When a clip circulated featuring David Lynch violently dismissing the validity of watching theatrical movies via phone, some assumed that he was disinterested in web video altogether. This is patently ridiculous, as he was among the first major filmmakers to create original web content. Some of that content — the show Rabbits — even found its way into his latest feature, Inland Empire.
Now the director may be developing a web series based on his book Catching the Big Fish: Meditation, Consciousness and Creativity. The book covers Lynch’s involvement and fascination with transcendental meditation, and specifically the effects on his creative process. Whatever you think of TM, Lynch’s conversations prove to be fascinating for fans of his films, as his descriptions of the meditative state are (unsurprisingly, in retrospect) eerily similar to the more obscure visions in his movies. The Red Room from Twin Peaks seems almost obvious in retrospect.
Lynch is reported to be developing the series for On Networks, which has already debuted work from Amy Poehler. If you can’t wait for the series, I recommend the audiobook version of Catching the Big Fish, read by Lynch himself.
Incidentally, the next big release from Lynch is the 10-DVD Lime Green box set later this month. It collects Eraserhead, The Elephant Man, Blue Velvet and Wild at Heart with soundtracks and supplemental material, in addition to a batch of mystery content on the tenth disc. I’d been relatively disinterested (especially at $179.99) until Lynch mentioned that among the mystery features would be “32 scenes never seen before from Wild at Heart. Partial
scenes, extended scenes and complete scenes from a work print that was
found, so it’s funky quality, but all of them have been edited as much
as I could edit them with what was available and all of them have been
mixed.” Holy shit! We’ll work on covering that when the discs are available on November 18.





8 comments
Supremely overrated. There's a difference between ambiguity and just plain confusing. "Sorry David, we all can't guess what's going on in that fucking head of yours."
yeah, but even if you have no idea what he's on about, he's still a visual master.
a visual master and audio master combined.. plus a lot of script writing teachers will vouch for mulholland drive as being a masterpiece of narrative.. and hey, what's wrong with being a little surreal sometimes? it's good brain exercise!
Just checked Amazon, the Lime Green box is only $129.99 there right now. I don't own any of those movies already (and I haven't seen Wild At Heart), so the temptation is strong.
DVDpacific.com has it at $102.57.
Supremely overrated. There's a difference between ambiguity and just plain confusing. "Sorry David, we all can't guess what's going on in that fucking head of yours."
— No, just you can't. The rest of us, with taste and intelligence, can and do. Fail. Although I am sorry his movies "confused" you so much. Might I suggest something a little less demanding, like season 1 of According to Jim? A review on this site assures me its very funny, or is that show too "ambiguous" for you as well?
rAT, you've missed the point… it is not intended that you be able logically understand his films. They are engineered to invoke a visceral emotional reaction. If you want all your loose ends tied up and your narratives linear, then you are watching the wrong filmmaker.
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