
I watched Layer Cake again the other night, which primarily served as a refresher course for the fact that Matthew Vaughn can be all sorts of brutal when he wants to. Anyone who digs the Mark Millar comic series Kick-Ass, currently being put to film by Vaughn, should have nothing to worry about with respect to the violent, over the top nature of the source material. (Never having read the series, I can’t say if that’s a good thing or not.) Newsarama‘s brief account of a visit to the set suggests the same thing, as they saw multiple instances of, for lack of a better term, crazy shit.
Newsarama’s report, which comes complete with a couple photos of Aaron Johnson in costume as the titular would-be hero, also confirms that the hero-parody gimp suit sported in the comic’s pages is in full effect for the film. That does more than anything else to get me interested in this. I always liked the wild psycho-sexual costumes and identities Rick Veitch used in Brat Pack, and I’m getting some of the same vibe here.





6 comments
I wouldn't be a gimp if you'd of let me die in 'nam, Gump.
I guess i could nit pick the changes int he costume but hell..I'll be seeing this movie anyways.
Hopefully this concept works better as a movie than it does as a comic.
Millar is all hype. Ultimates was great but this self promotion is silly, especially the hype with Kick-ass. It's been 4 issues!!! 4! and there's a movie being made already and it's making Millar into this faux celebrity where he likes to hear the sound of his own voice, thinking that the faster a movie gets made, the better. What a crock of shit. Before all this, I liked you Millar, but you never were and never will be an Ed Brubaker or Geoff Johns.
are the massive delays in the comic because Millar is re-writing the ending or will the movie be out before this fucker finishes?
I hope this is faithful to Millar's writing style, and all the characters are juvenile assholes who call each other "idiot" and "moron" a lot and respond to any statement even slightly out of the ordinary with the brilliant rejoinder, "What?" I can't get enough of that.
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