The Academy Award nominations are starting to happen to us. As they do, refresh this page as I add each and every nominee and plenty of opinion on the choices as I do.
Enjoy, and be ready for our podcast on the 7th of March, for it shall be glorious.
Best Picture
Avatar
The Blind Side
District 9
An Education
The Hurt Locker
Inglourious Basterds
Precious
A Serious Man
Up
Up in the Air
Will Win: Very tough to call. I think it’s either going to Precious or The Hurt Locker.
Should Win: Inglourious Basterds, though I would love to live in a world where District 9 wins.
Better Not Win: The Blind Side.
Serious Question: Couldn’t they have given In the Loop a little love? I mean, both films with ‘Up’ in the title could have been jettisoned for Moon and In the Loop.
Comments: I have to admit that I like the ten choice format. It allows a little more leeway for those cocksuckers of a film to get the attention of an Oscar nomination but not the damn award to ruin our lives. Under this format maybe they could have given dogshit like Crash a nomination and been done with it.
Best Actor
Jeff Bridges, Crazy Heart
George Clooney, Up in the Air
Colin Firth, A Single Man
Morgan Freeman, Invictus
Jeremy Renner, The Hurt Locker
Will Win: Bridges.
Should Win: Bridges.
Better Not Win: Freeman. Not only because he was rude to me on the set of Dreamcatcher.
Serious Question: Sam Rockwell did a better job than at least three of these folks for Moon. Where’s the love?
Comments: These guys are lucky Marc Blucas didn’t do anything this year. Or did he?
Best Actress
Sandra Bullock, The Blind Side
Helen Mirren, The Last Station
Carey Mulligan, An Education
Gabourey Sidibe, Precious
Meryl Streep, Julia and Julia
Will Win: Bullock. This is her Julia Roberts/Sharon Stone/Halle Berry moment.
Should Win: Mirren, just for being Mirren. I have no horse in this race.
Better Not Win: Meryl Streep.
Serious Question: Does Carey Mulligan get a do-over?
Comments: I want to hate Precious because of the Oprah connection but everything I’ve seen from Sidibe has showcased a fun and vibrant young lady. DAMN IT.
Best Director
James Cameron, Avatar
Kathryn Bigelow, The Hurt Locker
Quentin Tarantino, Inglourious Basterds
Lee Daniels, Precious
Jason Reitman, Up in the Air
Will Win: Bigelow.
Should Win: Tarantino or Cameron. Both for very different kinds of virtuosity.
Better Not Win: Lee Daniels.
Serious Question: Will Jason Reitman’s ego destroy the West Coast?
Comments: If they had a ‘Best Directing Via Email’ category you know who‘d have sewn this bitch up.
Best Supporting Actor
Matt Damon, Invictus
Woody Harrelson, The Messenger
Christopher Plummer, The Last Station
Stanley Tucci, The Lovely Bones
Christolph Waltz, Inglourious Basterds
Will Win: Waltz.
Should Win: Waltz.
Better Not Win: The Electric Slide.
Serious Question: Did they watch The Lovely Bones? Tucci, though I love him, wasn’t all that great.
Comments: Jackie Earle Haley for Watchmen? James Gandolfini for In the Loop? Does this mean I should actually watch Invictus, because I really don’t want to.
Best Supporting Actress
Penelope Cruz, Nine
Vera Farmiga, Up in the Air
Maggie Gyllenhaal, Crazy Heart
Anna Kendrick, Up in the Air
Mo’Nique, Precious
Will Win: Mo’Nique.
Should Win: Mélanie Laurent, by far the best supporting female performance of the year. Oh wait, she wasn’t nominated. Then Vera Farmiga I suppose but fuck this category. Mélanie Laurent getting snubbed is so retarded that I think the Farrelly Brothers are filming it.
Better Not Win: Maggie. Because she’s decent at best in the film.
Serious Question: Should I change my name to Mo’Nick?
Comments: Mélanie Laurent. Snubbing. Retarded.
Best Animated Feature
Coraline
Fantastic Mr. Fox
The Princess and the Frog
The Secret of the Kells
Up
Will Win: Up.
Should Win: Fantastic Mr. Fox.
Better Not Win: The Princess and the Frog.
Serious Question: Is the secret of the Kells that seven people in America saw it?
Comments: Up is deeply moving and a beautiful movie, but Fantastic Mr. Fox is a celebration of creativity and a very unique animal in 2009’s film culture. More people need to see it and fall into its sway as I did.
Best Screenplay
Mark Boal, The Hurt Locker
Quentin Tarantino, Inglourious Basterds
Allessandro Camon & Oren Moverman, The Messenger
Joel Coen & Ethan Coen – A Serious Man
Pete Docter & Bob Peterson – Up
Will Win: Quentin.
Should Win: Quentin.
Better Not Win: Any of the other four.
Serious Question: Is it unfair to punch everyone in Hollywood if Quentin doesn’t win?
Comments: Too bad Eli Roth got to be in Quentin’s movie.
Best Screenplay (Adapted)
District 9
An Education
In the Loop
Precious
Up in the Air
Will Win: Up in the Air.
Should Win: In the Loop.
Better Not Win: Up in the Air. It ain’t the writing that makes the movie worthywhile.
Serious Question: District Nein would have been a good alternate title for Inglourious Basterds.
Comments: “I find something. I fix it.” – my most quoted dialogue from a 2009 film. Thanks cutest baby alien from District 9!
Avatar
The Imaginarium of Dr. Parnassus
Nine
Sherlock Holmes
The Young Victoria
Will Win: Avatar.
Should Win: Avatar.
Better Not Win: Sherlock Holmes.
Serious Question: Do people realize that ALL art directors use reference and inspirations and examples from existing artists and whatnot? People have railed on Avatar for bearing similarities to the work of fantasy artists and whatnot. As if it’s the first time. EVERY SINGLE FILM EVER DOES THAT KIND OF SHIT.
Comments: The Young Victoria made me yawn just from typing it.
Best Cinematography
Bruno Delbonnel, Harry Potter and the Half-Blood Prince
Barry Ackroyd, The Hurt Locker
Robert Richardson, Inglourious Basterds
Christian Berger, The White Ribbon
Will Win: The magical Robert Richardson.
Should Win: The delightful Robert Richardson, though JFK is still my favorite of his.
Better Not Win: A Harry Potter movie, though this one was beautiful.
Serious Question: The dude who did Avatar did Driven and is therefore disqualified. No, this is not a question.
Comments: This award is so great because it’s one of the very few that can be appreciated even if you hate the film the nomination’s for.
Best Costume Design
Coco Before Chanel
The Imaginarium of Dr. Parnassus
Nine
The Young Victoria
Best Documentary
The Cove
Food Inc.
The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers
Which Way Home
Best Documentary – Short Feature
The Lost Campaign of Governor Booth Gardner
The Last Truck: Closing of a GM Plant
Music by Prudence
Rabbit a la Berlin
Best Editing
Avatar
District 9
The Hurt Locker
Inglourious Basters
Precious
Will Win: The Hurt Locker.
Should Win: District 9.
Better Not Win: Precious. Go fuck yourself for nominating Precious, Mr. Oscar.
Serious Question: You know what movie had some of the best editing of year? Duplicity?
Comments: I actually really like the editing in Avatar. Some folks have complained it’s too slow to start but that’s not a disservice of editing but rather the storyteller’s pacing. The film is VERY well edited and I think leeway should be granted when you’re trying to set up a new world like Cameron was. That said, it shouldn’t win.
Best Foreign Film
El Secreto de rus Ojos
The Milk of Sorrow
Un Prophet
The White Ribbon
Star Trek
The Young Victoria
Will Win: Star Trek.
Should Win: Il Divo, which I thought I saw in 2008.
Better Not Win: The Young Victorizzzzzzzzzzzzzzzzzzzzzz.
Serious Question: Remember when this award was for brilliant makeup?
Comments: Huh? Sorry, I thought someone was talking about The Young Vzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzz.
Best Original Score
The Hurt Locker
Fantastic Mr. Fox
Sherlock Holmes
Up
Should Win: Fantastic Mr. Fox.
Better Not Win: Avatar. Because James Horner’s score is fuck.
Serious Question: Sherlock Holmes wasn’t good, huh.
Comments: The best score of the year BY FAR was for The Brothers Bloom. Don’t see it ehre though. Because people are dumb.
Best Original Song
“Down in New Orleans”, The Princess and the Frog, Randy Newman
“Loin de Paname”, Paris 36, Reinhardt Wagner & Frank Thomas
“Take it All”, Nine, Maury Weston
“The Weary Kind”, Crazy Heart, Ryan Bingham & T-Bone Burnett Will Win: The Weary Kind.
Should Win: The Weary Kind.
Better Not Win: The other stuff.
Serious Question: Why couldn’t there be a version of The Weary Kind with Bridges on vocals?
Comments: If they’d had included that nightmare song from Avatar I’d have gotten on the Avatar hate bandwagon for about six minutes myself.
French Roast
Granny O’Grimm’s Sleeping Beauty
The Lady and the Reaper
Logorama
A Matter of Loaf and Death
Instead of Abracadabra
Kavi
Miracle Fish
The New Tenants
Inglourious Basterds
The Hurt Locker
Star Trek
Up
Will Win: Avatar.
Should Win: Actually, I kind of love Star Trek here but I think it’ll go to The Hurt Locker. This is a no-lose situation though. All the choices are stupendous.
Better Not Win: Some silent film from the 20’s.
Serious Question: I wonder how many Karl Urban farts they masked with score in Star Trek?
Comments: Mélanie Laurent is down here still reeling from being snubbed for Best Supporting Actress.
Avatar
The Hurt Locker
Inglourious Basterds
Star Trek
Transformers: Revenge of the Fallen
Serious Question: Did Michael Bay slap his dick out of the whore’s mouth to watch the announcement coverage?
Best Visual Effects
Avatar
District 9
Star Trek
Will Win: Avatar.
Should Win: Avatar.
Better Not Win: Star Trek.





47 comments
Krull seems to be the big surprise this year.
Text has done really well too.
I had money on it being the big winner. No surprise here.
I like how The Blind Side got a "Yee-haw!". That movie is just one class act, all the way.
Viggo Mortensen missed out! I won't rant, but his work in The Road was brilliant.
The Blind Side is just pandering to the white guilt movement, just like that smurf movie.
What I find funny about all this talk of a "white guilt movement", concerning movies like Avatar or Blind Side (based on a true story) is that people are using it to somehow discredit the movies. But the fact remains that white people probably do have a lot to feel guilty about.
Avatar for Best Original Score? Really?
"Up" is a masterpiece and should not be jettisoned for anything.
I know it won't happen but a Basterds Best Pic win would be the greatest thing ever. Well not literally, but it'd be nice to see. I'm miffed at Up in the Air, I fucking hated that movie.
Hooray for Jeremy Renner! I loved "The Hurt Locker." It's also great to see films like "District 9" & "The Messenger" recognized. Looking forward to hopefully some surprises this year…like Tarantino for Director?
Glad to see you also think Crash is incredibly overrated.
I hope Basterds wins huge. I loved Avatar, and really like D9 and Hurt Locker, but Quentin really pulled off the true masterpiece of the lot. Nice to see A Serious Man there, too.
princess and the frog is being nominated? for what? best copying and pasting of old disney films? nine was probably more interesting for the world of animation..
@#7: You might want to do some research on what a theme of "white guilt" in a movie is really about. The last thing they're about is making whites feel guilty. I'm white as fuck, and even I'm insulted by them.
Sam Rockwell in "Moon" really deserved a nod. Why is "Nine" nominated for anything? "Up in the Air", to me, looks dull and boring. I hate airports. But seriously, can someone explain how "Nine" has any nominations….
I must be having a stroke, because for once, Nick, you and I are in complete agreement on every category. Especially Brothers Bloom getting snubbed for best score. Nathan Johnson's amazing soundtrack is the first and only thing I've bought on itunes because I had no other choice, no one had it for download and I could not get "Penelope's Theme" out of my head and my heart after seeing it the first time. A utter travesty.
Where's the love for Ireland? Secret of Kells is an Irish movie, The Door, Irish and Granny O'Grimm, C'mon Ireland! Much better showing than the Brits. Boooooo…
James broke the rules with Avatar and the Academy are going to make him pay with the FX Oscar. GO D9! GO!
Thank you Nick for mentioning both Melanie Laurent and Jackie Earle Haley!! A crime to omit these two!!!
Also, don't you think Waltz should be considered a LEADING performance, not a SUPPORTING performance? The only reason Waltz was not nominated as Best Actor is because he's not famous enough, and that's a travesty.
one question. Where the fuck is Where The Wild Things are?
Inglourious Basterds, can't believe that this is even nominated. Probably cause moste americans actualy think this is based on actual facts or something.
The scenes with Christolph Waltz were amazing good tough, and he should win.
The rest of this movie should be forgotten as soon as possible.
Really? The Blind Side? Ugh.
Does Ponyo not count for animated? Maybe not. Funny People should be nominated for Screen Play and Rockwell for Moon.
One nom for in the loop? and nothing for moon? fuck that.
If this is Bullock's "Julia Roberts/Sharon Stone/Halle Berry moment", does that mean she has a 33% chance of going home empty-handed? Or does it mean she has a 100% chance of winning it, losing it, then making the dumbest acceptance speech in the history of Oscar?
Either way I'm okay with it, I guess.
Nothing for Transformers 2? YES! FUCK YOU, MICHAEL BAY!
No love for The Informant, but Blind Side (Based on a True Story) gets a nod for Best Picture?? Fuck this, I'm over it.
In The Loop and The White ribbon should win everything ever.
Since when is Mandela>Viggo?!?!
Where's the line drawn? Wasn't Avatar mainly mo-caped and digital? When more than half your film is created in a computer, how are you not animated?
District 9 – best pic. Hmmm. I must be the only non-African who noticed Blomkamp's warning of xenophobia singled out and demonized Nigerians in the same reel. Ecological fallacies aside, D9 is a fun recap of the last 30 years of good sci-fi and is on par with Robocop, but let's get real here. It has to be the most overrated film since Mystic River.
It seems like they nominate Robert Richardson every year. Had Shutter Island been released this season they would have given it to him for that.
While a majority of this list I can see why they're nominated and what not, and quite a few of them are very strong movies. However as it appears I might be a member of a minority here, but "The Blind Side" has got to be the biggest race exploitation film conceived in the recent decade. Admittedly a Bullock nod was expecting, mind you with about a kilo of salt. But a best picture…truthfully? Invitctus, Moon, Hangover…Whatever to be honest this should have been expected. However as far as a nod to District 9, why yes that is awesome.
I agree with you about Blomkamp's depiction of the Nigerians. Seemed hypocritical. And I agree that it's overrated. But I have to disagree on another point: no, District 9 is not on par with Robocop, a movie that manages to be fun as well as brilliant satire throughout. District 9, while very good, had some real draggy parts. @Aaron: At least Richardson has won twice. Roger Deakins is nominated just about every year, too, and he's always snubbed. Poor chap.
This may be one of the blandest Oscar shows in years – theres at least 4 major categories with little to no competition and the snubs are just ridiculous – also I really hope Sandra Bullock gets upset, she was terrible in The Blind Side.
You seriously think any movie has a chance against a movie about Jews getting revenge on Hitler? Inglorious Basterds was OK at best. If not for the performance of Waltz this movie is almost completely forgettable. Just the same old tired shit QT always makes. I feel like I'm taking crazy pills.
Why are people upset about the screen adaptation of a true story? Hate the movie on its own merits, but don't hate it because it happens to be a true story about a wealthy white family that helped out a poor black kid. Shouldn't that sort of behavior (helping those less fortunate than you) be encouraged?
I hope Inglorious Basterds wins the big one because my girlfriend and I can get in a big argument about. And it will be fun. And freaking Where the Wild Things Are should have gotten a best picture nod (over the Blind Side you fucking oscar bastards) and DEFINITELY should have gotten a cinematography nod – that movie was fucking beautiful. And how about visual effects? They animated every Wild Things face and…ugh. Now I'm all pissed off. And how about adapted screenplay?!?!? They took a beloved, legendary children's novel with 200 words and created something amazing with it. Now I'm really pissed off along with Melanie Laurent. And don't even get me started on Moon…Sam Rockwell's performance was only second to Waltz's from what I saw this year. Ugh.
Precious is definitely not a frontrunner for Best Picture. It peeked way too early in the race and hasnt had traction since. I just hope Avatar doesnt win…
Will Up and Up in the Air split the vote because people are stupid that way?
Agree about Sam Rockwell. And Basterds.
Inglorious basterds ending sucked shit. I'm sure in QT's alternate world war 2, plastic surgery WOULD EXIST at some point. Waltz would have gotten the swastika fixed up. So outside of some pain and a few years of wearing a hat where ever he went, waltzs character ultimately wins the movie. Nick this was a great list. Please unzip yourself so I can fellate you further, you beautiful prick you.
Fact: only retards where entertained by A-V-A-T-A-R Smart people know the deal like RedLetterMedia. Over hyped overrated underwhelming.
It's quite sad that Tom Hardy's performance in Bronson isn't mentioned anywhere.
The Blind Side for Best Pic and Actress, really? I've seen better movies on Lifetime. Complete Shit.
I don't understand the hard-on for IB. It was a good film (waltz was fantastic), but it wasn't Pulp Fiction by a mile. Best picture? really? I don't get that.
The editing in Precious was superb.
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