Last week I was having a conversation with another movie web site guy whose name you would all recognize about Thomas Lennon and Ben Garant. These guys were part of The State, and Reno 911 – but they also wrote The Pacifier and Taxi and Herbie: Fully Loaded.… Continue reading →
BUY IT AT AMAZON: CLICK HERE!STUDIO: SonyMSRP: $19.95RATED: PG-13 for Monster ViolenceRUNNING TIME: 139 Minutes SPECIAL FEATURES: Available Subtitles: English, French Available Audio Tracks: English (Dolby Digital 5.1), French (Dolby Digital 2.0 Surround) All… Continue reading →
What is this? Every single day of the week (almost), a new "Graboid", a single moment grabbed from a random movie, appears on this site for you to guess the name of the film, share with your officemates, or discuss on our message boards. Sometimes the Graboid… Continue reading →
BUY IT AT AMAZON: CLICK HERE!STUDIO: Tartan VideoMSRP: $24.99RATED: RRUNNING TIME: 86 MinutesSPECIAL FEATURES: • Commentary by author Tom Mes• Featurettes• Interview with Shinya Tsukamoto• Music video• Tartan Asia Extreme TrailersThe Pitch A young man… Continue reading →
Tom Hanks wasn’t satisfied with the massive whoring for Fed Ex that he did in Cast Away – the two time Oscar winner is now turning his attention to a movie so saturated in product placement it has the name of a major coffee chain in the title. The movie is… Continue reading →
I don’t really understand why America is afraid of British TV. It’s the same language, you know, and unlike the heyday of Dr. Who, modern British TV looks essentially as good as modern American TV. And like 300 percent better than anything on UPN. This fear… Continue reading →
If this doesn’t put the final nail in Arrested Development’s coffin, I don’t know what does: creator and show runner Mitch Hurwitz has quit. Granted, quitting the show seems like an odd formality at this point in time, with Fox shit-canning it, but it looked… Continue reading →
I’m not going to bore you once again with my argument for why there is no wrong time to make a good movie about 9/11. I won’t again remind you that we have no problem with books or songs about 9/11, and I won’t ask you why film should be treated as any less… Continue reading →
(From The Further Adventures of… stories) DOOM wishes it to be known that this tale of history has never been told before, and DOOM is only revealing it because DOOM wishes it to be so. DOOMTIME: MAY 1973 – WASHINGTON D.C., USA. DOOM first saw her… Continue reading →
I suppose we could start this out with a frayed trenchcoat. You see, I’m wearing it and beckoning you closer. Except I’m not going to expose myself this time. My sweet, sweet words entice you, although you’re not sure quite yet. So what if I told you that you… Continue reading →
This is my third time interviewing Richard Taylor, the capo of WETA. The guy doesn’t talk, he declaims. It’s always fun listening to him, not just because of his unique take on the monotone but because he still manages to get such passion across. King Kong,… Continue reading →
This is my third time interviewing Richard Taylor, the capo of WETA. The guy doesn’t talk, he declaims. It’s always fun listening to him, not just because of his unique take on the monotone but because he still manages to get such passion across. King Kong,… Continue reading →