It’s hard to not be disappointed by Baby Mama.
The film isn’t bad, it’s just pedestrian, and with the talent on
display that might be the last thing you’d expect. Certainly it’s the
last thing you’d want.
Tina Fey doesn’t get a writing credit on Baby Mama,
but it’s hard to imagine her not taking a swipe at some of the script;
a few of the gags feel vintage Fey. But not enough. Maybe it would have
helped if Fey had sat down and done enough work to get a full credit on
the thing, pumping up the jokes and making the whole thing feel less
sitcom. Ironically her sitcom, 30 Rock, feels less sitcom than this movie.
The basic premise has Fey as a driven, successful 37 year old executive
who really wants a baby but can’t find anyone to knock her up. She ends
up going the surrogate mother path, and the surrogate she gets is a
white trash slob played by Amy Poehler. When the white trash surrogate
breaks up with her common law husband, she moves in with Fey, much
moderate hilarity and learning ensues. Complications pop up along the
way to make the film something more than The Odd Couple With a Fetus, but it’s essentially what you expect.
First time director Michael McCullers has an eye tailor-made for
television; he also wrote the film, which is at least better than most
of the other things on his IMDB filmography (like Thunderbirds or Undercover Brother or the Austin Powers movies).
McCullers has learned one lesson from the world of Apatow (of which
he’s never been a part) – fill your movie with good side characters
played by naturally funny people. There is a veritable who’s who of SNL and
alternative comedy people here in tiny roles, and the bigger
co-starring parts get filled with terrific comedic actors. Dax Shepard
is Poehler’s common law husband, Romany Malco is Fey’s very involved
doorman (his character skirts the edge of Sambo-ism, but it mostly
works) and Steve Martin is Fey’s uber-New Age clown of a boss.
Fey and Poehler get all the best gags, but Martin comes out very well,
even if his character’s joke never really gets a punchline. The miracle
worker, though, is Greg Kinnear. Given almost nothing to work with,
Kinnear makes all of his straight guy lines pop and sing. Kinnear
continues to prove himself a secret weapon of incredible magnitude;
he’s never the reason you go see a movie, but he’s very often your
favorite thing about it once you’ve seen it.
I laughed during Baby Mama, but I
mostly chuckled. Occasionally I grinned quietly. This is just not
enough to justify a night out at the movies; maybe I’m missing some
female component of the story since I’ll never get pregnant (but then
again, neither will McCullers, so maybe there’s nothing to miss here),
but the movie never resonated at a deeper level than a couple of jokes
that worked. Every problem and obstacle feels obvious and without
meaning, and most seem to get cleared up very quickly (Fey breaks up
with Kinnear, who is the Perfect Man, for about two minutes during the
third act because the romantic comedy handbook calls for just such a
thing).
Weirdly, the most interesting thing about Baby Mama might be the product placement, almost all of it negative. Poehler’s character is roundly chastised for drinking Dr. Pepper and eating Tasty Kakes. Jamba Juice is name dropped again and again as the Wal-Mart of smoothies, once being called ‘corporate juice pimps.’ This is the next generation of product placement; we saw it last summer in Transformers, when the Air Force One stewardess was disgusting by the President’s Ring Dings. Going after a younger, hipper crowd, the corporate types are trying self-deprecation – sure, Dr. Pepper is said to be bad for you, but it gets like twelve mentions during the film.
Tina Fey should be giving us better movies. While head and shoulders above the usual SNL alumni crap, Fey towers above the usual SNL alums. 30 Rock is
a classic sitcom that ranks alongside the shows that are so good they
usually get canceled within two seasons, and her feature film star
debut should have been stronger. While Baby Mama isn’t an embarrassment, it’s impossible to recommend as anything but a future rental.





17 comments
Future rental. A rental…from the Future!
Fascinating review! Where's Owen, Devin? WHERE…IS…HE?!
Owen is over. You are over. Please shut up about it.
Honestly, I too want my Phil Owen fix funny enough
I expect pedestrian from Tina Fey. She came up through SNL doing The Daily Show mk. II and continued not to dazzle by being head writer during one of the yawningest times in the history of the show. She's a workhorse of comedy, generating a steady stream of content that can be acknowledged as well-written and constructed as funny, while not actually being funny in the least.
Long ago, when Kinnear first left Talk Soup and started acting, I remember telling people that I thought he had potential to be a good actor because he was really charismatic. My friends immediately made me feel gay for saying that. Years later, I don't feel less gay, but at least I was right.
This looks, and what's the best way to phrase it… "wack as fuck". Yes, that's it. "Wack as fuck."
so it's agreed, we like Dax Sheppard, right?
I liked undercover brother.
Really? This site reviews Baby Mama, but not Forbidden Kingdom? Okay…
Like the name, Mortimer. And I loved Coupon: The Movie
This site only reviews things that it can relate to the Apatow brand, and then denounce. On another note, do you really need a review of Forbidden Kingdom to know that it sucks? (Spoiler!)
Tina Fey is mildly amusing at best.
I used to be willing to go easy on Tina Fey, largely because I imagine it's hard being the only kind-of-funny person on what has become one of the worst late-night shows in history (though of course it was once the best). That was until I read this interview, which at first I thought was a joke (sadly, it isn't):
"Every comic way of writing is unique, but I think male comedy is more boisterous. Usually it involves robots and sharks and bears. Female comedy is more likely to be about the minutiae of human behavior and relationships."
Yeah, Richard Pryor? Full of fucking robot jokes. I typically hate any aspect of the battle of the sexes (largely because most who engage in said battle are twits or damaged goods), but I'm going to have to take the side opposing Fey.
Read the rest, if you want to get angry:
http://www.rd.com/celebrities/tv-stars/tina-fey-interview/article54446.html
She also bashes The Daily Show…
We saw this film in class a few weeks ago. It was followed by an interview with dir McCullers. To his credit, he was very humble about the whole thing. Baby Mama is his directorial debut, and he says he learned a lot about the process, mainly that he loved being able to direct his own script so the director doesn't muck up his story. He also said he owes everything to the talent he was surrounded with, bless them.
That said, he explained that *both* Fey and Poehler took a stab at the script and he credits more than half the laughs as theirs. In particular, Steve Martin's character was utterly their vision.
Lastly he talked about how difficult it is to market this movie. Is it a chick flick? Is it a opposing-partners comedy? Is it likely to scare off guys? Yes, sort of, and definitely, but he was proud to get what he calls two fine female comedians as the leads in a feature-length comedy, particularly in an Apatow-ruled genre where females are simply not the funny ones. He knows what they've created isn't stellar; it's a studio mainstream film and decently accessible, but anything from studio means compromises, particularly in anything biting these former SNL writers wanted to propose.
Tina Fey is living proof as to how attractive a winning personality can be. I've had a crush on her for years, and a lot of my friends admitted to having one too. She is physically attractive, no doubt about that, but entertainment is full of attractive women. But she's smart and funny too, kind of reminds me of Diane Keaton. Love 30 Rock and I have the same hopes for her movie career that I do for Ricky Gervais, to make something on film as funny and clever as the television work that gave them notoriety in the first place.
I can honestly say I have never enjoyed anything Fey has taken part in. Poehler was great in Upright Citizen's Brigade, but now…? Meh, she just doesn't make with the funny. Is Lorn Michales some sort of Comedy Vampire? Do people lose the ability to be funny if they work for him?
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