The Principles: William Girdler (Director). Tony Curtis, Susan Strasberg, Michael Ansara, Jon Cedar, Burgess Meredith
The Premise: When Karen Tandy (Susan Strasberg) ends up with a lump on her back that‘s growing excessively fast and looking more and more like a fetus, she enlists the help of her ex-lover (and fake psychic) Harry Erskine (Curtis). Once a bearded Burgess Meredith informs them that some old Indian medicine man is preparing to be reborn from her back, they, in turn, enlist the help of one of the last remaining Native American medicine men (Ansara). Shit gets real weird, real fast (as if it wasn’t already!).
Is It Good: Yes! The movie is a delightfully fucked up, trippy little jaunt through a whole bunch of heavy shit, but it never lets any of it weigh it down. The only person who seems to not know how to handle their character is Ansara (and that’s probably because he’s not a Native American, he just plays one on TV), who comes across a bit forced and clichéd. Tony Curtis is having a fucking BLAST and everybody else orbits around him.
And the production value is impressively high as well. When you have a screenplay that calls for a giant lizard to appear out of nowhere, an entire floor of a hospital to be frozen solid, a surgical laser that goes haywire and starts shooting up the place of its own volition and a tiny, slimy medicine man to be born from a giant tumor on the back of one Susan Strasberg, well, you can either deliver in spades or fuck up to the highest degree. There isn’t even a middle ground with a list like that. And man oh man did Girdler and his crew deliver.
I mentioned “heavy shit” earlier, and honestly, all the special bells and whistles aside, this is where the movie really shines. I expected a lot of crazy from the synopsis alone, but what I didn’t expect was the rather blatant “science kicks religion’s ass” moral through-line that was damn near arrogant in its insistence. At the risk of spoiling a 32 year old movie, the Big Finale is basically Tony Curtis telling John Singing Rock, Misquamacus and The Devil himself that their old stuffy magic was no match for technology and machines and electricity and PROGRESS!
Actually – no, it’s not good, it’s fanfuckingtastic.
Is It Worth A Look: Absolutely and it’s on Instant so you need to get around to it sooner, rather than later. Though there’s a good chance that if you’re reading this site that you’ve already seen it. However, if you haven’t, then this quote from the erstwhile Devin Faraci in our Forgotton Monsters of Filmland series should be more than enough to convince you:
“Eventually Misquamacus is born from the boil, except he’s a midget and then he gets defeated by a topless Susan Strasberg shooting laser beams from her hands.”
Yuuuup.
Random Anecdotes: Burgess Meredith has a Colonel Sanders beard. That’s all I got. Because that’s all I need.
Cinematc Soulmates: Stuck On You. Birth. Bubble Boy.





9 comments
Absolutely true story: I'm watching "The Manitou" right now, as this story was posted. I'd forgotten how awesome this movie is. Misquamacus revealed his name just now, to much white-man consternation. Almost eerily coincidental… bad medicine, that Chud.com.
Ha! Your Cinematic Soulmates had me laughing hard! That's what I love about CHUD, shit like that.
Read the book by Graham Masterton. Much more fucked up than the movie.
They used to run this movie a lot on the old CBS late night movies which came on after the late local newscast. I need to watch this again. Thanks Mr. Butler!
Glad you guys dig it!
The manitous are aligning – just watched this last night. Greatest ending I've seen in a while. Can't wait to show it to the other sickos.
Jesus. If you could somehow cosmically bring together all the people worldwide who were coincidentally watching "The Manitou" at the same time, what kind of fucked-up Superfriends would you wind up with?
my mum rented the video when I was a kid and let me watch it (same woman that let me watch theThing at 10 mind). She also bought me a bunch of Graham Masterton books as well (top of my head they were The Manitou, Charnel House, Devils of D-Day and I think a follow up to the Manitou). I remember being fairly disturbed by the books but less so by the Manitou movie (which was just weird rather than disturbing like the books are).
gotta agree. I saw "The Manitou" in a theater in 1978 (on a double-bill with Irwin Allen's "The Swarm) and it certainly made an impact on me (hell, I own a copy of the novel it was based on… funky in its own right, btw). The film is a riot of supernatural flim-flam, floating grannies, mystic incantations, and ol' Indian (hardly Native American here) legends playing out in 70's San Francisco. Once the film and cast move the hospital setting for the final reel, the effects work is generally above board (and quite outlandish in its gore factor… a nurse's head flying off, the birth sequence, Misquamacus in all his f'ed up midget glory. Truly a must-see for any horror fan.
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