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STUDIO: Magnolia Home Entertainment
MSRP: $14.49
RATED: R
RUNNING TIME: 98 minutes
SPECIAL FEATURES:
– Behind the scenes featurettes
– Deleted scenes with commentary
– Outtakes
– Interviews with cast and crew
– Photo galleries
– HDNet: A look at Centurion
– Commentary with director and crew
The Pitch
It’s Gladiator meets Butch and Sundance.
The Humans
– Writer / Director: Neil Marshall
– Michael Fassbender as Quintus Dias
– Dominic West as Titus Flavius Virilus
– Olga Kurylenko as Etain
– Riz Ahmed as Tarik
– Noel Clarke as Macros
– Liam Cunningham as Ubriculius (“Brick”)
– JJ Feild as Thax
– Dimitri Leonidas as Leonidas
– David Morrissey as Bothos
– Ulrich Thomsen as Gorlaco
– Imogen Poots as Arianne

Admittedly, the set designs needed some more work…
Roman
Centurion, Quinton Dias (Fassbensder) leads the last vestiges of the
infamous Roman 9th Legion, which was lost to history during the Roman
invasion of Britain in 117 A.D. Here, the Romans are the last survivors
of an ill-fated advance into territory of their enemies, the Picts, and
a subsequent ambush which routed the column. Dias and six others
attempt to navigate their way behind enemy lines back to the Roman
frontier. Their task is a difficult one, though, due not only to the
terrain and cold weather, but to the fact that they’re being tracked by
Etain
(Olga Kurylenko), the Pict guide who betrayed the Romans into the
ambush. The mute and almost feral Etain has the ability to
track anyone over any ground, and a deep desire to see all of the Romans
dead for atrocities committed upon her and her people when she was a
child. It’s a match of will between Etain and Dias, who is
resolved to getting his men home.

Good to see interrogation tactics have improved over the years…
Of
the four Neil Marshall films I’ve seen to date, I’ve liked them all.
The guy has a penchant for giving weight to popcorn flicks, and that’s
very much what Centurion
is: a weighty, epic popcorn flick. A brisk, yet affecting adventure yarn. It has much of the
grandiosity of Gladiator, a film to which it will invariably be compared, but is far leaner; not only in running time, but
storytelling. Marshall is able to give enough heft to a plethora of
characters that populate this, what is essentially a period chase film that packs in the action amidst some sweeping visuals. Indeed, in one key scene, Centurion echoes Braveheart‘s
epic battle scenes quite handily. For most of the rest of the film, it
recollects Paul and Bob, on the run from a very vengeful posse.

“Model A Ford and a tankful of gas…”
“Model A Ford and a tankful of gas…”
“Handful of pussy and a mouthful of ass…”
“Handful of pussy and a mouthful of ass…”
up the film is Michael Fassbender, who gives a Dias an affecting
gravitas. Dias is no Maximus, who looks beyond where he is to where he
wants to be. He’s a loyal solider of Rome who, while not thrilled by
being where he is, nonetheless fulfills his duty with honor and
dedication. After his outpost is overrun by the Picts and he’s
captured, he escapes to rejoin his Roman brethren in the 9th Legion
under the command of General Titus
Flavius Virilus (West). Virilius is also a loyal soldier, who has
endeared himself to his men by not putting himself above them. If
there’s fighting to be had and mayhem in which to be engaged, he’ll be
right in the thick of it. West portrays Virilius with a stern
likability.

“At least give me a clean sodomizing…a warrior’s sodomizing…”
muted about her performance. She’s sexy and lethal as a the Pict guide
who’s one or two steps away from being a wolf. Her expressions and
physicality carry her where words can’t and she’s a great foil for the
Romans. And it’s nice that there’s more to her story than being just a
bloodthirsty bitch (an honor saved for that blonde archer Pict).
Supporting work from the other six Romans, most notably Liam Cunningham
as Brick and David Morrissey’s Bothos was good as well.

“WTF? Is that Hannibal up there?”
“Apparently, general, sir.”
“Why the hell is he wearing goggles?”
hypothesized real fate of the 9th Legion and how supporting guys
typically meet their fates in films of this sort, that some of the Roman
herd is going to get thinned along the way. However, whereas many of
those sort of guys are all too often cannon fodder….or dog kibble in
this case, Marshall succeeds in bestowing personality to them when he
seemingly doesn’t have the time to do so. On a side note, I wonder if
Leonidas, one of the Romans portrayed by Dmitiri Leonidas, got named that simply because Marshall felt like an in-joke or if its just a serendipitous bit of casting.
Marshall has shown, especially with Doomsday,
that he knows how to take material from other films, adapt the better
parts of them around the skeleton of his own story, and make it
entertaining without being derivative. He’s done that again here.

It might almost be worth finding out what she’d do with that thing.
The Package
The
look and sound of the film are good in 2.35:1 and Dolby 5.1
respectively. I’m curious as to why there were only Spanish subtitles
though. There are several standard
nonetheless well done features: a behind-the-scenes featurette, deleted
scenes with available commentary, outtakes, interviews, photo galleries
and a commentary by Marshall and crew. There’s also HDNet: A Look at Centurion to round out the offerings.

The Romans had a choice between this or listening to Celtic Woman. No contest, really.





10 comments
That blond archer pict is Marshalls wife I believe
Loved Marshall's other films but turned this off after 5 min. I cannot stand this new trend of CG blood. It ruined Harry Brown for me, it annoyed me during this so much I shut it off and sent it back to Netflix the same day. Lazy filmmaking in my opinion.
This would've been a lot better if they had ditched Fassbender's narration.
and they should have ditched the bullshit love story as well. Stopped the film dead. Overall this marshall's weakest film. Still a worthy action film but based on his past work, this should have been much much better.
Props for quoting "Heartbreak Ridge."
While Centurion was decent enough, it's shit compared to Marshall's other films. Doomsday is probably my favorite, if only for the amount of 80's action homages and Rhona Mitra kicking ass in an eyepatch. It's the type of movie John Carpenter should be making these days.
The review is right on, in terms of "Centurion" boasting epic visuals, good action scenes and solid performances. The only thing that undermined the movie for me was that I often felt more sympathetic for the Picts. They are a conquered people who suffer rape, murder and other brutalities at the hands of the Romans. It would be like making the English the heroes in "Braveheart." At times, I felt I was supposed to "root" for the Romans just because they were the "heroes" of the movie. That being said, Fassbender and his band are well cast and the movie is a solid adventure overall.
I am pretty much a Marshall fanboy. DOG SOLDIERS edges out all the other 'big' werewolf favorites in my book, THE DESCENT is truly chilling, and DOOMSDAY is chocolate cake and a twinkie, *at the same time*. But CENTURION pissed me the fuck off, mate… and it was completely due to lazy filmmaker cliches all in the service of an attempt to create what is ultimately fake and empty drama. It was beautifully shot and dressed, of course, plus the actors were fine. The violence was wonderful. But jesus god, this movie has the most egregious use of "man on foot outrunning man on horse" I've ever seen… in fact it's pretty much the backbone of the entire movie. First in the literal sense, where Fassy outruns the three Picts on horses who are like ten feet behind him for like five solid minutes during his first escape. Then you have the band of guys outrunning the band of vengeful Picts for the last big chunk of the movie. I mean, they had maybe a six or seven hour head start tops to begin with, every scene shows the pursuers at full gallop, yet it was still days before they caught up. Then you get the subset cliche of "antagonist is right behind you, yet you have all the time in the world"… this seen as they scramble up the hill after we see that the Picts are literally about thirty feet away, yet there's enough time to stop and chat at the top of the hill before jumping. Now, let's move on to "superpowered antagonist who's superpowers come and go." The scene about Fassy's bright idea of heading north since the Picts figure they're going to head south to the front lines; totally wasted and in fact ignored, because magic Olga just zeros in on their trail immediately. Also, Kurylenko's character can sniff these fucking guys out from across a valley but can't tell they're right under her feet when they're all inside Poots' character's hut. Convenient. What's next? How about "useless sentries and useless palisade walls"? The opening attack on the fort, where they show dudes on alert gazing out into the forest and there's this fancy wall but yet when it's time to have the antagonists attack, they're up on the ramparts before anyone even knows they're there. Let's not forget "armor is mostly useless"… does anyone not get killed immediately with whatever the first attack is that someone uses on them? Just once I'd like to see a fucking movie where dudes with seven hundred pounds of metal shoulderpads don't immediately hit the floor when someone whacks them with a stick. Next: "100lb supermodel beating battle-scarred supersoldier in hand to hand combat." Virilius is clearly a bad ass experienced warrior, yet we're somehow supposed to believe that twiggy Olga Kurylenko can take him apart in about thirty seconds? I do have to admit here though that her fight with Fassbender at the end was at least believable; it was a little more desperate, close quarters, and scrambly. But the thing with West's General character was just eye-rollingly bad. I'll finish this up with "good guy with spear in gut continues to fight valiently; antagonist with exact same wound dies instantly and dramatically." Either decide that a stab wound is going to put the victim immediately into shock, or decide that they can take a poke and still be able to fight. But don't make it so fucking convenient that it's only the bad guys that immediately fall over when they get a little scratch but you can literally remove a protagonists' entire skeletal structure and he'll still have his heroic last stand. I wanted to like this, man, but it was fucking weak.
I'll take "Centurion" over "Gladiator" or "300" any day of the goddamned week.
Still unsure about this one. Only watched it once. And It made me want to watch The Descent again. I think that says it all.
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