It's a decision guaranteed to drive Jeffrey Wells to prose-sputtering fulmination: Laurent Cantet's docudrama The Class has outmaneuvered Steven Soderbergh's four-hour, two-part epic Che for the Palme d'Or at the 2008 Cannes Film Festival. The Class was the… Continue reading →
Just, um, ignore whatever that is to your right. If this theatrical trailer is any indication, Little has changed since the teaser for Righteous Kill debuted: as far as I know, Jon Avnet shot Russell Gewirtz's formula screenplay to the letter, so, at best,… Continue reading →