Inspired by the great series on the main page and several other things -- what are some of your biggest disappointments in art, in either movies/tv/literature/music?
When it comes to movies, I have to say that by far, my biggest disappointment has been GANGS OF NEW YORK. Now, this is a movie that I've really come to like, maybe even love, but when I saw it in the theatre, I was enormously hyped for it. Reading the Asbury book as a crime-obsessed teen was just the first step -- along with the Star Wars films, this was one of the first movies I obsessively followed through production, thanks to the internet. I remember thinking at the time that this had the potential to be the next TITANIC, which had a similarly troubled production, and I was practically begging for this thing to come out and start tearing up the charts. Couple that with the fact I was living in New York City at the time the film finally came out, I wanted it to be The Greatest Film Ever...and it wasn't. There's so much to love about this movie, sure, but even watching it again recently, I wonder what could have been -- and whether maybe, just maybe, this will be the flick that gets Scorsese to finally release a "director's cut."
The burning off of "Studio 60 On The Sunset Strip" is another big one, especially recently. The essay regarding the disappointments of THE PHANTOM MENACE made me think about "Studio 60" -- because what Star Wars was to movies for many people, Aaron Sorkin and "The West Wing" were to TV for me. So when "Studio 60" was announced, I immediately started calling it "The Most Anticipated Media Event of 2006," even over "Pirates 2." I was one of these nerds who was joining livejournal communities and dissecting every bit of information about the show that came out. I even printed a copy of the sides off to form my own "mini-script" when they got leaked. The upfront preview was awesome. The pilot was great. So how did we go from that to "STANDING IN THE MIDDLE OF AFGHANISTAN" (a line that has come to represent everything wrong with the show)? I'm still trying to figure that out. I've written far too much about this here, and in other places, but boy, it still stings.
When it comes to movies, I have to say that by far, my biggest disappointment has been GANGS OF NEW YORK. Now, this is a movie that I've really come to like, maybe even love, but when I saw it in the theatre, I was enormously hyped for it. Reading the Asbury book as a crime-obsessed teen was just the first step -- along with the Star Wars films, this was one of the first movies I obsessively followed through production, thanks to the internet. I remember thinking at the time that this had the potential to be the next TITANIC, which had a similarly troubled production, and I was practically begging for this thing to come out and start tearing up the charts. Couple that with the fact I was living in New York City at the time the film finally came out, I wanted it to be The Greatest Film Ever...and it wasn't. There's so much to love about this movie, sure, but even watching it again recently, I wonder what could have been -- and whether maybe, just maybe, this will be the flick that gets Scorsese to finally release a "director's cut."
The burning off of "Studio 60 On The Sunset Strip" is another big one, especially recently. The essay regarding the disappointments of THE PHANTOM MENACE made me think about "Studio 60" -- because what Star Wars was to movies for many people, Aaron Sorkin and "The West Wing" were to TV for me. So when "Studio 60" was announced, I immediately started calling it "The Most Anticipated Media Event of 2006," even over "Pirates 2." I was one of these nerds who was joining livejournal communities and dissecting every bit of information about the show that came out. I even printed a copy of the sides off to form my own "mini-script" when they got leaked. The upfront preview was awesome. The pilot was great. So how did we go from that to "STANDING IN THE MIDDLE OF AFGHANISTAN" (a line that has come to represent everything wrong with the show)? I'm still trying to figure that out. I've written far too much about this here, and in other places, but boy, it still stings.




