We're a hotheaded group of individuals. We crave a pull quote like anyone else, but it's not about that. It's only about you the reader. We love you. We want to take you home and cuddle with you. The following reviews are the opinions of the editors of CHUD.com and are by most accounts bang on.
BUY IT FROM AMAZON: CLICK HERE!MSRP: $12.99AUTHOR: Jeff SomersPUBLISHER: OrbitPAGES: 384Author Website (You really should take some time and explore this site. It's a visual treat and eerie as hell and actually adds to the world Somers created) I don’t… Continue reading →
Diary of the Dead disappoints… by being too good. How's that for a weird critique? If Land of the Dead was George Romero's post-9/11/Iraq War zombie movie, Diary is his flat out 9/11 film. It's back to the night of the living dead, except it's taking… Continue reading →
Apparently, I get to review all of the screenplays for upcoming films featuring combat veterans with loose screws… Having recently revisited the Rambo franchise, I was surprised by a couple of things. 1) Despite its superior pedigree (and by that, I… Continue reading →
When it was announced that Cate Blanchett would reprise her role as The Virgin Queen in a sequel to 1998's Elizabeth (the film that vaulted her to international movie star status), there was much rejoicing amongst Anglophiles. Not only were they getting the… Continue reading →
In the last four years, the work of Thai filmmaker Pen-ek Ratanaruang has grown more alienated and interior. The trend began with his career-high Last Life In The Universe, which built a love story in spite of language and cultural barriers. The follow-up and… Continue reading →
Wrong Turn 2 is available today on DVD. You can buy it through CHUD by clicking here. This review is just for the film, which I saw at a special screening as part of Screamfest LA, not for the DVD features. Joe Lynch hasn't reinvented horror with Wrong Turn… Continue reading →
"Look at these assholes." That's the funniest line in The Darjeeling Limited, and it also marks the point where the film slowly begins to deflate. At this point in the film the three Whitman brothers who are taking a train trip across India come across… Continue reading →
To say that The Seeker: The Dark Is Rising is worse than the book on which it is based is faint praise, since I found the book to be a barely readable bore. The movie's script, by the guy behind Trainspotting, believe it or not, at least has the kindness to… Continue reading →
Tony Gilroy's directorial debut, Michael Clayton, blares its brilliance over the opening credits, as Arthur Edens (Tom Wilkinson), the manic depressive ace litigator for Kenner, Bach & Ledeen (a corporate law armada blasting away in defense of a massive… Continue reading →
The Punisher stunk. You know it. I know it. Lionsgate knew it – they had a really tough time marketing the Artisan film in the wake of the acquisition of the company (it is, after all, a film in which “punishment” is meted out via parking citation – not quite… Continue reading →
Few things at Toronto this year made me happier than the fact that I'm Not There, Todd Haynes' much-questioned ‘biography' of Bob Dylan, was good. Scratch that. Albeit uneven, the film glows with outrageously great moments, many featuring Cate… Continue reading →
"[Ridley] Scott is a decorator, a borrower, and a synthesist; like a great machine he contains all striking images and can deliver and fuse them, so long as the product is impersonal." That's from David Thomson's dismissive entry on the master in The New… Continue reading →