Peep the image above for your first look at Ti West’s new feature film, The Sacrament. The Eli Roth co-production shot down in my old stomping grounds of Savannah, where there are marshes, fields, and woods aplenty amidst which horror can take place. It will be interesting watching West’s horror film take place in some of the same place as the dozens and dozens of student horror films I watched over my four years down there. Since it was shot on a Canon C300, it might not look all that different either.
In any event, I don’t know what’s up with the swirling motion blur, what this guy is running from, or where that helicopter might be going, but I’m intrigued. It’s always a little ballsy to go with a daylight horror still! I’m still on the fence about West as a horror director since I haven’t seen what is considered his best work, The Innkeepers, and everything else I’ve seen has ranged from dull to outright embarassing (I’m looking at you, letter M).
To me this looks like spirits from Evil Dead decided to interrupt this guy’s Malick-esque stroll through a field, but we’ll find out more as we get closer to the film announcing a release date.






3 comments
House of the Devil is the HORROR of dull.
Ask any horror movie victim- being cut to pieces is a lot more painful if the knives are dull.
House of the Devil is his best, in my eyes. The Innkeepers had a great build-up that ultimately amounted to little. I recall The Roost being decent, but I hated his segment in V/H/S. Cabin Fever 2 is entertaining, but not entirely his. I still haven’t seen Triggerman, but haven’t heard good things.
Basically, I’m still on the fence about the man, but I’ll still give him next two (The Side Effect and this, both due out this year) a shot.
I admire West’s attempts to revive a subgenre of horror that prioritizes a kind of atmosphere that was lost sometime in the mid-to-late ’80’s, but wallowing too much in nostalgia can also be dangerous. INNKEEPERS and HOUSE OF THE DEVIL only really succeed at being anachronistic diversions than effective movies.
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