Michael Haneke, that cheery chronicler of abject inhumanity, is frustrating our expectations in new and, hopefully, exciting ways. After the art house success of Caché in 2005, the director blew minds all over the cineaste-sphere when he decided to do an… Continue reading →
You might not have noticed (I know I hadn't), but it's been a full five years since we last saw Goldie Hawn on the big screen. As a fan of the 1970s ditz icon turned movie star (and longtime shacker-upper with Kurt Russell), I'd be sad about this if I felt… Continue reading →
Michael Winterbottom is one of my favorite directors, but I don’t know that I could tell you what makes a Winterbottom film a Winterbottom film. And that’s why I like him so much – he jumps from place to place, style to style, and genre to genre. He’s an… Continue reading →
Read the first part of the set visit, with an interview with director Michael Bay, here. There are a number of different kinds of vehicles on the downtown Los Angeles street where Transformers is shooting: there are the ones that have been tossed about in… Continue reading →
One of the most frustrating things about Heroes is that it’s full of actors who should be on a much better show. That includes Adrian Pasdar, who plays Nathan Petrelli, Cristine Rose, who plays his mother, and Malcolm McDowell, who plays Mr. Lindermann. Both… Continue reading →
A source close to the production of Indiana Jones IV (still, as far as we know, unofficially called Indiana Jones and the City of the Gods, but more on that later) has divulged some information to us about the film’s shooting locations, opening set piece and… Continue reading →
That's the first picture of The Joker from The Dark Knight, thanks to themykra, from the message boards. The other day we told you about the ‘I Believe In Harvey Dent’ fake campaign site for The Dark Knight. It turns out the speculation was true: the site was… Continue reading →
William Gibson’s Neuromancer changed everything. The book introduced (to a wide audience) the term cyberspace, and its cyberpunk attitudes, concepts and styles would be a major influence on art, music and film over the next decades. It’s no stretch to say… Continue reading →
BUY IT AT AMAZON: CLICK HERESTUDIO: Buena Vista Home Entertainment / TouchstoneMSRP: $39.99RATED: Not ratedRUNNING TIME: 530 minutesSPECIAL FEATURES: • My 117 Episodes: A look back at 5 seasons• Deleted scenes & alternate lines• Director's cut of the 100th… Continue reading →
Michael Moore’s Sicko is currently conquering France at the Cannes Film Festival (but no surprise there), where it’s being called a movie that “opens your emotional pores” (Jeff Wells) and “alternates between comedy and outrage” (Variety). There’s some… Continue reading →
"Bring any weapons?" "Of course not." "You ain't changin' nothin'." For about two minutes, the Cannes John Rambo showreel, currently being hosted by our pals over at Ain't It Cool News, is muted, melancholy and contemplative – a nice companion piece to last… Continue reading →