Rush is certainly an oddity in the music world. How many bands can you name that did their own, decidedly non-mainstream thing and still became a massive commercial success?
One only has to look at the millions upon millions of records they’ve sold, the huge amount of awards they’ve received, and the army of followers they’ve amassed over a career spanning four decades to see what they’ve accomplished. But they’re still somewhat obscure, certainly nowhere near as popular as their contemporaries, and their history isn’t common knowledge like the other rock giants. Even though everyone certainly knows tracks like ‘Tom Sawyer’, singer/bassist Geddy Lee jokingly refers to them as “the world’s most popular cult band”.
Scot McFadyen and Sam Dunn (creators of the excellent Metal: A Headbanger’s Journey) here tighten their focus to one band, drawing from their vast network of musicians to get the full story and show Rush’s enormous influence. From contemporaries like Gene Simmons to folks influenced by their musical abilities like Billy Corgan from The Smashing Pumpkins, Mike Portnoy from Dream Theater and Vinnie Paul from Pantera, they talk to an incredible amount of people and let the music do most of the talking. Everything about Rush is laid out for you here, from their beginnings as a high school band all the way through their massive tours today. The members of the band relate their story in their own words and the doc smartly uses music and old footage to keep your interest.
But the biggest hurdle a doc about Rush has to face is the fact that they’re not what most people look for in rockstars. They’re self-confessed dorks, writing about trees, libertarianism and fantasy, with no entertaining-yet-sad drug and alcohol-laden stories to tell. Bands they toured with that had lines of groupies waiting to sex them up (like Kiss) remark how weird it was that they never seemed to get laid. Their fans are portrayed as oddball music geeks, faithful to them for years and years and going to hundreds of shows, showing off an almost-frightening level of fandom. But Rush hasn’t really dealt with many hardships (save one massive one) over the years, either in their personal lives or from the music industry, so the film is mostly drama free.
So don’t go into this expecting any dark and dirty secrets exposed in this film- Rush simply has none. The focus here is completely on the music and it dives into it album by album.
Fortunately, one thing that everyone can agree on- whether they like Geddy Lee’s vocals or not- is that they are absolutely amazing musicians. It’s fascinating to watch them hone their craft over the years in ways that few other bands have, especially Neil Peart, who is quite simply one of the greats, and to this day is still trying to improve himself as a drummer. But the focus on the music and nothing but the music does hurt the film a bit and make it less accessible.
This isn’t an Anvil! The Story of Anvil, where anyone can watch it and fall in love with the story and members of the band regardless of how they feel about the music, this film as oddly niche as Rush itself. Fans will undoubtedly get the most out of it as it contains everything you could possibly want to know about the band, but everyone else’s enjoyment will be dependent on how much they appreciate the music.
Rush: Beyond the Lighted Stage played at Tribeca this year where it took home the Audience Award. It will hit theaters on June 10th, so check the site to see if it’s playing near you.





26 comments
It seems cool to practice revisionist history but what they're pitching as a happy-go-lucky group of dorks just isn't true. Back in the late 70s and 80s – in interview after interview – Geddy and Neil were pretentious, humorless douchenozzles (Neil going so far, in a Creem Magazine 1981 interview as saying the Rolling Stones "were never any good"). Rush disguised 7/8 time as art, when in truth they crafted radio-friendly pop THEY asserted was "important" or edgy (often anchored to achingly heavy-handed lyrics. By-Tor and the Snow Dog? Really?). "Cult band?" And they've sold millions upon millions of records – hardly a cult band. However, calling themselves a "cult band" gets them "street cred," I guess. Whatever.
Has time and tragedy mellowed them? Maybe – I know Neil Peart lost both his daughter and common-law wife within 10 months of each other. Heartbreaking stuff there, so I'm certain he discovered a new perspective about life and music. Regardless, if this documentary spends time on the THEN, trying to sell them as lovable geeks who were/are so cool they're a cult band is complete bullshit.
let the hate flow through you, magic kenny. let the hate flow..
Magic Kenny, you nailed it… But why comment or even read this post if you hate Rush so much? There is so much to do in the world other than that. Like enjoy a day outside, sipping beer listeing to Rush play "Subdivisions" on my boombox… That's what I'm gonna go do right now!
Did Magic Kenny just mistake Rush for a band fronted by Devin?
I think its more than obvious that Rush grew out of their 70's pretentions at this stage in their lives. They are just hard working genuine musicians who have matured beyond their Ayn Rand phase and certainly do not take themselves as seriously as the previous poster does.
Wow, what a bunch of crap.
So, Peart doesn't like the Rolling Stones so Rush is a pretentious, humorless band? Idiot. If MK had bothered to look a little deeper, he would have noticed that Rush changed up their style drastically every three or four albums. Some were radio friendly, some weren't.
I stay pretty up to date on Rush stuff (being a fan), but I've never seen them make any claims about their lyrics or 7/8 time being 'art'. Sounds like your projecting.
And although it is tongue in cheek, the 'cult band' reference is more on the nose than you give it credit for. The band gets very little press, isn't in the rock and roll hall of fame (and take a look at some of the horrible bands that did make it) and their airplay isn't as ubiquitous as many bands that are clearly less successful.
Be a hater. That's fine. But at least be an educated hater.
The Rolling Stone weren't ever good.
I'm not the biggest Rush fan, but I do own all of their albums (except Vapor Trails due to the horrible production…and the chance a re-mixed version may come out someday.) The thing I love about Rush is that, at least in my view, they are still a working rock and roll band, and not some nostalgia act. They still make very good music, such as Snakes and Arrows. I'll check out this documentary especially because it is music-centric. I can't argue with the haters. You like what you like and hate what you hate.
@#6 – J. Kordash interview w/Neil. Outside of saying the Stones aren't good musicians and "laugh at their audience" and that Paul McCartney is "a prostitute?" The whole interview paints him as a prick. Just deal with it. And fuck off. And use "you're" correctly the next time you tell someone to get educated. Did I mention "fuck off?"
Common-law wife? Wow… stay classy, Kenny.
As for the apocryphal Rollings Stones story, didn't Rush open for Rush at the SARS benefit and cover Paint it Black? Seem to remember them expressing admiration of the Stones, in fact.
Ah, yes… the power of The Internets:
http://www.youtube.com/watch?v=7rs2JOMoYss
'Lighted' is not a word.
@M,
While I disagree with much of what Magic Kenny has to say, he was stating a simple fact when he referred to Neil Peart's common-law wife. Peart and Jacqueline Taylor never married.
I can never fully understand the Rush haters. Don't like their music? Find their lyrics pretentious? Think their musicianship is over the top? Fine, move along. But for some reason, the Magic Kennys of the world just can't let it be. Rush somehow offends them personally.
Seeing Rush live for the first time in August. It's gonna be awesome.
Magic Kenny was raped by Neil's porn stache. It's OK Kenny, we can get you help.
Poor Kenny
You don't get it.
You have no class and no clue.
Go listen to your Kiss albums and play your air guitar you clueless Fuck.
Rush Rules. Always have. Always will.
The thing is, the movie frequently pokes fun at them and all the stupid shit they did as kids. The kimonos, for one. They don't come off as stuck-up about their past, they're quite self-depreciating about it. Just look at the image they're using in all the press for this one- http://www.tribecafilm.com/filmguide/87139962.html
I probably wouldn't hate Rush if they weren't overplayed so much and had a decent singer. If you edited out the singing, I'd probably like them.
Slow down there By-Tor – why do you need to slam a great band like Kiss to make your point?
@mrm1138, I don't doubt the fact. I guess I'm somewhat bemused by the use of the qualifier.
Kenny threw the kitchen sink at Msr. Peart, going so far as to point out that HE WASN'T EVEN PROPERLY MARRIED! SHE'S WAS JUST HIS *COMMON-LAW* WIFE! Thus the qualifier.
That's some deep-seeded hate. Oh, and the Stones are crappy musicians.
😉
Why's everyone bashing at Kenny? No rush-hater would even know the existence of a song like By-tor & the SD, much less its lyrics. The reality is that maybe up until Roll the Bones, and even beyond in most critic circles, Rush is seen as prententious, fantasy lyric, banshee-like vocals blah blah blah. Album reviews seemed like they were just cut and pasted from the previous one. Internally within their own circle, they were "fun-loving, dorks" or whatever the phrase being used is. However, whether due to their poor PR skills, their atypical rockstar lifestyle, or an almost universal and seemingly intentional malice on the part of music critics, they did come off as "pretentious, humorless douchenozzles " Of course Neil can be pretty pretentious (maybe not the right word…doesn't suffer fools, perhaps), maybe less so now. One only has to read his book The Masked Rider.
Magic Kenny! You are right about that interview you keep citing. It does paint Neil and Geddy as pricks. Unfairly so–go find Neil's response to it. Seems like the interviewer hates Rush as much as you do.
I guess I am just brain washed – I think if Rush put out a collection of Nursery rhymes I'd buy it. I just saw the flick and it was nice to get confirmation that they really are just some normal goofy guys who made it by working their butts off doing what they love.
Just got back from seeing this; thoroughly enjoyed myself. Nice to see that Billy Corgan is a big fan of theirs.
Please stop giving this magic kenny tool so much credibility by responding to his one negative comment; sheesh!!
In this doc they commented how Caress Of Steel caused a downward spiral for them; but for me it is one of their best. The Necromancer has one of the most incredible guitar rifts I have ever heard- Alex owes me about 5 sets of speakers dammit… 🙂
IMO the best albums ran from 2112 to Signals; got kinda bored with their stuff afterwards, but a buddy of mine feels they were just getting started then, so to each his own
Please stop giving this magic kenny tool so much credibility by responding to his one negative comment; sheesh!!
In this doc they commented how Caress Of Steel caused a downward spiral for them; but for me it is one of their best. The Necromancer has one of the most incredible guitar rifts I have ever heard- Alex owes me about 5 sets of speakers dammit… 🙂
IMO the best albums ran from 2112 to Signals; got kinda bored with their stuff afterwards, but a buddy of mine feels they were just getting started then, so to each his own
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