I don’t know. I’ve seen a lot of the artwork concepts for this movie [which I worked on, which you know by now] and there have been some amazing ones that folks will never see. I wasn’t aware of this one, though it’s nice to see the title treatment that they used at the party after the premiere (photo of marquee) we had last month. Bloody Disgusting is not a fan, though they did like the movie. I can understand that. Folks can pretty much project whatever they want to on a poster that’s just text. To some it could be refreshing in an era dominated by Photoshopped heads but to others it could seem like a rush job or ill-advised. It’s not my favorite of the posters we’ve used nor do I think it’s the last ones folks will see. But I love that title treatment.
How do you feel about it?
Source: Bloody Disgusting.
6 comments
Yeah, it seems strange to me. Way too much purple and blue, at least for this type of film. Doesn’t fit. That being said, I can’t fucking wait to see it.
Is this an audio-book?
“Too much purple and blue?” Doesnt fit? What the hell do you know. The only thing you can complain about is the color palette. You dont even mention font, text, or anything else, but the color? The poster blows all over and it aint because there’s too much violet or teal. speaking of which, maybe 5% of the entire real estate id blue. would it have been better if it was somewhere in the ballpark of say 2-3% blue?
Jesus Christ. Sounds like someone needs a Xanax.
I like it. It’s slick.
It is perfectly okay to have a poster that features only text, it’s certainly bolder and more desirable than another big-head-photoshop-mee-too, but this is a mess. The logo looks cool, but they didn’t have the balls to make it all about it, so we have poorly placed credits,a really poorly placed tagline and a lot of extraneous noise all around. Rushed or not, is a disgrace.
When you do a poster you need to direct the eye of the viewer, and that is not happening here. What do you think people will remember from this poster when they see it? Nothing.
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