Sting is a cunt. There, I’ve said it and if anyone disagrees with me just stop by your local record shop (hahahahah! like telling a kid to go find a Brontosauras) and browse the Sting section – most likely located smack dab in the New Age (Read: Finished) section of said store. Here’s my favorite to date, which I had to listen to ad nauseum two christmases ago at my old job.
* Anyone who poises themselves in such a manner is, well, a cunt. The image and posture is so manufactured, transparent for middle-aged and economically stable housewives: “Oh! what a solitary and deep man this Sting is darling! Look here he’s on a long, winter’s walk with just his dog, man and his canine companion, lost in thought at the edges of the world.
Blooey!
If you still need some convincing just listen to some of the music this man has put out in the last two decades. It’s the kind of bloated, self-important drek once-great rock stars employ as they age along with their audience and become co-opted by name-brand recognition, finding record sales are a lot easier to garner when they appeal to a wide range of people over the age of forty. In Sting’s case mix in a hand in the burgeoning New Age book/exercise movement with his tantra and, well…
You get a smug, self-satisfyingly bland musical act that barely recalls the wounded and frustrated, smiling-while-he-howls frontman of yore.
We’re a loooooonnnggg way from even the rich, ethereal melancholy of his first solo effort, 1985’s Dream of the Blue Turtle and galaxies from the pure pop-lined-with-a-bit-of-Rough-Trade bite that made up most of The Police’s career. Recently I came across a deal on all of those old Police albums (Zenyatta Mondatta was the only one that made the jump from cassette to disc for me; by the time I absolutely had to go out of my way to listen to a cassette Sting had simply obscured the brilliance of his former band for me) and have been, perhaps to the chagrin of my new, quiet and middle-aged Korean neighbors, listening to them non stop for two days straight. And I am led to ask again, this time here on my blog, to a wider audience than usual, just how could Sting, once leader of a band as awesome as The Police, turn out to be such a turd?
I know, I know – I tend to begin my rants and not take into account the fact that whatever public figure I am ranting about is more than just the public figure we know them as. I’m sure Micheal Moore is not an entirely overblown, rabble-rousing hypocrite more interested in securing his own status as a ‘safe’ counter-culture icon at the expense of the argument he once fought so vehemently to uphold and broadcast. Surely there’s a real person in there, concerned with aging and his own well-being, his love-ones well-being, security as the world tanks – those things I can understand and through them they reveal that the argument is never as one-dimensional as it often seems when we are up against status quo. Status Quo exists for a reason. Whatever, that’s an entirely different soapbox. The point is while a rant I’m separating the human from the brand, so to speak. Maybe not in all cases**, but most. But here’s the deal – when you give such great things to music lovers; when you blaze your name upon culture in such a way as a band like The Police, with their slightly Sci/Fi approach to crafting often slightly uncomfortable but ultimately undeniably catchy and well-crafted songs, well, tired rehashings of holiday standards, painstakingly banal and commercial-ready lite FM compositions and a rather irritating manner of expressing oneself (unlike fellow over-the-hill70’s rockers you haven’t been knighted sir – so sorry) doesn’t just not cut it, it insults.
So we, as the concerned record buying public of people who did grow up with your music but haven’t grown complacent or lazy with it will insult right back.
You cunt.
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Another blatantly photo shoot, ‘talk to the camera’ moment.
Creepy as all hell but I figured it would have to be seen to be believed.





5 comments
I’m with you on this one Shawn. In my teens I worshipped Sting for his melodic, yet ballsy, bass-playing, singing and songwriting in The Police. Even slightly enjoyed Turtle when it came out, but was dismayed at his wanna-be serious musician stance in the doc Bring On the Night that followed him on tour with his hired all-black band. SInce then he’s become even more of a douche. Perfect example of how yoga can ruin a man’s spirit, while perfecting his body. And never forget his role in Dune: “I WILL kill you!”
As unthinkable as it is for a giant metalhead like me to be defending Sting of all fucking people, I’m afraid I can’t let this blog post go by without commenting. I think if you guys were able to step back and be objective about the guy, you’d realize you’ve got this all wrong.
To begin with, you have GOT to know that there’s almost no chance that Sting was personally responsible for the tone of all the album covers and photographs. These are not snapshots from the family album showing candid takes on the guy’s day to day activities, they’re marketing. They can’t be taken as indicative of how he views himself. The real cunts here are the sad forty-year-old housewives who are seeking out the fantasy of the person these photographs pretend to represent.
The New Age/tantra angle? Also marketing. The yoga angle? Are you as physically fit and desirable to women right now as this fucking sixty year old guy is? I’m sure not.
I’m not denying that it seems VERY VERY LIKELY that he is a little smug. I’d like to suggest that any human being, after…
* having been a very important part of THE FUCKING POLICE (worldwide acclaim, a neverending stream of media attention and hot little 19-year-old pieces of ass gazing up at you all dewy-eyed, oh and 23x Platinum)
* going solo and having your albums go 14x Platinum
* getting SIXTEEN FUCKING GRAMMYS
* earning an Oscar nom
* being inducted into te Rock and Roll hall of fame
* acting in the third-best Gilliam movie and the #1 best Lynch movie
… might occasionally find it a little hard to maintain that good old down to earth aw shucks attitude that the English are known for having.
I also think you’re giving The Police way, way too much credit while not giving his solo stuff enough. There is a lot of ridiculous pop fluff, pretty much pure liquid shit, in The Police’s catalogue. Not denying there are stone-cold eternal classics that far outweigh these, but when looking at the whole picture… c’mon, please. And really? “wanna-be serious musician stance”? Are you objectively telling me that his solo stuff, which covers an insanely wide range of styles and is performed at the peak of musicianship, is “wanna-be”??!? Yes, some of these songs make me want to set people on fire, and what’s with every album havng some awfully-written piece of crap glamorizing a criminal? If you’re going to cherry-pick the best Police stuff to inform your opinion then you really need to do that with the solo stuff as well. In addition, his selection of musicians (I believe a frontman and leader deserves credit for how he builds his band as well as the for the music he himself plays; you don’t?) is being reduced to simply being his “all-black band”? Darryl Jones! Branford Marsalis! For fucks sake, man! These guys are nameless black dudes but Stewart Fucking Copeland is one of the Apostles?!?
Soft rock is as legitimate of a musical category as blackened death metal or classical, when executed well. And anyone that says this stuff isn’t mostly executed well is simply not being objective.
Having said all that, yeah, Sting is probably still a cunt. But I think he’s one who has earned it.
Oh, god, the formatting. Now I’m a cunt too.
I hope it’s clear from the tone of my reply that while I think you guys are wrong about Sting, I view your wrongness with CHUDly brotherhood and affection.
God I need sleep.
BruceL, you make some great points and it is definitely clear we are differing in opinion in a CHUDly brotherly and affectionate way. This kind of dialogue is what I want to create with my rants and I do not mind being called out as a hypocrite for some of what I say. We’re all a number of different personas and ideas packed into a shell we call ‘me’ and therefore we’re all, at times, hypocrites. I did cherry pick his career and not the polices’. But one of the reasons I threw in that whole Michael Moore thing is to illustrate that nothing is ever as black and white as it appears when I comment (re: soapbox) on something or someone. You make great points, especially that soft rock is as legitimate of a musical category as any other when well executed. And I’m sure ol’ Stingy demands perfection from those he works with. And yes, there is some garbage in the Police category – but not a lot of it. There are moments, such as Walking In Your Footsteps, where you hear what will become of Sting. Taking all this into account I still simply cannot accept that the man that made Outlandos d’amour is the same who did desert rose. And sure, to some degree those photos, album covers and yoga insistances* may be marketing, but that’s what I’m talking about. A musician shouldn’t let a marketing crew craft his ideas/persona/image/music. Thus, the talk-to-the-camera stylings of Sting at all times these days. And well-executed or not, Sting’s brand of soft rock just strikes me as insincere and cuntish. I worked in a jingle house for a while – the folks who craft jingles pride themselves on tight, professional execution of the music they do too, that might make it well-made and catchy, it doesn’t make it ‘good’.
But again, this is a great conversation. I’m looking for exchange. Thanks.
And yeah, Finnias, it’s as though the Sting of my childhood is bricked away behind piles of money in this one’s basement, screaming to get out.
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*I have no problem with real yoga, although I’ve always been too caffeinated to really learn how. Crowley’s idea that you must learn to command your body first if you want your Will to be able to command the world around you was an eye-opening truth to me
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