Congratulations to Guillermo Del Toro and his excellent new film, Pan’s Labyrinth: this morning at the New York Film Festival (Pan is closing the Festival this year) it was announced that Pan was Mexico’s submission for the Best Foreign Language Film Oscar. I… Continue reading →
Let’s get this out of the way – I have no clue what the fuck anyone in the new trailer for Park Chanwook’s next film, I'm A Cyborg, But That's OK, is saying. At all. But who cares when the movie looks so gorgeous, with powerful colors just popping out and… Continue reading →
Stealth was the flop that sort of embodied Sony’s bad 2005. It seemed like the glossy, vacuous style that director Rob Cohen had perfected in The Fast and the Furious and xXx had finally failed, and many wondered if Cohen, not exactly a visionary, would just… Continue reading →
I pity the poor actor who gets notes from Tony Jaa on set. I’ve seen directors yelling at the cast before, but I’ve never seen them get pummeled in a rain of fists, elbows and knees – Tony Jaa’s specialty. The diminutive Thai actor, recently the star of the… Continue reading →
I finally broke down and bought The Golden Compass, the first book in the His Dark Materials trilogy by Philip Pullman. First of all, this is a kid’s book series? I can’t imagine what kind of pale, boring, morose kids must dig this – these must be the kids… Continue reading →
What is this? Every single day of the week (almost), a new "Graboid", a single moment grabbed from a random movie, appears on this site for you to guess the name of the film, share with your officemates, or discuss on our message boards. Sometimes the Graboid… Continue reading →
The New York City I grew up in is gone. The streets are still there, and most of the buildings, but there’s something fundamentally changed. And there’s something fundamentally changed in me, too. New York City isn’t the same in 2006 as it was in 1986, and… Continue reading →
It's amazing to watch A Nightmare on Elm Street all these years later after so many sequels and so many horror films either imitating or spoofing Wes Craven's genre busting (and New Line birthing) phenomenon. It's still pretty damn effective and creepy… Continue reading →
Though the quote on the cover that proclaims Chan-Wook Park's Lady Vengeance is the "best revenge thriller since Kill Bill" might impress some of you, it sells the film way short. It's apples and oranges. Actually it's honeydew melons and the sacred fruit of… Continue reading →
You might remember me talking about a low-budget, completely indie movie coming out of Seattle called June & July. It’s been described as “Jim Jarmusch does Unbreakable,” and I think that’s perfect – it’s about 20-something twins, brother and sister, who live… Continue reading →
Last night NBC’s new Monday line-up debuted in full with the first episode of Heroes, which was followed up by Studio 60 on the Sunset Strip. The media has been salivating about the possibility of Studio 60 failing – show creator Aaron Sorkin is, I guess,… Continue reading →