For the longest time, Kevin Smith has been talking up Red State, his first foray into the world of horror. The story, still under construction, concerns a spooky fundamentalist psycho type, although I might have been a little redundant in that description.… Continue reading →
I’m a bit notorious ‘round these parts for being among the very few detractors of David Cronenberg’s A History of Violence, and while I’ll skip the details so as not to re-ignite that particular powder keg, I will say that I’m at least glad that it’s helped… Continue reading →
Yesterday, Nintendo issued a vague press release announcing a program called WiiWare, which seems to have been intended to parallel Microsoft's XNA framework in allowing garage developers the faint glimmer of hope of having their games available on their… Continue reading →
I love it when an actor finds synergy with a director and works with them on multiple films because both parties are usually able to up each other’s game and bring a level of trust and freedom to a movie set that you simply could not have otherwise. Lately,… Continue reading →
If Hugh Jackman really "passed" on The Lovely Bones (and this does seem to be the case), then consider Ryan Gosling a major upgrade of a second choice. Don't take this as a slight against Jackman; he's a fine actor who just turned in the best performance of… Continue reading →
***SPOILERS TO FOLLOW!!! TRANS-VIRGINS SHALL NOT PASS!!!*** Michael Bay's giant fucking robots are here, and they are dead-set on destroying lots of property, so it's fortunate that, in anticipation of the edifice-toppling third-act tilt, they've landed in… Continue reading →
Paulo Coelho, who wrote the best selling book The Alchemist, traffics in bullshit yuppie spirituality, kind of a better dressed Carlos Castaneda who just loves doing book signings. Check out ‘The Magus,’ a profile of Coelho in an issue of The New Yorker this… Continue reading →
Three cheers for 300. The "little" movie that could (and did) has reopened the doors for big concept, smaller-budget filmmaking where the unsuccessful experiment of Sky Captain and the World of Tomorrow was labeled as having incidentally squeezed it shut*.… Continue reading →
This fourth Die Hard installment opens with the Fox logo going dark. We’re meant to take the power outage simply as an indication of the plot shortly to unfold. In fact, we’re seeing the death of a series, at least as far as this episode is concerned. Live… Continue reading →
“Did you really like it?” That’s what my brother asked me when I told him that the first DVD to carry my quote was now in stores. My own brother. I understand where he’s coming from. Not only am I an opportunistic prick, but the world is filled with… Continue reading →
Any time I mention Djimon Hounsou, I have to fight the urge to do two things. One is making any sort of joke that involves Digimon (thanks, Nick!) or Moon Knight. Two, which is just barely more important, is to not immediately mentally replay his death scene… Continue reading →
With the massive fiscal success and equally as massive critical and popular disdain for Spider-Man 3, Sony’s probably surer than ever that any collection of light and sound labeled “Spider-Man” that could run in a projector for 90 minutes or so would be an… Continue reading →