The Neverending Story
(1984)
The Principles:
Wolfgang Petersen (Director). Deep Roy, a bunch of dubbed
kids and a flying dog dragon. Also a raw egg drinking Major Dad.
The
Premise: This prissy kid steals a book from an old man and skips school to read it. The book, The Neverending Story, tells the tale of Atreyu, a whiny kid with fabulous hair who has to stop The Nothing from destroying the fantasy land of Fantasia. Pretty soon the kid reading the book becomes aware that he’s part of the story.
Is It Good: No. And if you think it is, it’s likely because you grew up with it. The Neverending Story is all production design and nothing else – shamelessly riffing off the creations of other filmmakers, writers and visual artists, Petersen creates a sort of generic melting pot stage-bound fantasy world. But what he doesn’t manage to lift is any other book or movie’s sense of adventure, fun or pacing (note: the film is based on a German book by Michael Ende. The film takes the first half of the book as its source, but I don’t know how faithful to the spirit of the text it is). Watching the new Blu-Ray of The Neverending Story I was amazed at what a fucking slog the film is – while you expect the opening ‘real world’ scenes to be kind of dull, you assume things will perk up once you get to Fantasia, but they never do. In fact, the opening Fantasia scene is with a bunch of characters who mostly disappear from the movie in a couple of minutes.
The film leaves that motley assemblage of Tolkien and Carroll and Henson rip-offs to follow Atreyu, the whiniest boy warrior hero in history. How do we know Atreyu is a great warrior? We’re told he is, and we have to take everybody’s word on it as Atreyu never does anything heroic, warrior-like or even all that interesting in the course of the film. The one monster he bests essentially kills itself by jumping on the big piece of shale Atreyu holds as a weapon.
Atreyu doesn’t have adventures so much as he has encounters, and poorly paced encounters at that. It’s obvious that Petersen is looking to give the film – an homage to the very concept of the imagination – the feeling of that moment between being awake and falling asleep; ‘dreamy’ is the quality he’s pursuing here. But the only dream the film evokes is a fever dream – an ugly and muddy disjointed trip through the part of your mind that’s processing all those fantasy novels you used to read as a kid. The Fantasia segments feel like they could be placed in almost any order and the end result would be the same – a feeling of extreme sleepiness on the part of the viewer.
Eventually Atreyu meets Falcor, a big flying dragon/dog thing, which is pretty much the image that everybody has of this tedious piece of crap. I hadn’t seen The Neverending Story since the 80s, and I thought I had forgotten most of the film except for a few key images. But it turned out I remembered the whole film – the movie is nothing but a few key images with long stretches of tedium in between them.
Is It
Worth
A Look:
No, unless it’s a viewing intended to disabuse you of the concept that this is a good movie. Thirty minutes in and you’ll be thinking the title is very, very literal.
Random
Anecdotes: The movie was shot in Munich with I’m assuming a bunch of Germans. While some of the actors are definitely American, it seems as though everybody is dubbed the entire film. The Neverending ADR Session could have been an alternate title. Also, the death of Atreyu’s horse, Artax, was surely the first time many young people were introduced to the concept of nihilism
Cinematc
Soulmates:
It’s a member of the ‘Not as good as you remember’ fraternity, alongside films like Krull and The Monster Squad.
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The Tally So Far





25 comments
While I agree with your criticisms of the Neverending Story and have a few more of my own, I have to disagree with your comment about The Monster Squad. I rewatched it a few months back, and while it's flawed, it has that eighties bravery you don't find in kids movies these days. See also The Goonies. Is The Monster Squad perfect? Christ, no. But it's still great fun.
Have to agree with Sellers, when it comes to looking back Monster squad is a million times better than the rest of the 80's "kids who get into crazy situations" movies.
I can't even watch Goonies anymore, it's unbearable. Monster Squad, although annoying at times had some great parts in it(the wolf man+dynamite,"Give me the Amulet you little bitch" and of course scary German guy), and the effects/costumes were actually pretty badass.
Great work Devin, rather then arguing against (or agreeing with) your scathing review of the neverending story, people are defending monster squad.. lol… A good writer writes knowing what their words will do, so I assume you strategically threw that in at the end to have the talk-back folk fight amongst themselves and forget your actual review.. lol… Anyhow.. I have to agree I still get a kick out of Monster Squad, but I also get a kick out of the imagery and nostalgia of TNS (TNA? lol). Sadly, with my growth as a person and a movie viewer, I do recognise the flaws and problems you are talking about. From what I heard, the original writer of TNS was pretty pissed at the movie version(per imdb he wanted his name pulled?) so yeah, it has issues. I will forever remember it as a source of wonder and inspiration as a child(and one of the driving forces for me to get into art) but now I also know not to bronze it as some untouchable idol 🙂 And can someone fix these stupey letter-checking things. It takes me 8 tries to post 1 talkback.. or is that also a Devin ploy? 🙂
Very erudite and humorous review and 100% correct. Nostalgia makes fools of even the wisest of us.
And Monster Squad sucks. I'm sorry people, I hated it even as a kid.
Wasn't the movie shot in Vancouver? You can see the Sun Tower and much of Gastown in the street scenes….
I hadn't seen this movie since the 80's and I watched it again last year. I was shocked by how terrible it was. Ditto with Monster Squad last year as well. I do still like Krull a bit, even with its flaws, enough to watch it once every year or two. No accounting for taste I guess.
devin, how can you like "night of the creeps" and not enjoy "monster squad"? I recently watched both for the first time and found "monster squad" to have some good effects and great energy, but "night of the creeps" to amateurish, boring, and immature (and saying the movie is a throwback to old 50's creature features is a total cop out)
he movie is awful but the book is a classic here in germany and rightly so! the film didn't even touch the surface of the novel.
'momo' had a similar fate – great book, subpar movie.
the augsburger puppenkiste got it right though with 'jim knopf und lukas der lokomotivführer' 😉
I haven't seen it since the 80s either. I remember that the art and creature design owes a lot to Patrick Woodroffe – but imdb only has him down as a contributor to the sequel. So looks like you're right about the massive rip-off approach they took. Weird how Petersen did this and Enemy Mine but just never made it as a genre name…guess the films have to have some level of vision in them. I do remember being un-nerved by the pursuit POV of the wolf creature until it was revealed to be a huge stuffed toy.
Sorry, Elvin. You're talking nonsense here. No, Elvin…. Bad Elvin!
About time someone put a children's movie from 1984 in its place.
I think if they released the same exact movie today, I would still love it. But that's just my head-trip.
Devin has such a hate hardon for anything that anyone has ever expressed nostalgia for that you can't take any of his thoughts on the era seriously. Even if the film really were production design and nothing else, that production design is great enough to make the movie worthwhile.
Usual piss and vinegar…
oops, i thought this was an article about the Captain America movie casting, heh..
This review is disappointing. You appear to be expecting the same impatient and goo-goo-eyed light-hearted spirit that makes all children's movies such intolerable corporate fluff today.
Anyone who takes a swipe at the Artax scene, a scene that actually challenges children to confront ideas of loss, and their own emotional responses, as Nihilism, of all things, has a real problem with appreciating the ways that a family movie can be more than hallow, cookie-cutter entertainment. And also has a problem with the definition of Nihilism.
In 20 years, I hope people won't be making the same sorry swipes at the opening of UP, but I fear I've already heard it. Stories are meant to help us exercise our emotional responses and make sense of the world through metaphor and catharsis – that includes stories for children. Sanitizing them of the core challenges we all face is ridiculous. So is this review. What a shallow angle to come at this film from. I'd come to expect better from you.
More Chudsploitation and less this. Isn't one Nostalgia Critic enough?
Three Oranges, are you talking about Avatar? … Quote #13: "Even if the film really were production design and nothing else, that production design is great enough to make the movie worthwhile."
NES1&2 are the greatest things conceived by humanity.
Devin,
You are wrong on this one. Sorry.
All I know is that yes I loved this as a kid and yes, when I watched it more recently I still kinda digged it. More importantly so did the kids I watched it with. The death of Artax being a very emotional low and chasing the bullies on a big white dog-dragon a BIG high. Between this, Cocoon and DARYL Barret Oliver was THE kid of the 80s for a while there. A shame that Guttenberg Syndrome hit him so hard and that as soon as the 80s finished so did his career. My jury is still out on The Monster Squad.
I know this movie is bad because I've read the book, and it's so brilliant that the movie never stood a chance. 'Americanized' in the worst sense.
Can we take this same review, change the names, and use it for Pan's Labyrinth in 20 years?
In his next column, Devin will discuss why "The Wizard of Oz" and "E.T." are pieces of crap. Seriously, what's it like to have no soul? Regarding #22's comment about it being "Americanized": it was filmed in Germany, financed by a German production company and directed by a German filmmaker…
Devin, fuck you and the racing snail you rode in on. This movie is still great.
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