little the high energy tracks on Neon are just produced with enormous flare.
post #7 of 47
There were two leaks--an acceptable but murky one first, and then an EXTREMELY crisp, clear copy. I suspect you got the first.
post #8 of 47
Thread Starter 
Yeah...mine is pretty good.


And anyone not wowed by Ocean of Noise and My Body is a Cage isn't trustworthy about music.
post #9 of 47
My Body is a Cage sounds like a Pink Floyd cover the more I listen to it. I think the sheer frenzy of No Cars Go makes the album worthwhile in its own right. Add in the utterly outstanding Antichrist, Black Wave/Bad Vibration, Black Mirror and Intervention and you have a pretty spectacular album.

Ocean of Noise is one of those tracks I really didn't like when I first heard it but its starting to displace 7 Kettles as my all time favourite Arcade Fire song.
post #10 of 47
My mini review of Neon Bible, this is done after a good dozen or so listens.

Black Mirror - The most Arcade Firey song on the entire album. A fantastic start, it pulses with the sort of brooding energy which Funeral hinted at and Neon Bible has in spades. Also that thunderous drumline is to die for.

Intervention - The single of the album certainly. It's the most accesible track on the album. It's very easy to get into, its hooks are really apparent and it offers pretty decent satisfaction. It's essentially the whore of the album and seems designed to be played on the radio more than anything else.

Keep the Car Running - Aside from Win's delivery and oddly compelling beat structure this song really is perhaps the most forgettable off the album at the moment. It sounds like a Folk Metal song stripped back to the bare minimum.

Black Wave/Bad Vibration - One of the most interesting songs on the album and also the only time that Regine gets any noteworthy lyrics. Unfortunatley Regine is completley overshadowed by the frankly spellbinding second half of the song where the track just morphs into a completely new genre and dimension for the Arcade Fire. Grungey, punchy, driving, anthemic and full of sorrow its the rawest song I've heard in a long, long time and quite frankly it justifies the purchase of the album.

Neon Bible - It's hard to see what the overall plan for this song was. It just kinda meandres along, the lyrics don't have any weight and then it gets put out of its misery with a decided whimper.

Ocean of Noise - Starting off with the bluesy tone established in Black Wave act II, the song seems a little stillborn at first until it picks up pace in its last third and turns into this wonderfully moody and yet almost tropical piece.

Well and the Lighthouse - The Anti Wake Up, its fury disipating into a rather quaint instrumental nursery rhyme. Kinda hard to tell at this point if it's brilliant or just trying too hard.

(Antichrist Television Blues) - Very messy but very intriguing. It seems like a throwback to Us Kids Knows in its pop ethic and aside from a muddled end and some string work it maintains this dynamic pretty well.

Windowsill - Another potential grower, anthemic and pounding. It probably requires a lot of time and effort to really get under the skin and take hold.

No Cars Go - Pompous, brash, overdone and almost arrogant at times. No Cars Go is a pitch perfect example of a song that threatens to go overboard but manages to maintain itself to bring about near perfection. While the original No Cars Go is a firm favourite in my household, and this is little more than a Remix there's still something quite invogorating about the song. Not least the fact that you can actually HEAR what Win is singing this time. I do however think the band's screaming on the original version was far more powerful than the slightly subdued choir and it lacks the musical definition of the original.

My Body is A Cage - The Arcade Fire do Pink Floyd and pull it off.
post #11 of 47
Thread Starter 
You're WAY off on Keep the Car Running.I see it has having the most heart on the album.The baseline is fun,and Win is great.


The one thing I will say is I wish it was a bit more uptempo(the album).Ocean of Noise is perfect though.

And you NEED to turn No Cars Go up.The choir is majestic.
post #12 of 47
U2, Floyd, and neo-new wave bands mentioned, but no one's caught on to the most obvious reference point here?

You can hear it in the musings on "my father's house" in "Windowsill" and even in the solemn Darkness on the Edge of Town organ chords at the beginning of "My Body is a Cage," among other places, but if "Building Downtown," which could practically be an Arcade Fire'ed cover of something off the River or Nebraska, doesn't tip you off that Win and company were listening to boatloads of Springsteen while they were writing this album, you need to further acquaint yourself with the man's catalog. And it makes perfect sense, because, despite their sonic and personal connections with David Byrne (who tends to wear his brain on his sleeve more often than his heart), the Arcade Fire share an earnestness with Springsteen that few other modern bands do.

The new "No Cars Go" destroys the old one. No contest. When you see that song live, it sounds enormous (as do most of their songs). When it comes to studio recording, it's impossible to capture the same sort of live ambience, but they more than compensate with the additional orchestration.

Neon Bible doesn't have the advantage of surprise like Funeral did nor the nifty death-in-the-family concept album angle, but I really can't find much fault with it - it's quite good from beginning to end, if not particularly surprising. If we're keeping track, Arcade Fire has fared MUCH better than Broken Social Scene in providing a follow-up that builds on the success of their first album without self-consciously sabotaging themselves into strictly cult status. The Arcade Fire had two choices: to continue with a fairly straightforward, populist sound that they were probably surprised to find had some mainstream appeal and risk being perceived as "sell-outs" or to deliberately make a more oblique, less satisfyingly hooky follow-up to keep the indie-cracy interested. I think they made the right choice. Anthems may be anathema to some of the hipsters who initially embraced the band (of course, anthems are just fine if performed by a small band - by the end of the last tour, they barely qualified as such), but anthems are what they do very, very well.
post #13 of 47
Thanks Dave, the Springsteen analogy is really apt and I would never have even considered it until you said. Aside from Keep the Car Going (sorry Thom but it just doesn't work for me at all) I think this is probably one of the better recent second albums I've heard. A real departure from Funeral, evolving and refining the concepts which worked and adding enough new tricks and elements to retain at least a little surprise.

If anyone says they weren't suckerpunched by the mid song change in Black Wave they're downright liars. The only complain I have is despite the band's massive following they still tour like an indie band, 8 dates in the UK means my chances of ever seeing them are completley fucked.

No Cars Go is just immense, but I do miss the screaming. Maybe I'm just a sentinementalist.
post #14 of 47
This album has so much energy to it, it's borderline ridiculous. I love it.
post #15 of 47
I finally picked out the lyrics on Windowsill and it is a fantastically well written song. It's about as subtle as a sledgehammer but Win's quaintly apocalyptic lyrics really set the record off.
post #16 of 47
This album is fucking gorgeous. It may not be "Funeral," but then again what is? "Intervention" got me all misty eyed.

Though i've listened to this on loop for the past few days, I'll definitely shell out 15 bucks on the CD come March 6th since this one demands support.
post #17 of 47
Quote:
Originally Posted by Spike Marshall
I finally picked out the lyrics on Windowsill and it is a fantastically well written song. It's about as subtle as a sledgehammer but Win's quaintly apocalyptic lyrics really set the record off.
Arcade Fire have NEVER been subtle, but that's one of the things that's so appealing about them. They make over-emotional bombast work somehow through pure, beautiful and emotional muscianship.

Umm...Building Downtown is (antichrist television blues) right? Because I downloaded a copy and that's what it says it is...but you guys are refering to it as a seperate song. Do you guys have 11 songs on your album or 12?

You can't really measure this against Funeral because...it's just not fair. But damn, they really came closer to perfection again than I gave them credit for. This is a tremendous album. Whoever mentioned the Springsteen influence was dead-on. It's not really "fun" (all the refrences to the apocalypse and the end of the world start to weigh you down after a while) but it's so goddamn emotional and ...beautiful.

I was going to list favorites when I realized...I'd pretty much include the whole damn thing. I said this about Funeral when it first came out and I'll say it again...people always talk about the death of the album in the age of i-pods. Arcade Fire, once again, reminds us that albums are here to stay. God bless 'em.
post #18 of 47
I saw them at Judson Memorial Church last night (from just behind the barricade, no less) and holy sweet Jesus, that was an experience. I saw them at Central Park two years ago and they were great, but the crowd was dead that night and they seem to be really sensitive to that. Last night was something else entirely. They repeatedly thanked the crowd for giving them so much energy. The Neon Bible songs, of which I had only heard Intervention before, sound incredible.

They set up in the middle of the crowd and played an acoustic Wake Up for the intro, which someone captured for posterity:

http://youtube.com/watch?v=Kbjf7OcpCio

And here's my blurry cell phone pic of Regine:

post #19 of 47
Bought it today and listened to the album tracks for the first time. After a couple of listens, the songs are fantastic but I'm not sold on the murky production.
post #20 of 47
It's an great great second album. They had a lot of hype to live up to.

And I managed to get tickets to one of the Montreal shows. Fuck yeah.
post #21 of 47
I love Arcade Fire. I think they have the potential to create a new Seattle-style seachange in music (enough with emo trash and pop-punk, already!). That said, I still have a special fondness for their self-titled Ep. How could a song like "Vampire In A Forest Fire" not be a favourite of mine? I mean, really.
post #22 of 47
d/led it...then went and bought it the next day....so glad my friend turned me onto this as I had never heard of them a few days ago...
post #23 of 47
"No Cars Go" is slowly starting to become my fav Arcade track
post #24 of 47
I'm really loving Intervention myself.
post #25 of 47
Quote:
Originally Posted by damimegood
"No Cars Go" is slowly starting to become my fav Arcade track
That "Little babies / women and children / old folks / LET'S GO!" coda makes me want to follow them over a cliff. They could march through the streets of Willamsburgh and gather together a hipster army.
post #26 of 47
It'd be an interesting way to end a concert.
post #27 of 47
I'm pretty sure Arcade Fire driving a large portion of their fans to lemming like suicide would be the only chance I'd get to see them live.

I still refuse to believe they managed to sell out the entire UK wing of their tour in 4 minutes.

I'm also going to say again that Windowsill is the song which is on constant repeat at the moment, some wonderful lyrics in that song. I kinda burned out No Cars Go when I got their debut EP, and even though it's improved I just can't muster up too much passion for it.
post #28 of 47
Quote:
Originally Posted by Spike Marshall

I'm also going to say again that Windowsill is the song which is on constant repeat at the moment, some wonderful lyrics in that song. I kinda burned out No Cars Go when I got their debut EP, and even though it's improved I just can't muster up too much passion for it.
I know what you mean, but it's so climactic in the context of the album, it's awesome. And the coda on the EP never grabbed me the way the new version does.

And apparently the Judson Memorial show was my lottery win for the year. I had no idea; I just went online as soon as they were on sale and got them immediately. It wasn't until after the show that I heard someone ebayed their tickets for $2,500. Two for two with them so far!
post #29 of 47
NPR's All Songs Considered has a downloadable concert from the current tour for those of you who can't get tickets:

http://www.npr.org/templates/story/s...toryId=7273765

I was lucky enough to get tickets to the Atlanta show. It will be my wife and I's first night out after the baby arriving.

As far as the album goes, I got it last weekend and have given it a few listens. It feels more like Pink Floyd with the vocals and some of the sound effects than Funeral, but it is still easily disguisable as their own creation. The organ used in Intervention works perfectly. Beyond that, you guys have already hit on most of the high points of the album.
post #30 of 47
The more I listen, the more I like, but it doesn't have the transcendence or organic songwriting that will keep it in my player for a long time. I'm not as wowed as everyone else seems to be. 'Intervention' is one of the best tunes I've heard in awhile. Ditto with 'Keep The Car Running', 'The Well And The Lighthouse', and 'Antichrist Television Blues'. The rest is either very good or above average. The title track is almost hypnotic in its simplicity. Almost.
post #31 of 47
Thread Starter 
Quote:
Originally Posted by Ray Abed
The more I listen, the more I like, but it doesn't have the transcendence or organic songwriting that will keep it in my player for a long time. I'm not as wowed as everyone else seems to be. 'Intervention' is one of the best tunes I've heard in awhile. Ditto with 'Keep The Car Running', 'The Well And The Lighthouse', and 'Antichrist Television Blues'. The rest is either very good or above average. The title track is almost hypnotic in its simplicity. Almost.

What are you asking for besides an amazing album?
post #32 of 47
My favorite track is "Windowsill." But the entire album is really well done. I prefer this to "Funeral," actually.
post #33 of 47
Quote:
Originally Posted by Thom Yorkes Eye
What are you asking for besides an amazing album?
How about an album that I feel a connection to, and I don't necessarily mean in an emotional way. I'd be all over something that sweeps my senses or tingles my spine. There's no denying NEON BIBLE is a beautiful album, but underneath the layers of lush instrumentation and orchestration there's a pulse that lingers only for a brief moment.
post #34 of 47
Managed to get some tickets for their Stadium Tour in October/November. It's going to be fantastic to see them up in Newcastle but I do wonder if the band are essentially going to be swallowed by playing in an arena. Everything I've seen them do live has been in smaller, intimate venues.
post #35 of 47
I think it'll be alright. I saw them at Coachella with tens of thousands of other people and they tore it up. It'll be good.
post #36 of 47
So the Arcade Fire played on Jonathan Ross last night, which is one of the biggest shows in the UK at the moment and they certainly made an impression.

http://www.youtube.com/watch?v=bFFpL6Jj5II

Has Win been known to do stuff like that before?
post #37 of 47
Something I noticed watching that: Very quick editing. Is that just that show or is that a UK thing?

But yeah, that's fucking great.
post #38 of 47
I loved Jonathon Ross doing the diplomatic thing at the end:

"Was that part of the show"

"So nice to see a pretty lady playing the Herdy Gerdy"

And yeah the quick editing of the Performance seems to be an English thing, it harkens back to Top of the Pops which used to go out week and used to have to edit all over the place to try and cover up that the singers and musicians were miming.
post #39 of 47
Quote:
Originally Posted by DaveB
You can hear it in the musings on "my father's house" in "Windowsill" and even in the solemn Darkness on the Edge of Town organ chords at the beginning of "My Body is a Cage," among other places, but if "Building Downtown," which could practically be an Arcade Fire'ed cover of something off the River or Nebraska, doesn't tip you off that Win and company were listening to boatloads of Springsteen while they were writing this album, you need to further acquaint yourself with the man's catalog. And it makes perfect sense, because, despite their sonic and personal connections with David Byrne (who tends to wear his brain on his sleeve more often than his heart), the Arcade Fire share an earnestness with Springsteen that few other modern bands do.
And to drive the point home...

http://www.stereogum.com/archives/vi...-win.html#more
post #40 of 47
Crap. DaveB is going to spontaneously combust when he sees this. I'm going to go pick up a fire extinguisher and a carpet shampooer. Be back in a while.

That was awesome. Thanks for posting it. I love how you can hear the guy in the audience completely freaking out during "Keep the Car Running."
post #41 of 47
Goddamn fucking library headphones won't work. Fucking shit.
post #42 of 47
Fantastic. I read about this this morning, so I figured it was only a matter of time before someone put a clip up. Springsteen almost sounds better than Win on "Keep the Car Running," as if it were written for his range.

More audience members should shoot concerts in black and white. It looks better than most youtube concert clips.
post #43 of 47
More audience members should also be clearly audible in the background, screaming "holy fucking shit! What the fuck!? WOOOOO!" over and over and over...
post #44 of 47
"YEEEEAHHHHHHH! WHOOOOOOOOO! YEAHHHH HAHAHA!!
"OH MY GOD!!!"
*Sound of crying*
"IT'S THE BEST THING EVER!"
*Sound of more tears*
*Sound of hugs*
*Sound of claps*
*Whistling*

Wish I could hate, but I said the exact same things and made the exact same sounds when I saw John Mayer play and he introduced special guest: himself.
post #45 of 47
Quote:
Originally Posted by Kevin Matchstick
"YEEEEAHHHHHHH! WHOOOOOOOOO! YEAHHHH HAHAHA!!
"OH MY GOD!!!"
*Sound of crying*
"IT'S THE BEST THING EVER!"
*Sound of more tears*
*Sound of hugs*
*Sound of claps*
*Whistling*
Shit, those kinda exclamations were made when I saw the band WITHOUT Springsteen...
post #46 of 47
I should be getting my tickets through tomorrow to see them play on the 29th at the Newcastle Arena. Bizarrely this shall be the first concert I've ever attended with my mother, who I discovered is even more into the Canadian Rock/Post Rock scene than I am.

Arcade Fire seem to be one of these bands who have almost universal appeal, I know some 15 year old goths who dig the band (more stuff like Black Wave/Bad Vibration) and some 60 year old jazz fans who really like the band.
post #47 of 47
Holy Shit, the band are incredible live. I don't think I've seen such an energetic, mainstream, performance in my life. I heard fantastic things, and I'd seen the chaotic live performances of Laika but nothing prepared me for seeing the band suddenly decamp and perform three acoustic songs whilst marching through the crowd, or two of the percussion guys crowd surfing whilst whacking a detached snare drum as hard as possible, or the band riding a goddamn drum around the crowd.
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