Don't get too excited yet; this ‘leaked' image may or may not be official marketing for Todd Haynes' very ambitious biography of Bob Dylan. I really hope it is legit, though, because it gets several things quite right. First, it's eye-catching, and… Continue reading →
Variety reported earlier on Hasbro's new merchandising strategies, and there are a few facts I need to parrot on to you, so that they're out of the way and I can get to the point of this article. So: Hasbro was with CAA for a while, and is now berthing in… Continue reading →
So, uh, Denzel Washington kinda has a thing for Kimberly Elise, huh? She was in his Manchurian Candidate remake as well as John Q which, to my continuing disappointment, wasn't Nick Cassavete's remake of Takashi Miike's homage to lactation and family values.… Continue reading →
It's Monday, so I don't have anywhere near the thick skin that I'd have on a Wednesday or Thursday, so I don't have what it takes to dress up the spec script that's just been picked up by Disney for Scott Rudin to produce. All About Adam, by Alan Schoolcraft… Continue reading →
A month ago I wrote a news item about Bertrand Tavernier's new movie, in which I proclaimed his Coup de Torchon to be the best (and my favorite) Jim Thompson film adaptation. But everyone has to have the last word, and a few brought up the notion that I might… Continue reading →
I'm pretty proud of myself – I made it through May without seeing Shrek. Even with it being the only movie I haven't yet seen at my favorite local theater, I've resisted the occasional urge to see it just so that I can go to the theater and not see 28 Weeks… Continue reading →
In the past fifty years, pretty much everyone who's tried to strike gold with a screwball comedy has just struck out. It's like the genre vanished with Bowery flophouses and sidewalk apple vendors and literally can't be recreated. Equal parts phsyical… Continue reading →
ABC’s Good Morning, America is one of those shows that broadcasts to folks a couple generations ahead of me. People who saw The Sting and Butch Cassidy and the Sundance Kid in their first runs. This might, in part, explain why Paul Newman chose a relatively… Continue reading →
The Brothers Solomon has the creepiest poster of the year. I'm not one of those guys who can't take the sight of a gloriously pregnant woman. Usually it is, indeed, glorious. Especially when the kid ain't mine. But the belly on display here is just… Continue reading →
One of the films I most wanted to see at Toronto last year was Fido. It's the story of a zombie-infested town that has been ‘saved' by ZomCon, a company that specializes in zombie control. The sleepy burg (which is als o appraently stuck in the '50s)… Continue reading →
You know how to get me excited about the synthesis of games and film? John Lassiter needs to get on stage at ShoWest and announce that Pixar is developing a film based on Will Wright's Spore. I would probably lose it, if only for a minute. Until this morning,… Continue reading →
The very concept of a film trilogy engenders certain expectations. When a studio stretches a tale over six hours or more, we hope for a certain fluidity from one chapter to the next, for plotting, action and character arcs that are consistent both within each… Continue reading →